49 pages • 1-hour read
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Content Warning: This section of the guide includes discussion of bullying, ableism, and death.
The Man Who Loved Clowns exposes how prejudice can isolate people with disabilities while also illustrating the great mutual benefits that arise when communities collaborate in close support of them. Delrita has seen people around her act with prejudice toward Punky her entire life, noting that people often stare at him in public, and some even seem afraid. As a result of incidents like these, Delrita and her family are defensive and protective of Punky and keep him close to home, unintentionally isolating him.
Delrita’s understanding of how people react to meeting Punky is formed early in her life. One particular incident, when Delrita brought a friend home in second grade, showed her the extent to which people’s prejudices are formed at an early age: “The girl had taken one look at [Punky’s] dwarflike body and his child-man face and run screaming from the house in terror” (6). Another formative experience Delrita has is when she hears a classmate, Georgina, and her brother laughing at Punky. Furious, she confronts them, but when school starts, Georgina warns all the others to stay away from Delrita because “she’s got a weird relative” (10). These incidents are enough to convince Delrita that people will both laugh at and fear Punky. Through incidents like these, Delrita began to understand that people who have not interacted with people with disabilities often react poorly to Punky. She and her family respond to incidents like these by protecting Punky and avoiding taking him into the public, which results in both Punky and the family being isolated and alienated, drawing an unnecessarily deep divide in the community.
With Punky’s role in his family and his emergence into the sheltered workshops, however, the novel illustrates the positive effects on both him and the community from his engagement. Punky’s family creates their own small community, and he benefits greatly from their love and care. The family benefits from Punky, too—he is loving, happy, and creative, filling his family with joy. When he emerges from his relative isolation to join the workshop, Punky’s positive impact on the community expands beyond the family. He learns new skills, makes new friends, and starts a job, becoming noticeably more independent and fulfilled. Delrita notices the change, reflecting, “His bald spot sprouted wiry brown hair, and he’s stopped chewing on his fingers. He even went to bed earlier now, and every morning when his feet hit the floor, he was a man with a purpose” (168). The public profits, too: The workforce becomes stronger, and Punky’s new friends and coworkers are thrilled to have him in their lives. Punky’s involvement in the workshop also changes the way that Delrita and her family view him and others with disabilities. Delrita is surprised to see that people with Down syndrome can perform in their jobs just as well as people without disabilities, and when she sees the workshop’s parade float, she realizes that the negative reactions she was braced for never came. Delrita begins to understand that she and her family have been underestimating both the community’s response to Punky and what he has to offer. In the end, The Man Who Loved Clowns reinforces the importance of overcoming prejudice by juxtaposing the pain of Punky’s former isolation with the fulfillment he gets from his work. It also highlights Punky’s positive impact on both the workshop and the larger community, emphasizing the many gifts that people with disabilities offer society.
Delrita’s journey throughout The Man Who Loved Clowns illustrates an adolescent’s transition from tying their identities primarily to their families to establishing a broader understanding of themselves within society. At the start of the novel, Delrita has never had a real friend. She loves her parents and her uncle Punky, but she also feels like she only exists within the walls of her family home. Delrita often says that she feels “invisible” at school, partly the result of her fear of exposing her family to her peers’ criticism. She treats the fact that Punky has Down syndrome as a family secret, as she’s afraid that people will treat her differently if they know about him. Delrita says, “I could never have a real friend, and I began to think of Punky as a secret I should keep to myself” (6). When Delrita is at school, she looks forward to coming home, knowing that it is the only place she can be herself, with her parents and Punky. Delrita finds safety, fulfillment, and purpose with her family, and she doesn’t look beyond the boundaries of her home.
As Delrita matures, she learns that people do not judge Punky as harshly as she thought. Her friendships with Avanelle and Tree confirm that, although she’s had hurtful experiences in the past, her worst fears are not always a foregone conclusion. When Delrita’s mom drives Tree and Avanelle home after school one day, she is embarrassed that Punky is in the car crying because it’s raining outside. However, she is surprised to see that Tree and Avanelle don’t judge Punky at all—in fact, Tree tries to comfort Punky about the weather. Delrita’s views begin to change when she observes that Tree was “a real gentleman with Punky” (70). She begins to form fulfilling friendships with Avanelle and Tree, her first real relationships outside of her family. Once Delrita and Avanelle establish a friendship, Delrita finds herself “talking more than [she] ever had before, even to [her] mom” (122). She starts to see herself as a more complete and multifaceted person, one whose boundaries have expanded past her family.
Avanelle goes through a similar trajectory, reinforcing the importance of establishing an identity outside one’s family. At first, the fact that her family is poor and her father is in prison feels like a secret that she can’t tell anyone at school. As a result, like Delrita, Avanelle has never had a real friendship. Once Avanelle befriends Delrita, she becomes comfortable with every aspect of herself, as she realizes that Delrita does not judge her family situation negatively. Delrita and Avanelle both mature by the end of the novel through their journeys, illustrating a core aspect of the novel’s message about coming of age: that personal growth begins when one learns to reconcile family identity with a broader sense of self.
The Man Who Loved Clowns portrays grief not only as a source of emotional pain but also as a transformative process. When her parents die unexpectedly in an accident, Delrita is overcome with feelings of shock, despair, and emptiness. Even amid this turmoil, seconds after hearing the news, she knows that this experience will change her life beyond this loss: She reflects, “It struck me then that Punky needed me to be strong, to see us through” (89), showing that losing her parents has an immediate effect on her maturity. With the catalyst of her parents’ deaths, Delrita’s story becomes a coming-of-age journey in which she matures and expands her notions of family and community and her place in them.
Over the weeks and months following her parents’ deaths, Delrita continues to grow and change. Without her mom and dad, who were the two closest people in her life, she is forced to let go of the identity she once held within her family. She goes to live with her aunt and uncle, whom she previously didn’t get along with, and eventually learns to empathize with them and build a strong relationship with them. Delrita learns that Aunt Queenie cares a lot more about her and Punky than she thought. After Delrita visits the workshop with Punky and Uncle Bert, she realizes that Aunt Queenie wants Punky to start working for his benefit, not because she is selfish and wants him out of the house, as Delrita originally suspected. Uncle Bert explains, “I know you two don’t see eye to eye, but she’s a good-hearted person and a good wife” (155). At this point, Delrita finally understands that it’s true—her previous judgments about her aunt were premature. The more Delrita learns about her aunt and uncle, the more open-minded she becomes, and she reshapes both her notion of their family and her role in it.
However, Delrita’s growth and maturity expand beyond family; she branches out socially, too, and makes several new friends at school. Previously, she refused to make any attempts to socialize with her peers, wishing to be “invisible.” After her parents’ deaths, she realizes that she needs substantial and fulfilling relationships with others, so she makes an effort to befriend Avanelle. The positive effects of their new relationship are immediate, and Delrita notices, saying, “I lapped up Avanelle’s friendship like a thirsty tree soaking up water” (122). The reconfiguration of her family has made her realize that she needs to expand her support network even further, resulting in a rewarding new friendship.
Toward the end of the novel, Delrita suffers another major loss when Punky dies of heart failure. However, after the loss of her parents mere months ago, she understands the importance of continuing to grow, mature, and expand her network of relationships. She resolves, “No more hiding from the world. […] I was going to spread my wings and fly” (216). This resolution exemplifies one of the novel’s core messages: The painful realities of loss and grieving can ultimately lead to newfound strength, resilience, and a more nuanced view of one’s self and relationships.



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