The Martha's Vineyard Beach and Book Club

Martha Hall Kelly

51 pages 1-hour read

Martha Hall Kelly

The Martha's Vineyard Beach and Book Club

Fiction | Novel | Adult | Published in 2025

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Themes

Content Warning: This section of the guide includes discussion of illness, death, racism, and graphic violence.

The Power of Solidarity Among Women

The Martha’s Vineyard Beach and Book Club is a novel about solidarity between women in an era that offered women few opportunities to define their own lives and careers. Cadence, Briar, Bess, and Margaret—the original members of the titular book club—help each other by working together as a team. As allies, the women support and empower one another, distributing books to soldiers, keeping the farm afloat, saving Peter’s life, and disposing of Tyson’s body. The novel’s major events all arise from their ongoing collaboration.


Organizing isn’t without conflict. Cadence and Briar regularly clash, with Cadence viewing Briar as a troublemaker and Briar chafing against Cadence’s cautious attitudes. Their sharp tension reaches a breaking point when Cadence suggests that prison would be “good” for Briar. The harsh quip forces Gram to remind Cadence, “This is your sister” (261). Their fighting isn’t entirely negative, however: The sisters mutual love is unshakeable, and the open dialogue helps them figure out how to move forward. Neither sister shuts out the other. Briar listens to Cadence’s arguments for turning Peter in, though she ultimately disagrees, and Cadence entertains Briar’s theory that Major Gilbert is a spy. While Bess severs contact with the Smith family, her separation helps them, as it nets them $5,000, which they use to jumpstart their farm. Margaret, too, helps solve a conflict. She falls in love with Peter, and their eloping means that the family doesn’t have to worry about him further.


The burial of Tyson’s body is a critical scene that emphasizes the benefits of solidarity. Peter says, “I’m afraid I can’t do it alone.” Cadence answers, “I know four women who will help” (504). The phrase “four women” spotlights the unified mindset of Cadence, Briar, Margaret, and Bess. They’re a quartet. Cadence and Briar help Peter dig the grave, Margaret affixes the chain to the rock, and Bess drives the tractor. The women have distinct roles and they perform them well. The teamwork leads to a speedy, inconspicuous burial that prevents people from wondering about Tyson.


Mrs. Stanhope reveals what occurs when women don’t work together. As a thorough antagonist, Mrs. Stanhope shames her daughter and tries to extort Cadence. While the main women try to lift one another, Mrs. Stanhope focuses on cutting them down if they don’t do what she says. She’s selfish and stubborn, giving away Bess’s daughter and her granddaughter. Mrs. Stanhope actively undermines solidarity in service of patriarchal and classist norms, forcing Bess to leave her chosen family and to give up her child, all to maintain her family’s standing in the conservative environment of the Edgartown social elite. Bess, now Mrs. Devereaux, never becomes like her mother and maintains the collaborative spirit in 2016. She seeks out Mari, and they join forces to keep the farm in the family. Like the four women in 1942, the two women in the present align for an admirable cause.

Maintaining Compassion During Wartime

r women expressing compassion while the male characters mostly lack it. McManus dismisses Briar’s claims of U-boat sightings, and he actively perpetuates prejudice by arresting Bert the Barber simply because Bert is Italian. Major Gilbert is much more compassionate than McManus, but he still resigns himself to injustice. When Cadence expresses concern for the Sones, a Japanese family who are now in a concentration camp, Major Gilbert replies, “It’s an unfortunate product of war, I’m afraid […] We can’t be too careful right now” (335). Unlike his romantic partner and future wife, McManus tolerates the absence of compassion during the war.


Peter is a male character who resists cruelty. His defection isn’t merely about self-interest; it relates to his principles. Alluding to the Nazi leader’s devastating wars and genocides that would kill a total of around 11 million people, including 4 to 6 million Jewish people, Peter says, “I hate what Hitler is doing […]. I knew I’d rather die than remain a part of that” (222). Though he is at least notionally willing to die to avoid working for the Nazis, Peter would much rather escape with his life if possible, which is why he subtly blackmails the women into harboring him. Nevertheless, he stands up to the dehumanizing Nazi agenda, and he repays the women for coming to his aid: He helps them with the potatoes, he correctly diagnoses Gram, and he prevents Tyson from doing further violence against the family.

The Tension Between Personal Dreams and Communal Responsibility

Cadence constantly navigates the tension between her ambitions and her responsibility toward her family. Her frustration begins in Chapter 5 when she stays at her job to reclean the ice cream machine instead of meeting the Putnam women. Cadence chooses the job because, however low the pay, it provides her with an income source for her family. The moment is part of a pattern: Cadence reveals that she didn’t consider going to college because she knew she couldn’t leave the farm or put pressure on Gram to pay for it. As it turns out, Cadence didn’t even graduate from high school. She explains, “[T]he weight of my farm chores and helping Gram with Briar was too much, and I never went back” (199). The obstacles don’t leave Cadence bitter; rather, they give her purpose. She cares about her family, and she wants to be with them and help them. Later in the story, when there isn’t an urgent crisis, Cadence remains tethered to her family. She turns down Winnie’s job offer, telling her, “Someday. But I still can’t leave. Not right now” (378). For most of the narrative, Cadence’s family gives her as much fulfillment as a professional career.


As Cadence’s best friend, Bess shares Cadence’s selfless nature. While Bess and Mrs. Stanhope attach selfish motives to Bess, Bess proves them wrong. Even when she rejoins her legal family, she does so out of loyalty to her chosen family, the Smiths. This sacrifice has life-changing consequences for Bess and the Smiths. It relieves the financial pressure on the Smiths but it costs Bess further contact with them, and it results in her losing her daughter. This setback changes Bess’s life but doesn’t stop her from pursuing her dreams. While she never has another child, she becomes a prominent painter and she convinces Mari to set aside her personal issues and take her place within the Smith family.


Briar initially appears to put her own desires ahead of her family, but ultimately, she helps to expand the family’s circle of care. She saves Peter, placing her own family at risk of prosecution for harboring a potential German spy. In doing so, Briar puts her personal pride before the Smiths’ safety; however, if Briar hadn’t saved Peter, then the government likely would have killed him. Bess brings the issue back to family: If Tom were in Peter’s situation, she’d want people to keep Tom safe. Arguably, Briar doesn’t put Peter ahead of her family, but instead treats him as a family member. At the same time, Briar gains personal satisfaction, admitting, “The thought of finding and turning over a German who wanted to defect was appealing. Someone would finally believe me about something” (225). Yet Briar doesn’t turn him in; like Cadence and Bess, she sets aside her aims for a greater good.

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