46 pages 1-hour read

The Narrow Road Between Desires

Fiction | Novel | Adult | Published in 2023

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Symbols & Motifs

The Lightning Tree

The lightning tree serves as a symbol of desire. The children of Newarre gave the tree this name because it was struck by lightning years ago, leaving only “a broad, broken, branchless trunk” that has been bleached white by the sun (8). This symbol gains its meaning because of the wide range of desires that bring people to the lightning tree in search of Bast’s help. Some, like Kale, come in search of petty vengeance, but the novella’s deuteragonist, Rike, longs for safety for himself and his family. The lightning tree also provides insight into the protagonist’s identity and his relationship with desire. Members of the faen folk are drawn to “places with connections to the raw, true things that shape the world” (50). Thus, Bast is naturally drawn to the lightning-struck tree just as he feels that it’s natural for Fae to indulge their innate desires for things like vengeance and pleasure. This creates a certain level of irony within the story as Bast helps others satisfy their desires while trying to rein in his own. In addition, the fact that the tree is dead underscores that desire can be powerful and dangerous, capable of changing people just as lightning has transformed the tree: “Trailing down the remaining trunk, the lightning had charred a wild, dark, forking image of itself into the bone-white wood, as if to sign its work” (8). Many of the story’s most important scenes take place at the tree. For example, Bast asks Rike to reflect on the person he desires to become there, and he casts the climactic spell on the boy while walking in circles around the tree. The lightning tree shapes the story’s structure and gives insight into the desires that propel the novel’s characters.

The Penance Piece

The penance piece functions as a motif of The Tension Between Freedom and Obligation. The object is “a tiny piece of bright, engraven brass shaped like a tear” with “a pair of hands around a head of wheat” on one side and “a tower wrapped in flame” on the other (35-36). The penance piece is also stamped with the words “Tehus antausa eha” (37), which humans shout at demons during midwinter religious observances. Rothfuss implies that the penance piece’s spiritual purpose is one of the reasons why it binds the Fae Bast under a “an obligation heavier than he ha[s] felt in ages” (35). However, Rike, who is unaware of Bast’s Fae identity and the binding, gifts the penance piece to Bast to show his literal repentance for the grievances between them. The idea of penance aligns with Rike’s broader struggle to become a better person over the course of the story. The penance piece also provides insight into Rike’s socioeconomic status and emphasizes the boy’s desperation to protect his family; the brass coin can be exchanged for a loaf of bread, and the boy gives it away even though he faces poverty and food insecurity.


The penance piece plays a key role in the story’s structure and the relationship between Bast and Rike. The rising action begins when Kostrel gives the object to Bast on Rike’s behalf. Rike places himself in Bast’s debt in exchange for his help, but Bast uses his sway over the boy to remove the damaging parts of him. Fulfilling his obligation to Rike frees Bast from the binding that the gift placed on him and also reminds him to be grateful “to the world for being beautiful” (173). Ultimately, the penance piece leads to both obligation and liberation for the novella’s two focal characters.

Embrils

Embrils are symbols of fate. Within the world of Temerant, these objects are used as a means of divining the future. On Midsummer Day, Bast makes several attempts to learn what fate has in store for him by drawing embrils from a leather sack. Three key embrils that he draws repeatedly are “a piece of tile painted with a dancing piper” (19), a jagged piece of iron stamped with a crown, and a “piece of pale horn carved with a crescent moon” (19). The piper signifies Bast, who considers himself a clever artist and yet finds himself falling for others’ schemes. The iron piece called the Shattered King represents Bast’s master because the legendary Kvothe once possessed great “[m]ajesty and power” but has “[f]allen into despair” (135). As the story progresses, Bast moves from struggling to glean what fate awaits him to feeling certain that the universe is calling him to take positive action. This shift is most clearly encapsulated in the moment when the protagonist realizes that the crescent moon shining above Rike’s head resembles the embril made of horn and laughs with a sound “like someone breaking chains” (173). Rothfuss uses embrils to show how the protagonist’s attitude toward destiny becomes more empowering over the course of one fateful day.

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