53 pages 1-hour read

Florence Knapp

The Names

Fiction | Novel | Adult | Published in 2025

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Part 4Chapter Summaries & Analyses

Content Warning: This section features depictions of emotional abuse and anti-gay bias.

Part 4: “Seven Years Later, 2008”

Part 4, Chapter 10 Summary: “Bear”

During his final year at university, Bear goes home to visit Cora. Gordon has been released from prison and is living with his parents. Cora tells Bear that Gordon intended to follow in the footsteps of his father, a renowned brain surgeon, but a hand tremor prevented him from doing so. Gordon’s father belittled his son’s role as a family practitioner and made fun of his tremor. While Gordon claimed his tremor had a neurological cause, Cora suspected it was psychological.


Cora and her children commemorate the anniversary of Vihaan’s death each year. Bear notices that the date on his birth certificate corresponds with the day Vihaan died. He asks Cora what triggered his father to kill Vihaan, and she claims that she cannot remember.


After graduating, Bear travels to Jordan to work on an archeological excavation. His girlfriend, Lily, secretly wishes Bear would settle down with her in England, but she accepts his wanderlust as an integral part of his character. She takes a job as an English professor’s assistant in Rome, eager to prove to Bear that she is an independent woman.


Stuck in a traffic jam with her girlfriend, Charlotte, Maia sees her father in the car beside them. As Gordon stares back at her, Maia is terrified. When Charlotte places a hand on her knee, Maia brushes it away, afraid her father will see and “be disgusted by her” (155). When they return home, Maia admits to Charlotte that her father is a murderer.

Part 4, Chapter 11 Summary: “Julian”

Julian rents a unit in an old factory that has been converted into artists’ studios. He lives a solitary life, having lost touch with his school friends whose camaraderie was built on their dislike of Gaelic games. Julian’s aversion to the sport sprang from his fear of hurting someone.


Julian resists Cian’s suggestion that he should export his jewelry to England. A fellow artist, Orla, introduces Julian to the other artisans who work in the factory. Consequently, he begins to feel part of a like-minded community. Although attracted to Orla, Julian lacks the courage to take action.


One day, Julian and Orla are stranded in the old factory when the street floods during a heavy rainstorm. Orla takes off her wet jeans and sits with Julian while he makes her a necklace. Sensing Orla’s romantic expectations, Julian panics. He hands her the jeans from the radiator, observing that they are now dry enough to wear. Humiliated, Orla retreats to her studio.


Thirty-year-old Maia suddenly feels a sense of awareness that she is wasting her life. She applies to train as a homeopath.

Part 4, Chapter 12 Summary: “Gordon”

Gordon’s math degree earns him a lucrative job in investment banking. He feels accepted in this industry where his male coworkers frequently behave boorishly and drink to excess.


Cora feels purposeless once her children leave home, and her life revolves around domestic chores. She cannot watch TV, as Gordon takes the remote control to work with him. He has also disconnected the landline. Cora has no friends and rarely speaks to her mother. When Maia occasionally calls Gordon’s mobile, it is to ask his opinion on work issues.


Gordon has ensured Cora cannot access their mail by installing a postbox to which only he has the key. However, one morning, she is outside when the postman arrives and hands her the mail. Cora steams open an envelope addressed to her. The letter is from a solicitor asking Cora to confirm she has received the funds from her late mother’s estate. Unaware that Sílbhe had died, Cora realizes Gordon had deliberately withheld this information.


Although 20 years have passed since their daughters went swimming together, Cora decides to ask Mehri for help. She walks to Mehri’s house but learns that the family moved away five years earlier. Cora panics, realizing she doesn’t have a key to get back into the house, and when Gordon returns, he will see that she has opened the mail. In desperation, she goes to the local veterinary practice—one of the few places where her husband has no connections. A “curly-haired” vet is kind to Cora when she reveals her husband is abusing her and calls the local women’s refuge. A woman named Della arrives to take Cora to safety. Afterward, Cora realizes she never asked the vet’s name.


