58 pages 1-hour read

The Magnificent Lives of Marjorie Post: A Novel

Fiction | Novel | Adult | Published in 2022

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Themes

Women’s Roles in a Male-Dominated Society

When the novel opens, Marjorie Merriweather Post is presented to readers at the height of her social clout, but without a husband, a fact indicated by the use of her maiden name. She sees herself as a kingmaker, clearly having hosted presidential families before. Marjorie rules an otherworldly domain—Lady Bird Johnson notes, “Every time I step into one of your homes, it’s like I’ve stepped into some beautiful Neverland” (10). Marjorie has come to this sense of empowerment and social capital over the course of the novel, forging an influential role in a society that has greatly changed since her birth in 1887, partly due to her actions and those of other women.


Charles William and Ella Post involve Marjorie in major decisions and conversations starting in childhood. For instance, she is allowed to remain in the room during Dr. Kellogg’s meeting about Charles William’s poor health, a fact that surprises him into asking, “And…the girl…she can stay for this?” (24). As a result, Marjorie gains a sense of her own importance. However, she knows that despite “all Papa’s talk of raising me to be strong and educated, we had always known a man would have to someday run the company, and I had always believed that man would be my husband” (132). She is born into a world in which women cannot head major corporations or run their boards; while her family’s wealth and status will protect her from many catastrophes, barring drastic action, she will never be able to fully use her entrepreneurial instincts, knowledge, and talents.


Eventually, however, Marjorie discards this way of thinking. After getting a taste of working directly at Post Cereal Company while her first husband Ed serves in World War I, Marjorie is dissatisfied with returning to the domestic sphere when he comes back. Although Ed is scornful of her tastes, her willingness to be publicly active in politics, and her refusal to simply submit to his decisions, Marjorie dreams of roles for her daughters beyond what was available to her as a young woman. Later, readers see her business acumen when she suggests acquiring Birdseye’s frozen food company—a savvy move to expand into a new market that her second husband Ned dismisses, seeing the business as his domain and bitter that she wants to participate. Tired of working through resentful husbands or going behind their backs, Marjorie finally pushes for a seat on the board for herself. This shows Marjorie’s transformation into a woman who values her talent and insists on her rights as the heir to the Post family fortune and company.


Marjorie also utilizes her position as a woman to wield political and social power. She transforms domestic spaces—traditionally allotted to women—into places in which political decisions that affect the fate of the world are made. Her lavish parties and charitable fundraisers have real effects, raising hundreds of thousands of dollars for those in need during both World Wars and the Great Depression. She uses her hospitality prowess to open public kitchens: “Gone were my banquets of gold and mahogany; now I fixed my exacting hostess’s eyes on every detail in that canteen” (218). Finally, when her third husband Joe is posted to the USSR as ambassador, she helps the cause of diplomacy through her event-planning and charm. Marjorie finds a way to carve out a way for a woman to be a leader while maintaining expected gender norms: femininity, domesticity, and grace.

Wealth as an Escape from Reality

Marjorie’s wealth is astounding; it allows her to purchase whatever she wants and completely shelters her from any adverse historical events. She is virtually unaffected by extreme economic catastrophes, such as the Great Depression and World War II. In fact, despite “the ravages of the Depression, General Foods was not only surviving—it was thriving” (221). Her profligate spending is somewhat subdued during her marriage to Ed Close, due to his disparagement of her provincialism and association with the “new money” crowd’s conspicuous consumption, which he sees as “gaudy” and flashy, unlike the stately glamour of old-money taste (144). However, during her marriage to Ned Hutton, Marjorie retreats into luxury for self-soothing, blinkered protection.


Marjorie often literally escapes from unpleasantness via the mobility that wealth allows her. At times, her homes become fortresses against the outside world. At other times, by setting sail aboard her four-mast 300-foot yacht, she literally is able to separate herself from her country’s troubles. It is hard for the average reader to understand exactly what she is fleeing when she claims to be in need of a break—her obscenely luxurious lifestyle does not seem like it could possibly be particularly taxing, especially as other Americans are standing in line for soup kitchens. However, Marjorie often claims to be overwhelmed: “[A]s much as I put my money to work helping others, I felt the need to get away for a bit” (221).


Still, Marjorie knows that her life is a charmed one: “I would never be desperate. I would continue to enjoy wealth and privilege beyond what most others in the world could even imagine” (216). Though she liberally uses the safety net of her riches, she does not stop valuing charitable work, continuing to fund public kitchens and other organizations in need. Taking a back seat while the country struggles is an instinct that Marjorie fights, and finding a balance between her life of luxury and using her wealth for good is important to her character development. When she engages in philanthropy, she feels like she is moving closer to her father’s vision for her and her family’s business. Gradually, Marjorie’s charitable endeavors become the greater part of her work, independent of specific catastrophic events—though a cynical reader could see in her giving the same kind of image-washing often practiced by the 19th-century robber barons who founded museums and colleges.

Relationships in the Public Eye

Marjorie’s fame and wealth as the heir to the Post Cereal Company and her eventual relationship to General Foods catapult her love life into the public eye. Newspapers eager to report on the lives of the rich cannot see a woman as anything other than marriage material—and in her case, marriage is doubly important, since the expectation is that her husband will become the de facto head of General Foods. As a result, her relationships are as fodder for journalists, who comment on her behavior, actions, and the men she loves over the course of her life. The novel calls attention to the difficulty of navigating a personal life when every interaction is made public spectacle and, often, shamed.


Marjorie gets her first taste of press attention when she marries Ed Close. The newspapers report that “The bride, who has already attained a wide reputation for exquisite beauty, is probably the richest young woman in the United States, in addition to her dowry of youthful charm and grace” (92). By highlighting both Marjorie’s wealth and her physical appearance, the article highlights what early 20th-century America values in women: the ability to be a decorative, but unobtrusive, object of admiration.


Later, when Marjorie marries Joe soon after his divorce, the press and Marjorie’s social circles care little about love; instead, they vilify her for being a “home-wrecker” and possibly having an affair with Joe before his marriage ended. Even Alice Roosevelt, herself no stranger to reporter speculation about her private life, comments, “I can’t remember the last time a new bride arrived in Washington to ruffle so many of these old vulture feathers” (258). This negative response is also deeply gendered: While the public condemns Marjorie for ostensibly luring Joe away from his first wife, it ignores Joe’s part, despite his much greater agency in the affair. This double standard is also evident when Marjorie needs evidence of Ed’s infidelity before she can divorce him—men can divorce without cause, while women need to prove mistreatment to leave bad marriages.


Marjorie is unlucky in love, but society’s careful watch of her romantic entanglements only makes her misadventures in this area more difficult. Even her daughters wonder if their mother is too loose with her feelings. Thrice-divorced when she meets Herbert May, Marjorie still has such a keen belief in love that she refuses to let the pressure of the public eye ruin a potential happy ending: “I remembered how the press had buzzed around at every single one of my previous weddings, so we decamped to Adelaide’s house and had a small service with just the family in her drawing room” (347). Her wedding is a distinct contrast to the typical parties that Marjorie throws—not a public spectacle, but a small and intimate gathering. However, even this last marriage is fodder for public scrutiny: Someone keen on embarrassing the couple sends Marjorie photos of Herb’s indiscretions with young men. No matter how hard she seeks to keep the scandal private, Herb’s secret becomes public knowledge.

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