54 pages 1-hour read

The Library at Mount Char

Fiction | Novel | Adult | Published in 2015

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Part 1, Chapters 1-3Chapter Summaries & Analyses

Part 1: “The Library at Garrison Oaks”

Part 1, Chapter 1 Summary: “Sunrise”

Content Warning: This section of the guide includes discussion of cursing, graphic violence, antigay bias, death, animal cruelty, animal death, child abuse, child death, physical abuse, and emotional abuse.


Carolyn is walking along an isolated highway, barefoot and drenched in blood, having just murdered Detective Miner. She’s a librarian in Garrison Oaks, a housing subdivision in Virginia that Americans, for some reason, can’t remember. When Carolyn was eight, her parents and many neighbors were killed there. She and 11 other children were taken in by Father, who made them his apprentices. He calls them Pelapi, which translates to something like librarian and pupil. 


Father is very old and has immense knowledge and power: He can make lightning, stop time, and speak to stones. The written theory and practice of his powers are stored in the Library and organized into 12 catalogs, one for each child to study. The librarians who appear most frequently in the novel and their catalogs are Carolyn (languages), David (war, murder, martial arts), Jennifer (medicine, healing, resurrection), Michael (animals), and Margaret (death). The others, who appear infrequently in the book, are Peter (math, engineering, cooking), Alicia (time travel), Rachel (whose ghost children see possible futures), Richard (armorer), Emily (finder of secrets and lost things), Lisa (mind control), and Jacob (unidentified) (Hawkins, Scott. “The Twelve Catalogs, Cataloged.” Scott Hawkins Blog).


Because Carolyn’s catalog is language, she spends her first summer as a librarian with a deer and her new fawn, learning their ways and language. She loves the deer, Isha and Asha, and they become family to her. When Carolyn doesn’t learn quickly enough, Father has her brother David kill Isha and Asha in front of her.


That was 25 years ago. Now, Father is missing, and the librarians are unable to enter Garrison Oaks, the neighborhood surrounding the Library. They’re living nearby in Mrs. McGillicutty’s house, trying to blend in with American society by wearing her clothes. Margaret is dead, but David calls the others to gather at sunrise. They dig up Margaret’s rotting body, and Jennifer, whose catalog is healing, brings her back to life. 


David questions them all about their efforts to search for Father. They’re careful not to ask about knowledge from each other’s catalog, which is forbidden, and they all report finding no signs of Father. Michael reports that Nobununga, one of Father’s closest allies, will visit to investigate his disappearance. David orders Carolyn to find a human heart that they can sacrifice to Nobununga. She agrees, all the while hiding her thoughts and emotions so that David won’t suspect her hatred for him.

Part 1, Chapter 2 Summary: “Buddhism for Assholes”

Steve Hodgson meets Carolyn in a bar, and she offers him $327,000 in cash to break into a house with her. Somehow, she knows about his history and skill as a burglar. Carolyn says something very important was taken from her, and she wants to get it back. Steve is trying not to be drawn back into crime, having given that life up 10 years ago, and Carolyn’s explanation is very suspicious. It’s a lot of money, though, so he agrees despite his misgivings.


Steve, who works as a plumber now, has a truck with his company name on it, so they need another vehicle. They go to the airport parking lot to steal one. Carolyn directs him to the house she wants him to break into: Detective Miner’s house. After looking around for a bit, Carolyn says she found what she was looking for. She pulls Steve close and kisses him. Behind her, Detective Miner appears holding a shotgun and acting strangely, like a zombie. Carolyn tells Steve that she’s sorry, and then the detective shoots Steve, killing him.


Carolyn reloads the shotgun and uses Steve’s hand to shoot the zombie-like detective with it. She purposely leaves her fingerprint on the light switch. For the rest of the night, she holds Steve’s head and strokes his hair, saying she’s sorry and that she’ll make it better, in every language.

Part 1, Interlude 1 Summary: “From the East, Thunder”

After David killed Isha and Asha, Father made Carolyn skin and butcher them, and then he roasted their flesh in his bronze grill, which was shaped like a bull. He served their meat at a banquet held in honor of Carolyn coming home from spending the summer with the deer. A year later, Father does something equally terrible to Rachel: He forces her to strangle her ghost children, who tell her possible futures, in their cribs when they’re about 9 months old. She’s 12 years old the first time she has to do it. Afterward, she tries to run away, but Father’s sentinels, vicious guard dogs, catch her and rip her to shreds.


Michael comes to Carolyn’s room after being away, studying in the ocean with a tortoise. He asks her to translate a cuneiform text into Pelapi, the librarian’s shared language. The text is about a battle referred to as “the dawning.” It occurred about 65,000 years ago and marked the end of the third age, when Father overthrew the Emperor and became ruler of the fourth age. At first, the Emperor was defeating Father, but then they heard thunder from the east. It was the voice of the Emperor’s confidant, Nobununga, who saw wisdom and took Father’s side. With this, Father’s courage was renewed, his armies rose again, and he defeated the Emperor. 


Now, Michael is to be Nobununga’s apprentice.

Part 1, Chapter 3 Summary: “The Denial That Shreds”

The librarians have been at Mrs. McGillicutty’s house for about six weeks since randomly knocking on her door after Father’s disappearance. They used mind control on her at first, but now she lets them stay voluntarily because she enjoys the company. Jennifer tells Carolyn that their host’s husband was abusive, especially toward their gay son. His abuse drove their son to leave home and rarely speak to them. Mrs. McGillicutty is heartbroken but still holds on to an idealized memory of her son that Jennifer calls a “heart coal.”


