51 pages • 1-hour read
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Content Warning: This section discusses racism, violence, death and murder, anti-gay bias, suicide and suicidal ideation, sexual abuse and violence, abortion, and addiction.
The narrator, Ben, is a man with an alcohol addiction who works as Brewster Place’s janitor. Ben announces that he has waited many years to say that Brewster Place “gave birth to more than its girl children” and argues that everyone living on the block, including the men, “had a hard way to go” (3). Every time “a She” needed something, it was usually “a He” who tried to get it for her, and Ben argues that “a poor man having to keep looking into the eyes of a poor woman […] is one of the saddest things [he knows]” (4).
Ben began working at Brewster Place in the 1950s when the block was populated by Italian and Irish Americans. The white boys who lived on dead-end Brewster Place often talked down to Ben, calling him a “shit sweeper,” but Ben stayed silent, realizing that the boys were still coming to terms with their own poverty. Over the years, Brewster Place became “a little shabbier” (6), and the demographic changed as African Americans moved onto the block.
Ben claims that all streets are alike, but a man’s sense of worth comes from the “inside,” making a poor street feel wealthy and vice versa. He also claims that it is important “to tell the whole story” (7); men and women cannot get anywhere without one another. Every man living on Brewster Place, Ben argues, worked hard, and each one had “a Her in his story” (8).
Ben begins to narrate his own story, looking back on his 68 years of life and lamenting the lack of respect he has received. Ben grew up with his sharecropper grandparents in rural Tennessee. They lived on the land of Percy Wall, a place with 40 shacks, a general store and post office run by Wall, and a church and juke joint where residents would “pray—or party—the misery away” (12). Ben’s grandfather, however, indulged in neither. Instead, he sat silently on his porch with a closed Bible. He would open it, he claimed, when someone could show him “the place that says white people is going to hell” (12).
Ben’s grandparents were born into enslavement on a Virginia plantation. Grandma Jones was an excellent cook, and Grandpa Jones worked in the stables. One day, the overseer sent Grandpa Jones’s sister into the woods to pick berries with some other children and then claimed that he was off to town but rode toward the woods. Sometime later, Sister came out of the woods, crying with her face swollen and blood running down her legs. They rushed Sister to the midwife’s shack, and when they couldn’t save her, Grandpa Jones sped to the white doctor’s house. In his fear, he forgot “his place” and knocked on the front door instead of the back. Angry, the housekeeper made him wait as punishment, and by the time the doctor arrived at the plantation, Sister was dead. The enslaver talked with the overseer behind the closed door of his study; then, the man went back to work, and the incident was never spoken of again.
After Sister’s funeral, the enslaved people went back to work, and Grandpa Jones waited for someone to condemn what had happened to her. However, no one did, and he began to believe that “his people [were] doomed” (15). Even when he tried to speak up at Sister’s funeral, his mother slapped him, telling him to “shut [his] mouth” and “be a man” (15).
Grandpa Jones grew into a quiet man who despaired of the world. He died when Ben was seven, leaving him and Grandma Jones alone. Ben spent his childhood helping his grandmother with her laundry business, and when he was big enough, he began working in the cotton fields. Grandma Jones died when Ben was 17, and he decided to go to Memphis, where he worked in a hotel. Ben did his job well, even though the railroad workers treated him poorly to “make ’em feel like men again” after “bowing and scraping to passengers” on the train (17).
One day, a fight broke out between two bellhops, Billy and Rayburn. Most men who worked at the hotel hated Billy because of his enthusiastic service, always bowing and smiling more than necessary. Ben understood that some Black men who made a living picking cotton “would do anything” to keep another job (18), but the other men called Billy “a house Negro” (18). When Rayburn stepped on one of Billy’s carefully shined shoes, the other man flew into a rage and pulled a knife on him.
After the incident at the hotel, Ben became a “shoeshine boy” at the railroad station. He worked at a row of 12 chairs, 10 for white customers and two set aside for Black men. The best way to get customers was to smile a lot because it made the white men “feel comfortable.” However, Ben didn’t mind shining Black men’s shoes like other shoe shiners did. Often, there was a long line of Black customers waiting for the two chairs set aside for them while many of the chairs for white customers were empty, and the other shiners tried to attract white men, which saddened Ben.
While working as a shoe shiner, Ben met Elvira, who worked in the train station’s bathroom. Ben was attracted to her because she could read and write, even though the other men called her “Evil Elvira” because “she was known not to be easy” (20). Elvira had a bad cough, and the doctor told her she needed fresh air, so she and Ben moved to the country and became sharecroppers. Ben describes sharecropping as “a little more than slavery but a lot less than doing well” (21). Between loans for seeds, equipment, and food, they were rarely able to break even. Many sharecroppers had lots of children to help with the work, but Ben and Elvira only had one daughter. Her foot was broken at birth, and as a result, the girl couldn’t work much. Elvira griped that both Ben and their daughter were lazy, but Ben loved his daughter and tried to defend her from Elvira’s wrath.
