54 pages • 1-hour read
Agatha ChristieA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes discussion of death, death by suicide, and emotional abuse.
In The Moving Finger, the anonymous letters serve as a motif for The Corrosive Nature of Social Paranoia. The letters’ scandalous assertions, while judged as ridiculous by some, are accusations that are difficult to disprove. Their taboo nature makes them inherently threatening to the villagers’ reputations. For instance, Jerry and Joanna are accused of being a secret couple having an affair, rather than siblings.
Dr. Griffith and Jerry agree that even if the letters’ claims are baseless or absurd, they can easily harm people’s reputations if anyone believed them. Dr. Griffith tells Jerry, “These things can be dangerous, you know. […] I’m afraid, too, of the effect upon the slow, suspicious uneducated mind. If they see a thing written, they believe it’s true” (15). This prediction comes true when Mrs. Symmington’s anonymous letter accuses her of infidelity, and that her second son is not Mr. Symmington’s child. After her apparent death by suicide, many villagers assume that the letter’s accusations were true. Other villagers’ reputations are also jeopardized by the letter writer, who does real harm to their relationships. For instance, Beatrice and Agnes Woddell both receive letters accusing them of infidelity, upsetting their boyfriends and causing Beatrice to leave her job at Little Furze. By showing how the anonymous letters destroy people’s good names, the letters come to symbolize the mistrust and fractured social fabric of the town.
In the story the typewriter is a symbol for manipulation and misdirection. It is an important object in the story, as Mr. Symmington uses it to type up the names and addresses on the envelopes he uses for his anonymous letters. Mr. Symmington’s use of the typewriter showcases his talent for misdirection. The way he uses the typewriter is cleverly deceitful, as he types up the envelopes with one finger, making it look like the writer has poor typewriting skills. Inspector Graves sees through this misdirection, telling Jerry and Nash, “these envelopes have all been typed by someone using one finger […] Someone, say, who can type but doesn’t want us to know the fact” (94). This shows how Symmington tried to predict the police’s analysis and used the typewriter in an attempt to throw them off his scent.
Mr. Symmington also uses the typewriter in an attempt to frame the typical suspect in an anonymous letter case: A woman. He types up all the envelopes he needs before donating the typewriter to the Women’s Institute, an organization in Lymstock with resources for local women. He knows that the letters will be traced back to that particular typewriter, ensuring that the police will focus on women who use the Institute. This misdirection is highly effective, as Nash stakes out the Institute at night, hoping to catch the writer in the act. By being a key part of Symmington’s cunning plan, the typewriter symbolizes the killer’s manipulation and misdirection.
The poison symbolizes Mr. Symmington’s evil and selfishness that leads him to plan his elaborate anonymous letters, and then kill his wife and Agnes Woddell. Symmington’s selfish desire to remarry without losing money or respectability in a divorce leads him to murder Mrs. Symmington with a common household poison, cyanide. Miss Marple explains that the family kept the cyanide in the garden shed for destroying wasp nests, and that Mr. Symmington snuck a tablet into his wife’s medication cachet, ensuring she would take it instead of her pain killer. Miss Marple explains how he staged the scene of his wife’s poisoning to appear like a death by suicide:
All Symmington had to do was to get home before, or at the same time as Elsie Holland, call his wife, get no answer, go up to her room, drop a spot of cyanide in the plain glass of water she had used to swallow the cachet, toss the crumpled-up anonymous letter into the grate, and put by her hand the scrap of paper with ‘I can’t go on’ written on it (227).
Mr. Symmington’s selfish nature is reinforced by his cruel letters to the other villagers in Lymstock, as he ruins relationships and reputations to create a misdirection from his own crimes. By “poisoning” the town with cruel letters and ending two lives, Mr. Symmington’s villainy is perfectly symbolized by the deadly poison cyanide.



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