53 pages • 1-hour read
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Photographs and pictures appear repeatedly throughout the novel. Joe describes a picture frame cutting Jeremy when they are boys. Lila’s rape is documented in a photo, in which her attackers' faces are scrambled. The crime scene photos of Crystal’s murder are integral to Lila and Joe’s investigation. Even the first hint of Carl’s innocence comes from a photo, when Joe sees a picture of Carl getting arrested and notes that he looks confused. However, a visual image doesn’t always paint the full picture—as is the case with the photograph of Lila’s attack. The photos also speak to how emotionally impactful visual imagery is, as seen with Joe’s reaction to the crime scene images. Human reactions to visuals can be visceral and emotionally charged. This also speaks to the contextual significance of Eskens’s including the Vietnam War, a conflict that came to be symbolized by several grotesque war images.
A murder mystery is a puzzle by nature, and Joe refers to Carl's case as a puzzle on multiple occasions. Joe perceives his discussions with Carl as a puzzle, gathering pieces to construct the “monster” who Joe initially sees. There is also the spot-the-difference puzzle of the crime scene photos and the puzzle of Crystal’s coded diary; the latter puzzle's solution requires Jeremy's adept pattern recognition skills. Metaphorically, each of the novel's characters is a puzzle: Each character struggles with piecing together emotions, past experiences and traumas, and current struggles to arrive at a solution, or a way forward.
In the case of both Carl and Douglas, religion demonstrates the danger that comes with unquestioningly adhering to a perceived truth (in this case, the Bible). Religion has a powerful grip on Carl's mind when he’s younger and prevents him from committing suicide as a young man. However, he then seeks out another way to end his life—running into enemy fire. In Carl's case, religion did not provide him with solace or the will to keep living; it motivated him to find an alternative to suicide because he wanted to die. In contrast, Douglas is a devoutly religious man but not a good person. He abuses the Bible for his own selfish purposes, using verses to belittle his stepdaughter, Crystal, or to defend himself against wrongdoing. His interpretation of the Bible is exceedingly literal: When Danielle catches him at a strip club, he tells her “Jesus hung out with prostitutes” (154).
The Minnesota Twins baseball team functions as a bright spot in the narrative—a symbol of simplicity and innocence that remains untouched by deceit or violence. Joe is a fan of the team and refers to them as “My Twins” (7). When he and Jeremy are driving in Chapter 3, they listen to a Minnesota Twins game on the radio. The fact that Lila wears a Twins jersey lends visual support for her characterization as “good” and emphasizes the romantic link between her and Joe. This carefully crafted symbol of “goodness” is fitting because sports are one of the few areas in life where circumstances are black-and-white, with no grey area; a team wins or loses. On the baseball diamond, there is no room for the nuances that come with the truth of everyday life.



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