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Content Warning: This section of the guide includes discussion of death and graphic violence.
Amanda takes Oliver to the location to which she believes the personal ad referred. They discover the painted symbol for Gabriel. Oliver talks about the antichrist predicting the end of days. After transcribing the audio file, Ellie questions whether Amanda should still be recording Oliver without telling him. She says that Amanda does not question Oliver’s supernatural theories.
Amanda emails Ellie, observing that two fictional works inspired by the Alperton Angels case include a character called Ashleigh and that neither includes an angel called Raphael. She texts Clive Badham, asking if Ashleigh is based on a real person, but he insists that she is purely fictional. Messaging Oliver, Amanda points out that Christopher Shenk (Raphael) had no known connection to the other angels. Oliver states that there must have been four angels, as there are four horsemen of the apocalypse.
Amanda interviews retired police sergeant Nikki Sayle. Nikki interviewed the first Holly in the 1990s after she reported Gabriel’s attempt to involve her in credit card fraud. Gabriel had told Holly that as an angel, her purpose was to wait until the antichrist was born and stop it from destroying the world. Despite leaving Gabriel, Holly continued to believe his angel story. When Nikki drove Holly back to her mother’s cottage, the teenager revealed that her name was Ashleigh. In her transcript, Ellie suggests that Don Makepeace concealed the identity of both Hollys from Amanda. She theorizes that Gabriel never wanted to kill the baby but intended to profit from an illegal adoption.
Sonia Brown warns Amanda that the case “goes all the way up, and no one will break ranks for [her]” (373). She says that if Gabriel were ever freed, he would ruin the lives of more vulnerable people.
Ellie sends Amanda a news article stating that Lady Louise Windsor, the daughter of Prince Edward, will soon turn 18. Ellie concludes that the Alperton Angels baby is the Queen’s grandchild.
Amanda receives a package from Mark Dunning’s widow containing his diary entry for December 10, 2003. Mark was in London on a research trip and paid Jonathan Childs to ride in his police car. When Jonathan was called to a dispute between two gangs, a gang member attacked Mark, pinning him to the ground. Jonathan called for backup, and the gangs dispersed. Afterward, Jonathan took a call. He told Mark to lie on the car floor while they waited for a delivery. Mark heard someone arrive and drop an object into the trunk and remained hidden as Jonathan drove to another location. Mark saw Jonathan and a Black female police officer taking a body from the car trunk and carrying it into a warehouse. Mark secretly followed them inside, where the Black officer, Marie Claire, said that she and Jonathan had found the body on the stairs of the warehouse. Exasperated, the other officers instructed her to return the body to its original position. Mark then saw three mutilated dead bodies on the warehouse floor and passed out. When he woke, Jonathan told Mark not to feel bad about the body in the trunk since the dead man had killed his friend, a Sikh police officer. Mark took the first flight home.
Minnie tells Amanda that she has a problem with her book. A proofreader questioned some content’s veracity, and Minnie discovered that the thesis her book was based on was a fictional work. The author invented all its “factual” evidence, including documents and photographs.
Amanda video-calls Jideofor Sani, a paramedic who was called to the Alperton warehouse in 2003. Jideofor reveals that he assumed that the mutilated bodies were the victims of a gang killing since they all had bullet wounds behind the ear, typical of an “execution-style” assassination. Jideofor declared three men dead at the scene but later learned that another body had been found.
Ellie sends a WhatsApp message to Amanda, expressing concern about Oliver, who has sent her a picture of a calendar marked with the end of days. Amanda says that she will “snap him out of it,” but not yet (402).
Amanda’s fourth attempt at the first chapter describes Oliver joining The Informer trainee scheme. Realizing that the other trainees were more talented, he belittled them. He gave a young female trainee the wrong location for after-work drinks. Consequently, she was assaulted and robbed in a dangerous area of London. Her work portfolio was stolen, and the attack permanently injured her left eye. When Amanda met Oliver again years later, it was clear that he had not changed, perceiving victims of manipulation as stupid. However, while writing a book on the Alperton Angels, Oliver learned how it felt to be vulnerable, deceived, and betrayed.
Hallett utilizes the crime fiction trope of the investigator closing in on the truth as Amanda makes several breakthroughs in her research. Mark Dunning’s diary extract contains crucial new evidence that helps Amanda make sense of events. The revelation that Christopher Shenk was killed for murdering undercover officer Harpinder Singh and that his body was moved to the warehouse clarifies that he was not an Alperton Angel. The story that he was the fourth angel, Raphael, is one of the novel’s many false narratives. However, as Amanda debunks one counterfeit story, Hallett raises further questions. Paramedic Jideofor Sani’s testimony that the angels had been shot introduces a new piece of evidence that turns the case on its head. The author offers a mixture of clues and red herrings as Ellie plays a more active role in the investigation, offering her theories on the case. Ellie correctly identifies that Don Makepeace is an unreliable witness and that Gabriel’s plan did not entail killing the baby. However, her deduction that the baby is the Queen’s grandchild, Lady Louise Windsor, turns out to be a disastrous error.
The author highlights The Elusive Nature of the Truth in the subplot in which author Minnie Davis is the victim of a hoax. Hallett underscores the fine line between fact and fiction as Minnie learns that the seemingly credible academic thesis upon which she based her true-crime book is comprised entirely of invented material. Minnie’s realization introduces a metafictional element to the novel, drawing attention to Hallett’s construction of a fictional text from sources that purport to be “evidence.” The thesis student’s inclusion of convincing news reports, photographs, and official documents echoes the authentic touches that Hallett uses throughout the narrative. For example, in this chapter, the author signals the arrival of Mark’s diary entry through a courier delivery card stating that a package from Judy Teller-Dunning has been left in Amanda’s blue bin. The diary entry itself is handwritten. As the casualty of a sophisticated hoax, Minnie demonstrates “that facts can be created and anyone can be taken in, all they need is the right deceiver” (390). Her ambition and readiness to exploit someone else’s work without asking too many questions prove to be her downfall.
Amanda’s fourth attempt at the opening of her book finally reveals the entire story behind her deep resentment of Oliver and thematically develops The Exploitation of Vulnerability. Amanda’s account of trusting Oliver as a naïve 18-year-old, surviving a frightening attack, and losing sight in one eye complicates Amanda’s characterization. Initially framed in an unsympathetic light, Hallett shifts the balance of sympathy toward Amanda, emphasizing this event’s physically and psychologically life-changing nature. The depiction of Amanda’s younger self as the victim of exploitation contextualizes the protagonist’s empathy for Holly and Jonah and explains her subtle encouragement of Oliver’s delusions. As Amanda teaches Oliver “how easy it is to be influenced, deluded, controlled and ultimately betrayed by someone you trust” (403), the exploited has become the exploiter. This emphasizes how Amanda exploits Oliver’s vulnerability to exact revenge on him for the harm that his actions caused her.



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