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The narrative returns to the past, when Carolyn is about 16. David rapes and kills her. When Jennifer brings her back to life, she asks why Carolyn fought back, angering David enough to break her jaw and nail her to her desk. Carolyn hides the truth, which is that she had to keep David from seeing the text she’d hidden among the other books on her shelf.
David has raped most of the librarians. Peter is completely traumatized by it, Jennifer reports. She also says that David and Margaret have a monthly ritual—Margaret’s idea—in which David kills her, then himself, and Jennifer has to bring them back the next morning. Jennifer suspects Father and David go easier on her to ensure that she’ll always bring them back if they die.
Carolyn asks Jennifer what she would do if Father ever died. Jennifer warns her never to mention or even think about that again and threatens to tell Father if she does. She says Carolyn is showing signs of the “craziness” David and Margaret have, an avoidance mechanism in which they try to make everything as bad as possible.
Carolyn has been using invisibility, a power explained in a book she discovered, for three years to study texts and gain knowledge from other catalogs. The text she died to protect is from David’s catalog, called “Mental Warfare, vol. III: The Concealment of Thought and Intention” (259). After finishing it, she starts on “The Plotting and Execution of Vengeful Murder by Adam Black” (260). Chapter 11 of this book is titled “Notes on the Subjugation of the Martially Superior Foe” (260).
Now, Carolyn and Steve find David, Margaret, and Erwin outside Garrison Oaks. Carolyn tells Steve that he’ll be safe in the Library because anybody who’s a threat to him will trigger the barrier—they tasted the flesh of the deer, Isha and Asha, at a feast held there long ago. Then Carolyn reveals the dogs won’t hurt him either, because they’ve been under her control all along.
Steve goes into Garrison Oaks, and Carolyn joins David, Margaret, and Erwin. She admits that she killed Father and created the barrier. She proposes that she and David join forces, saying she admires him. Then she rips off one of his testicles and runs across the barrier. David follows, able to withstand the effects because of his training. He throws his spear into her leg and drags her toward him, then tries to kill her and nearly succeeds. Erwin appears, however, and shoots David in the face. As David is dying, Carolyn whispers a word that suspends him outside of time.
Soon, Steve and Naga join Carolyn and Erwin, and Carolyn explains how she engineered every detail of what’s happened, including their roles. She left David alive and outside of time so that he’ll be stuck forever with the terror of knowing he’s about to die. She also produced a small shock in the pain center of David’s brain, leaving him in a state she describes as “the theoretical upper limit of suffering” (279). When Margaret learns this, she’s delighted and tells Carolyn that they’re sisters, now that Carolyn is like her.
Margaret knows Carolyn will kill her but asks to be burned in the bull, like David. Carolyn agrees and prepares the fire, but when Erwin realizes what she intends, he aims his gun at her and says he won’t let her do it. Two military helicopters fly overhead with guns, bombs, and missiles. Carolyn gives a command: “Project and defend” (287). A blinding light follows, and shortly afterward, both helicopters nosedive to the ground and explode.
Carolyn burns Margaret and joins Steve in the neighborhood, where the animals and dead ones make way for her and call her Sehlani, the title they used to call Father. When they reach the Library, they find it nearly demolished. Carolyn explains that the small building was just a projection. The front door is a portal to the real Library. Before they go through, Steve asks what the token was. Carolyn picks up a copy of the book Black Beauty, which is vaguely familiar to Steve. He and Naga follow Carolyn, who pulls David’s floating body with them on a string, into the Library.
The Library is an enormous pyramid, about two square miles at the base. In the center, a floating spiral staircase leads to a platform, above which hovers a cloud of lights. That cloud is the universe, the one Steve’s world is in.
The Library is a separate universe that Father created to protect the millions of books he authored, which contain the knowledge of the universe. Carolyn and Steve climb to the platform, where they find a young woman sleeping. Carolyn recognizes her as Mithraganhi, Nobununga’s sister and, until a few hours ago, the sun. Father made her into the sun using the same word that Carolyn spoke to David.
Mithraganhi wakes, and Carolyn quickly stabs her in the neck, killing her. Steve, horrified, holds Mithraganhi’s hand as she dies. Carolyn explains that anyone loyal to Father is a threat to them. Carolyn hangs David in the sky, within the cloud of lights, to be the new sun. He’ll be a dark sun, producing plenty of heat but no light.
Carolyn tells Steve she owes him a great deal and promises to give him anything he can think of, even invincibility or immortality. Then she tells him all about her life in the Library with Father. Hearing what she endured, Steve has compassion for her. He learns that he’s been resurrected but chooses not to know the details. Steve stays in the Library that night, watching astrophysicists on the news on Earth trying to explain why the sun is black. As he begins to comprehend Carolyn’s true power and state of mind, he becomes afraid. He realizes what he must do.
The description of David raping and murdering Carolyn in Interlude 4 creates tension, but it serves the story in other ways. One way is through a comparison of trauma responses. Jennifer says David did the same thing to Peter and observes: “Peter at least lived through it, but he’s a wreck. If I don’t keep him drugged to the eyeballs, he just curls up in the nearest corner and cries” (252). Peter serves as a foil to Carolyn, emphasizing the character traits that her response demonstrates by contrast. It shines a light on both her strength and resilience, and on the price she pays for them. Margaret’s character provides an example of another possible response: dissociation and psychosis. Throughout the book, such sources of trauma and how people respond to them illuminate The Human Capacity for Cruelty, Compassion, and Change through both David’s monstrous actions and the various characters’ responses.
Carolyn’s revelation about using invisibility to sneak texts from other catalogs adds new irony to the plot. Father made efforts to keep the librarians from gaining too much knowledge or power, yet his texts allow Carolyn to overthrow him and kill David. By recording his knowledge of skills like invisibility and martial subjugation, he becomes the architect of his downfall. However, another layer of irony exists: Future chapters reveal that this was his intention. When Carolyn tells Steve and Erwin about how she set things up to occur exactly as they did, her level of control over every detail of the plan and how it played out underscores her capability and develops the theme of The Succession Conflict and Parallels to Greek Mythology. In a sense, though, her control is an illusion: Every choice she’s made was engineered by Father, though that fact doesn’t emerge just yet.
Another revelation—that the dogs in Garrison Oaks have obeyed Carolyn all along—is a plot twist that significantly changes her character development. Her ambition and her role in Father’s disappearance have gradually become apparent, but this reveals just how far she’s willing to go and how manipulative she is. To Carolyn, manipulating people is just a strategy, devoid of moral or immoral value. This is an important aspect of her character arc, which demonstrates how abuse and trauma change people. Carolyn deeply regrets hurting Steve physically, but does so anyway because her ambition and her need for revenge outweigh everything else. Despite her godlike power, she’s not immune to the human forces of trauma and hate or the cyclical nature of abuse.
These chapters also further develop Carolyn’s identity conflict and the theme of The Emotional Toll of Wearing a Mask. Even after she’s killed David and secured control over the Library—meaning she no longer has a reason to guard her thoughts and emotions so closely—Carolyn struggles to tell Steve about her life with Father and the other librarians. She tells him: “It’s just…I always had to hide what I was thinking, planning. I had to hide everything, even from myself. Always. Do you understand?” (313). This necessity has made secrecy such an ingrained habit that she may not be capable of bringing her true self back to the surface. She’s not even sure that version of her still exists after being suppressed for so long. Hiding the truth from her own mind, to protect against telepathic spying, has resulted in a fractured sense of self and an erosion of her humanity.



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