At first, the family was pleased when Mr. Clyde, the farm’s owner, asked their daughter to clean his house. However, after about two months, she came home crying. When Ben pressed her, she admitted that Mr. Clyde was “trying to mess with her” and had laughed when she had threatened to tell her father (22). Elvira immediately accused her of lying and forced her to continue cleaning the man’s house.
Ben remembers Mr. Clyde driving by to drop his daughter off one morning. Elvira stood on the porch and chatted with Mr. Clyde while Ben said nothing. After Mr. Clyde left, Elvira chastised Ben for his silence, insisting that their daughter was telling lies to get out of work. She told Ben that he should be grateful to Mr. Clyde for giving their daughter work. Ben told Elvira that if he “was half a man” (25), he would have taken his daughter away from Mr. Clyde. Elvira retaliated, saying that if Ben were more of a man, they wouldn’t be sharecroppers.
Instead of confronting Mr. Clyde, Ben began drinking. One day, his daughter ran to Memphis, leaving a note apologizing for being a burden and asserting her commitment to making her own way. She often sent money home, but the envelopes never had a return address.
Elvira eventually left Ben for another man, and Ben moved north and began working at Brewster Place. He reflects that although it’s “not much of a place to live” (27), Brewster Place has become his home. Ben has never told anyone about his past; instead, he sits pondering the question, “What does it mean to be a man?” (28). He keeps drinking, slowly killing himself to avoid facing the memory of his daughter’s eyes. Sometimes he thinks he has the answer, and he hopes that it’s true because he is “doing the best [he] can with what [he’s] got left” (28).
The first chapter of The Men of Brewster Place, “Dusk,” establishes the connection to Naylor’s previous novel, The Women of Brewster Place. Like Men, Women has 10 chapters, eight focusing on individual characters’ stories. In The Women of Brewster Place, the first and last chapters are titled “Dawn” and “Dusk,” but Men reverses this order, suggesting the opposition of subject matter as the novel focuses on the male characters. The opening chapter includes two interspersed passages from the introduction of The Women of Brewster Place, speaking to the intertwined nature of men’s and women’s lives that Ben addresses in the chapter.
Ben’s chapter unpacks the novel’s key theme of Performative Masculinity and the Impact of Systemic Racism. Throughout the novel, each character has his (or her) own idea of what it means to be a “man.” This question is particularly fraught for Naylor’s male Black characters because the traditional markers of manhood, such as strength, dominance, stoicism, and economic independence, are often out of reach for Black men living in a white society where systemic racism and disadvantage serve to oppress and emasculate them. This theme is introduced in the novel’s epigraph, which includes two quotes from Langston Hughes’s poems. The first is from “Tell Me” and reads,
Why should it be my loneliness,
Why should it be my song,
Why should it be my dream
deferred
overlong?
The Women of Brewster Place is concerned with the concept of “deferred dreams”; however, The Men of Brewster Place focuses more on issues of identity. Hughes’s poem indicates the frustration of the male characters who see success all around them but, because they are held to white standards of masculinity, are repeatedly unable to meet these standards due to systemic and generational disadvantages.
Ben argues that because of structural oppression, many Black men are unable to protect and provide for the women in their lives, which he considers to be a tenant of manhood. In “Dawn,” Ben suggests that a man’s job is to “watch out for the womenfolk” (4). However, the obstacles that Black men face often make this impossible. When Grandpa Jones’s sister was raped, he failed to save her because he forgot “his place” and went to the white doctor’s front door. He was punished for failing to respect racial hierarchies and became powerless to help his dying sister. When Ben became a father, the pattern repeated itself, and he was incapable of protecting his daughter and standing up to Mr. Clyde. When Ben’s daughter threatened to tell her father that Mr. Clyde was “trying to mess with her” (22), “all he did was laugh” (23). The idea that Ben could do anything to stop Mr. Clyde was ridiculous to the other man, indicating Ben’s powerlessness.
In both cases, the women in Ben and his grandfather’s lives urged them to silence. At his sister’s funeral, Grandpa Jones argued that his sister’s death was wrong, but his mother hit him and told him, “Shut your mouth. Be a man” (15). Elvira likewise forbade Ben from confronting Mr. Clyde. She blamed Ben for their poverty, telling him that if he were “even a quarter of a man,” they wouldn’t be “miserable sharecroppers” (26). Because he failed to provide his family with economic stability, Elvira claimed that his “pitiful ass” should be grateful for Mr. Clyde’s generosity. Both Ben and his grandfather grew into “silent old [men]” (15), pondering the question, “What does it mean to be a man?” (28). Their story indicates the generational nature of the characters’ pain and loss as well as the tension created by the discrepancy between the pressure to embody masculine characteristics and remain submissive to white men. Men like Ben and Grandpa Jones are taught that being a man means taking charge, but they are simultaneously punished for being assertive. As Ben and Grandpa Jones confront these conflicting pressures, The Men of Brewster Place highlights the insidious effects of performative masculinity and systemic racism.



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