Della calls Maia, revealing that Sílbhe died several months earlier. Gordon kept this news to himself, along with the details of Cora’s inheritance, to ensure his wife remained financially dependent on him. Maia realizes she has chosen to avoid thinking about her mother’s situation since leaving home. She has also kept her relationship with Kate a secret and concealed her family history from her partner.

Part 4 Analysis

In Gordon Jr.’s narrative, Knapp centers the long-term Effects of Domestic Abuse on Cora by detailing her husband’s calculating and coordinated efforts to control her life. His coercive control of Cora intensifies over the years, making her world smaller and more isolated. Gordon Sr. systematically cuts off his wife’s contact with friends and family by preventing her from accessing a phone and her mail. He also severs any connection she feels with the wider world by denying her access to TV and radio, making her utterly reliant on him as “her only constant, the only person to make her feel she exists” (182). Knapp underscores Gordon Sr.’s psychological control of Cora when she steams open her mail, framing the reading of her own correspondence as an illicit act.


Cora’s discovery that Gordon Sr. has withheld the news of her mother’s death represents a turning point in her character arc, moving her from passive endurance to active resistance. Her limited options when seeking help (a woman she last saw 20 years earlier, and the local vet) reiterate the extent of her social isolation. Cora’s friendlessness in this narrative thread contrasts with her life in Bear’s narrative, where Mehri is a constant source of friendship and support, highlighting The Large Impact of Small Choices. While Cora never learns the name of the kind “curly-haired” vet who calls the women’s refuge on her behalf in Gordon Jr.’s storyline, she dates him in the parallel thread.


These chapters trace the ongoing impact of domestic violence on the Atkin children as they enter adulthood. In Julian’s storyline, Knapp conveys the traumatic legacy created when one’s father kills one’s mother through Julian’s aversion to England—the site of his father’s crime. His refusal to associate with the country in any way prevents his business from expanding and contributes to his financial precarity. In Bear’s story, Maia’s response when she sees her father in a traffic jam demonstrates the enduring anxiety and fear that witnessing domestic violence as a child provokes. The description of Maia sitting “low in her seat, flattening herself against the backrest as though trying to compress her entire being into the leather” (155) highlights an instinctual, physical impulse to make herself small to the point of invisibility. Knapp depicts the complexity of Maia’s emotions when she brushes away an affectionate gesture from Charlotte—a reaction that demonstrates that, despite her perception of her father as a dangerous predator, Maia still instinctually craves his approval and believes he will be disgusted by her sexual orientation. Knapp portrays Maia as a young woman who has “edited away all the unsavoury parts of herself, to leave a version that is nowhere near the truth” (194). Knapp positions Maia’s impulse to hide her personal life and her family history as a trauma response that keeps her from living freely and authentically.


Cora’s belief that Gordon Sr.’s character was adversely shaped by his father’s cruelty emphasizes the novel’s thematic engagement with Breaking Free from Generational Cycles of abuse. Through the three portraits of Gordon Sr.’s son, the novel explores the relative impacts of nature versus nurture. In her portrayal of Julian, Knapp suggests that his character develops in direct opposition to what he knows about his father. Julian’s dread of inheriting his father’s disposition manifests as anxiety that he will hurt other people—a trait illustrated by Julian’s childhood aversion to rough sports and his fear of entering into a relationship with Orla. By contrast, Gordon Jr. seems destined to follow his father’s trajectory as he enters the “fraternity” of investment banking. The author emphasizes the atmosphere of toxic masculinity in Gordon’s workplace, where “He can be the most unpalatable version of himself, and the next person will say or do something worse” (181). In Bear’s plotline, his fears of nearly losing Lily directly echo his childhood fears of losing his mother to his father’s violence. His fear clarifies his priorities, and he takes action—accepting a permanent position in London and proposing to Lily—just as his mother took action and rebuilt her life with Felix.

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