49 pages 1-hour read

The Many Assassinations of Samir, the Seller of Dreams

Fiction | Novel | Middle Grade | Published in 2023

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Chapters 7-10Chapter Summaries & Analyses

Chapter 7 Summary: “A Little Sleep, a Little Folding of the Hands to Rest”

Content Warning: This section of the guide includes discussion of death by suicide and violence.


Monkey contemplates whether he should apologize for seeing the value of his life as equal to Samir’s, particularly in a world like the Silk Road, where life is a currency as much as anything else. He decides that Samir must not value his own life very much to price it at one bolt, since “he loved himself and hated himself too much at the same time” (96).


They arrive at the caravanserai to discover that Samir’s friend is dead and his nephew has taken over. The nephew is dismissive of them until they promise to pay for lodging. 


Monkey spends time with Rostam and the mules in the stable, where they eat some discarded figs. Their feast is interrupted by a rider in white and black on a camel—a dervish. Monkey follows him into the inn. Inside, Samir is winning free food with his stories, and Monkey tries to do the same. 


Suddenly, the dervish takes the stage and begins to dance in a furious spin, but there is a strange metallic sound coming from his shoes. Sparks fly, and everyone is compelled by his chant. Monkey realizes the dervish is the Persian killer they have heard about. 


Suddenly, the sparks catch the inn on fire. Monkey convinces the innkeeper to throw the raki at the dervish, who quickly immolates. Monkey takes the innkeeper’s tea tray in the process. The inn burns to the ground, taking the merchants’ goods with it, and Monkey lays in the sand, realizing he is now “the servant of a destitute man” (107).

Chapter 8 Summary: “Death by Dreaming”

Monkey tells his audience that he would make a perfect servant since he will never steal, can pray, read, and write, and doesn’t need a lot of food. He ends his plea by insisting that he would never turn on a new master like he turned on Samir.


As the group recovers, they agree to not tell the innkeeper the truth about who the dervish was. The furrier and the jeweler leave, and Samir, who has lost everything, manages to trade his pack mule for a low-quality camel. Rasseem, Smithy, and Mara stay because their goods are largely untouched. Monkey also suspects that although Rasseem hates Samir, he also loves him and needs to stay near him. He has no idea why Smithy and Mara stay.


Exhausted and defeated, the ever-smaller party travels into the desert. They stop at an outpost for water and rest. Smithy and Mara sort their remaining supplies while Monkey shelters under a statue with “two vast and trunkless legs of stone” (114). Samir announces that he is doomed because of Cid and the loss of his wool, although he is briefly cheered up that Monkey managed to con the metal teatray from the innkeeper. They agree that Monkey has saved Samir’s life again and has earned another bolt of silk toward his freedom.


Monkey claims to not believe that Samir is truly sad about his losses, since it is just another lie from a liar. Samir then says that he is sad the furrier left, since they were family, which Monkey harshly repudiates. When Samir expresses that he’d be happier if God didn’t exist so that Samir won’t have disappointed him, Monkey finally tears his robe in disgust. Monkey begins to plot something—implied to be Samir’s death—until Samir finds him and hands him his bronze eyeshades to protect him from the sun.

Chapter 9 Summary: “Enter the Mongol Gunner”

After waking up from a nap during which he dreamed Samir was scared, Monkey runs back to camp, concerned that Samir left him the eyeshades because he was planning to die by suicide. Mara brushes off his concerns, and Samir finds him soon after, cheerful as ever. 


They set out across the desert, with Samir unconcerned that Rostam, a donkey, would have problems traversing the sand. The desert is hard on all of them, forcing them to rest during the day and travel at night. They eventually reach a series of gorges, where Monkey spots a lizard, the first living thing he has seen in days, and it gives him hope to carry on. As they travel, he sees the lizard several more times. Now, with two bolts out of six to his name, Monkey decides to talk to Samir about marrying Mara when he is free. However, before he can do so, something explodes on the ground in front of them, scaring their camel away. The gunner, a Mongolian man standing on the ridge, throws explosive pots at the group as they run for cover behind the rocks. 


Despite their temporary shelter, they are at risk when the moon rises high enough to expose their location. Samir tears his caftan to bandage Monkey’s knee. They observe from the explosives that the gunner is not very experienced with using the bombs yet, but he is skilled with arrows—one lands right between Monkey’s toes. Smithy and Mara admire the gunner’s business sense, agreeing that it is likely he is hiring himself out cheaply to get more practice with bombs.


Monkey gets an idea. They use the remainder of Rasseem’s birds to distract the gunner, then Monkey runs to the camel and grabs the metal tea tray, which he tosses to Mara. He then runs to the base of the plateau and begins a slow, treacherous climb upwards. He eventually reaches the rock shelf right below the gunner; he ties on Samir’s eyeshades and signals to Mara, who blinds the man with the moon’s reflection off the tea tray. Monkey then grabs the man’s belt and hurls him off the face of the cliff, shouting an apology down at his body.


