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Content Warning: This section of the guide includes discussion of illness.
In Calcutta, Mitchell volunteers at the Home for Dying Destitutes, operated by the Salvation Army. Volunteers from all over the world flock there, and Mitchell learns that the best way to catch a glimpse of Mother Theresa—who travels throughout India and often visits other parts of the world, raising funds—is to attend the weekly Mass. Mitchell does and is amazed by how small the woman is.
For the first time, he feels that he is doing meaningful work now that the main phase of his trip has begun. However, he is reluctant to perform the more difficult tasks involved with caring for the dying, such as bathing them or helping them to the bathroom. He interacts with other pilgrims regularly, including an American named Mike, who has come to India after being fired from a sales job and brags of his sexual escapades in Thailand, and a German named Rüdiger, who claims to have visited every country in the world except two. Rüdiger philosophizes about various religious beliefs often.
In his third week, Mitchell retrieves the medicine cart from the nearby supply facility as usual. Most of the medications—donated by various foreign pharmaceutical companies—are useless for the conditions that the Indians in the hospital suffer from. Upon returning with the medication, Mitchell carefully doles out pills, moving from bed to bed. He passes by a man whose face is bandaged, his skin having been eaten by a staph infection. Another man complains to Mitchell that the pills do him no good and that, having kidney failure, what he needs is dialysis, which he never receives.
That weekend, Mitchell roams the city, thinking about whether he is truly altruistic (as he aims to be) if he cannot bring himself to perform the most discomforting tasks at the hospital. When work resumes, he resolves to assist with bathing and helps another American carry a wide-eyed man who does not speak. The man is wrapped like a mummy and appears frail, but he is surprisingly heavy. When the bandages are removed, Mitchell discovers that the man suffers from a grapefruit-sized tumor on his scrotum. He helps bathe the man but does not feel as though the bath makes any difference to the patient when they are through.
Next, Mitchell walks from bed to bed, searching for someone who needs help. The man with kidney failure tells Mitchell that he needs to defecate, but as Mitchell searches for a bedpan, the man does so in his bed. Rather than clean the man, Mitchell walks out the door and heads immediately to the train station. He decides to buy a ticket to Benares, which departs that night. In the interim, he buys food to take on the trip and then goes to the Salvation Army housing to retrieve his belongings.
There, he bumps into Mike, whom he asks to take him to the bhang lassi stand that Mike has been lauding. There, Mitchell asks Mike to once again see the photo of the Thai teen that Mike carries with him. Mitchell rips the photo in half and berates Mike for bragging about having sex with a teenager, accusing him of preying on her.
Mitchell, filled with courage, immediately writes a letter to Madeleine. In it, he orders her not to marry Leonard.
Mitchell’s character embodies the theme of The Pursuit of Personal Fulfillment more than any other. For months, he has been eager to arrive in India, desperate to serve others in a manner that he hopes will bring him closer to spiritual meaning and enlightenment. His extensive reading has led him to a strong belief that, in order to achieve such enlightenment, he must rid himself entirely of ego. He is certain that in Calcutta, surrounded by people with great needs and little means, he will be able to do this. His search for meaning is bound up, too, in seeing Mother Theresa. Though he vocalizes his interest in her to no one, her selflessness has become a model to Mitchell for how to live a good life, and he idolizes her in the way one might a celebrity. Seeing her does indeed prove to be a meaningful experience, but not in the way Mitchell expects. He is amazed by how human she is, as if she should be more akin to a spirit than a flesh-and-blood person.
Mitchell carefully observes other pilgrims around him—constantly comparing himself to them in order to determine whether he is on the correct trajectory to living a pure life. The character Mike represents all that is negative about self-described pilgrims. Rather than seeking to help others, Mike is running away from his failures. Like most people, in Mitchell’s view, he lacks a sense of meaning in his life but seeks to fill the void with hedonistic experiences, such as drugs and sex, including with at least one girl who may be a minor. His bragging of such escapades is an annoyance that Mitchell quietly tolerates without judgment until the end of the chapter. Mike’s foil is the character nicknamed “the beekeeper”—a magnanimous and selfless American who has come to India from New Mexico. Training for a medical profession, the beekeeper works tirelessly at the Calcutta hospital, seeking no thanks or accolades. The humility with which he cares for others is something that Mitchell seeks to emulate.
On the surface, Mitchell walking out of the hospital abruptly instead of helping the defecating man appears to be an instance of cowardice. He has challenged himself to complete tasks that are uncomfortable in service to others, and he fails to do so here. Having bathed the man with testicular cancer, Mitchell has, perhaps unknowingly, come to the realization that he does not have it in him to handle such tasks. Rather than force himself to do so, Mitchell flees. This self-acceptance proves freeing for Mitchell. The flurry in which he buys a train ticket, sets about shopping, and tells off Mike before writing a letter to Madeleine mirrors one of Leonard’s manic states. In leaving Calcutta, Mitchell feels The Need to Accept the Uncontrollable—recognizing that he cannot will himself to become someone he is not. However, he immediately backslides in responding to Madeleine’s letter. He urges her not to marry Leonard in an assertive, knowing tone, demonstrating that he still believes in The Illusion of Romantic Destiny.



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