58 pages 1-hour read

The Life Cycle of the Common Octopus

Fiction | Novel | Adult | Published in 2025

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Symbols & Motifs

The Octopus

The novel’s titular octopus reappears often in the text, functioning as a symbol of The Sacrifices of Motherhood. Margot, who is the first to explain the symbolic connection, tells Pen that female octopi sacrifice themselves for their children, starving themselves while they tend to their eggs and then dying, after which their bodies “sometimes [become] a source of food for [their] young” (326). Significantly, Margot believes that the essence of this self-sacrifice is true of human mothers as well, and she resents the idea that the cultural narrative places women in one of two roles: totally self-sacrificing saints or monsters who abandon their duties. As Margot laments, “There is little room for a mother’s self-interest in the narrative. There is only the selfish monster and the octopus” (326). This metaphor explains Margot’s own ambiguous attitude towards motherhood, as well as her refusal to marry Ted.


As a young woman, Pen is moved by Margot’s story, but she is not fully convinced that Margot’s assessment is accurate. Seeing more wholesome possibilities in mothering, Pen turns instead to her own mother and Christina for additional insight. Christina tells her that the evolutionary reason that the mother octopus dies is to prevent a situation in which she is forced to eat her children or compete with them for survival. She also asserts, “Parents don’t become redundant right away. But we do become so, eventually, if we’ve done our jobs at all well” (362). As an adult Pen rocks her infant daughter in the novel’s prologue, she reflects on these ideas of motherhood and imagines herself stepping aside to encourage her child’s eventual independence. Also present in this scene is a “plush octopus” sent by an unidentified woman. This plush animal is a reminder of the sacrifices of motherhood as well as an indicator of Pen’s ability to make her own choices and forge her own path as a mother.

Talmòrach

Talmòrach is the Lennox family estate; it symbolizes the duties and burdens of past generations. Elliot Lennox inherited the land when his mother dies, and he and Christina subsequently discovered that the house needed upkeep and the village was failing. While Elliot pursued his passions as a novelist, it fell to Christina to maintain the estate and revitalize the village, and this calling has come to define much of her life’s work as part of the Lennox family. Although this job requires a great deal of labor from her, she is still seen as a mere “housewife” by those around her (including her sister-in-law, Margot), Christina’s efforts are often underappreciated. However, she comes to love the land and thinks of it often when she visits London, reflecting, “Talamh meant “land” but also “earth” or “soil.” This soil was a part of her, and she would one day become a part of it” (122).


Yet despite their love for Talmòrach, she and Elliot agree that the grand estate should never become a burden to their children or to her niece, George. Instead, they decide that after their deaths, it will be turned over to the National Trust so that “[t]heir children’s futures would not be limited by the dictates of the past” (362). As Christina tells Pen, part of her love for her lifestyle comes from the fact that she “chose it freely” (362). By giving Talmòrach away, she and Elliot hope to offer the same freedom of choice to their children rather than burdening them with the cumbersome legacies of the past.

Anna’s Journal

Anna’s journal symbolizes her younger self and the secrets of the past. Initially, Pen is reluctant to read it, but Anna says that because she can no longer fully remember “the person [she] was at [Pen’s] age” (318), she relies upon the words in the journal to “preserve” the essence of her younger self so that Pen can understand the issues that once motivated her. Symbolically, the journal is a living record of Anna. While Anna intends the gift as a gesture of reconciliation, hoping to help Pen satisfy her need to understand the past, Pen is frightened of what might be inside it. She imagines herself as a child, preferring to “leave the lid on her green turtle-shaped sandbox, to avoid seeing the potato bugs that hid underneath” (318) and hopes that she can similarly “leave her mother’s past closed for a while” (318). However, she comes to realize that she needs to open it not only to unearth her mother’s past, but to understand herself. Significantly, the first thing she finds when she opens the journal is a picture of her mother, which she initially sees as “a picture of herself in black and white” (318). This photo reminds her that her mother was once a young woman finding her way, just as Pen is now.

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