The little group struggles to gather the remainder of their belongings. The camel regains consciousness and flees with most of Samir’s belongings, except the cherry paste, leaving him with only Rostam. They are destitute; Samir promises to get money in the next town, and they agree to stay together, saying that it is safer than being hunted separately. They see a large caravan approaching at a distance.

Chapter 10 Summary: “The Buyer of Dreams”

The caravan catches up with them, and Samir quickly befriends a huge ex-pirate named Gracus Ghuldor. Gracus has a large piece of coral. Samir quickly begins to flatter him, asking him where he got the coral; Monkey says that coral is made from Gorgon’s blood. 


Samir immediately capitalizes on this to ask Gracus how many ships the Gorgon will sink while looking for her coral, which makes him nervous. Before Samir can make an offer, Gracus splits the coral and gives Samir half, intending to put half the “blame” on him. Monkey convinces Gracus to give them the bigger half so that he is in less danger. This pleases Samir, although Monkey feels slightly remorseful when he sees Gracus lost in thought.

Chapters 7-10 Analysis

The idea of Accidentalism permeates the story, haunting Samir and Monkey’s journey just as much as its practitioners (Smithy and Mara) do and developing the theme of The True Roots of Accident and Destiny. One key part of the plot that emphasizes the difference between fate and accident—and the possible middle ground—is the dervish’s death and the subsequent destruction of the inn. The tragedies at the inn seem, in many ways, like accidents: The dervish immolates when the innkeeper throws raki at him, the dance lights the inn on fire, and the dervish accidentally fails to kill Samir. According to Smithy and Mara’s philosophy, each of these acts was happenstance—the dervish could have survived, the inn could have not burnt down, and Samir could have died in another version of events. While it could be argued that these events are equally possible, the action in these scenes presents a third option: choice. Monkey chooses to manipulate the innkeeper, who chooses to kill the dervish, who in turn chose to take the contract to kill Samir. Accidentalism throughout the book functions as an excuse or a rationalization, supporting the novel’s contention that choosing to act both influences the world and forces the actor to take responsibility for the outcomes, difficult as that might be.


The relationship between Samir and Monkey continues to develop in these chapters, highlighting The Power and Risk of Choosing Love and Family. Multiple scenes in this section show Samir choosing to act lovingly to Monkey, even when Monkey is being difficult or Samir has no real reason to. One example of this development is his choice to give his bronze eyeshades to Monkey to help him sleep in the sun. This act of generosity surprises Monkey so much that he suspects Samir might plan to harm himself in some way, which in turn shows that Monkey is not accustomed to people choosing to love him. The bronze eyeshades function at first as a symbol of Samir’s seeming extravagance—since they are useful but not necessary to sleep with—but transform in this section into a symbol of his care for Monkey. At heart, Samir is not a selfish person, as evidenced throughout the novel by his care for Monkey and the rest of the caravan. This section establishes that, creating tension as his looming death, which Monkey keeps referring to, approaches with the novel’s end. With his continued development as a good, caring person at heart, the stakes of Monkey’s alleged impending choice to kill him increase.


This section also introduces another symbol—that of the lizard that Monkey spots several times in the gorges where the Mongol gunner attacks. The lizard is significant because it is the only other living thing Monkey sees in the desert; during this section, almost all their animals except Rostam ultimately leave them. The lizard, which survives the harsh elements in the gorges, represents the will to live. While the gunner is their most deadly opponent thus far, Monkey seeing the lizard when they enter the gorges and seeing it again before he defeats the gunner shows that his will to survive is stronger than their opposition. While seemingly innocuous, these appearances foreshadow the outcome of the novel as a whole: Whether by fate or by sheer chance, Monkey’s desire to live the life he wants outweighs the power and greed of much stronger killers and forces.


Part of Monkey’s will to survive is illustrated in his expanded willingness to lie and manipulate others, even if he at least claims to feel bad afterwards, offering further development of the theme of The Power of Storytelling in Creating Human Connection. One of the ways in which the characters in this story manipulate others is through folklore. Cid stands out as one key example—by only saying his name, Smithy drives most of the caravan away, isolating Samir. The power of storytelling is exemplified in this section with Samir and Monkey’s manipulation of Gracus by utilizing the myth of the Gorgon. Their leaps in logic do not matter to Gracus, who does not question why a Gorgon who had bled enough to create coral would be alive to chase him; instead, he believes them unquestioningly. Folklore, according to the world of the novel, inspires fear but also inspires strength: Rostam, for example, is named after a mythological figure and continually helps Samir and Monkey along their journey simply by existing as a symbol of strength and possibility. Despite the relatively grounded nature of the story, folklore acts as a vital force in this world, able to shape people’s thoughts and actions whether they realize it or not, reinforcing the power of storytelling.

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