The morning after Carolyn kills Steve, his heart is marinating in Mrs. McGillicutty’s refrigerator. Carolyn, Michael, Peter, and Alicia plan to meet at the bronze bull to get a private word with Nobununga when he arrives. On her way there, Carolyn thinks about the plan she’s been developing in secret for 10 years. When they arrive at the bull, they discover that Nobununga is a tiger. The librarians tell him about the magic barrier that keeps them from entering Garrison Oaks: If they pass the sign at the subdivision’s entrance, they experience intense physical symptoms like bleeding eyes, unbearable headaches, and fainting within just a few steps.


Nobununga calls the barrier a reissak ayrial, meaning “the denial that shreds” in Pelapi (66). He attempts to enter Garrison Oaks and seems unaffected at first. However, when his eyes begin bleeding and he falls, Michael runs in after his beloved mentor, collapsing almost immediately. Carolyn follows to pull Michael out, pretending to have the same symptoms. Nobununga, further in, doesn’t appear to be breathing anymore.


Later, Alicia explains that a reissak ayrial is a perimeter-defense mechanism made from “a sphere anchored in the plane of regret” (70). It’s triggered by a particular emotion, experience, or memory, so only those who share that trigger feel the effects. The sphere is centered around a physical object called a token, and the librarians believe it was created by whoever caused Father’s disappearance. David seems the most likely suspect, but they still need him for whatever plan they come up with. They’ll map the perimeter and use the spherical shape to determine where the token is. Since delivery drivers have so far been unaffected, they’ll get one of them to go in and remove the token.

Part 1, Chapters 1-3 Analysis

Setting and world-building are central to this work of dark fantasy. The story takes place in a semblance of the real world—Garrison Oaks is originally a normal residential subdivision in Virginia—yet it features fantastical elements that range from reality-adjacent to pure invention. For example, the theory of regression completeness, which Father was said to be working on when he disappeared, draws from real-life theories on machine learning and artificial intelligence. The author uses sensory details to create immersive descriptions to highlight the familiar aspects of this world:


The stairwell was black with ancient dirt, the sort of place stray cats go to die. Drifts of McCrap accumulated in the corners—cigarette butts, fast food bags, a Dasani bottle half full of tobacco spit. Tonight it was chilly, which kept the smell down, but in the summer he held his breath while he climbed (30).


This familiarity, by contrast, emphasizes the bizarre aspects of the setting.


Carolyn’s life with Father and the other librarians revolves around a mythology that upends traditional ideas of time and place and establishes one of the narrative’s main themes, The Succession Conflict and Parallels to Greek Mythology. This mythology depicts at least four ages, with Father having reigned over the current age for 65,000 years. Hawkins develops the world’s mythology with a detailed history, including battles, alliances, and conquests. He also defines its hierarchy, albeit briefly, and introduces many of Father’s courtiers, like the last Monstruwaken and the ambassador of the forgotten lands. By developing this mythology, Hawkins creates a slew of figures who might vie for power in Father’s absence. He also elevates the stakes by drawing parallels to conquests in its own history and other mythological literature.


These chapters set the stage for the novel’s main conflicts, though they don’t fully establish the exact nature of those conflicts. Narration is from a third-person point of view, but it takes on a degree of intimacy typical of first-person narration, imbuing the narrative voice with the personality of the character it is closest to in the moment. When the narrator withholds information, this strategy reflects Carolyn and Steve’s choices and develops their motives. Carolyn doesn’t yet reveal her role in Father’s disappearance or her plan to succeed him, but her conversations with the other librarians allude to the idea of David trying to overthrow Father, thus introducing the succession conflict. Also known as the dynastic struggle, this conflict archetype involves fierce battles for power and delves into thematic ideas about ambition, betrayal, and control. The fact that the librarians consider Father’s courtiers and each other as potential threats illustrates the scale and complexity typical of this type of archetypal conflict.


Carolyn and Steve face significant inner conflicts that begin to emerge in these chapters as well, both of which expose The Emotional Toll of Wearing a Mask. Carolyn has been hiding her true feelings, motives, and ambitions for so long that the person she once was may be buried too deep to ever retrieve. Her strict control over how she portrays herself makes her less vulnerable in a brutal environment, but it also suppresses her natural compassion. Steve defines himself by his past sins. His journey toward self-improvement is so hampered by this metaphorical baggage that he believes even becoming a Buddhist monk wouldn’t absolve him: “The fact that he himself was still just a piece of shit with a shaved head and an orange robe was bound to come out sooner or later” (34). Steve’s self-identity is built around guilt and regret, and his arc throughout the novel is one of redemption and acceptance as he is able to abandon the negative persona that is holding him back. 


In these chapters, the concept of regret is also established as important to the story in many ways. It’s one of three words Jennifer draws on Margaret’s body when bringing her back to life in Chapter 1. Resurrection is a motif in the novel that represents the possibility of redemption. For characters burdened by regret, like Steve, or hardened by ambition, like Carolyn, resurrection symbolizes their potential to overcome their pasts as they explore The Human Capacity for Cruelty, Compassion, and Change.

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