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Content Warning: This section of the guide includes discussion of child abuse.
Rothfuss examines the tension between freedom and obligation through Bast’s inner conflict. This theme connects to the novella’s title, as Bast walks the narrow road between his desire to be completely unbeholden to anyone and his desire to preserve his relationships with the other characters, particularly Kote. Bast’s Fae identity strongly impacts his experiences of liberty and obligation. Members of the faen folk are “ruled according to their own heart’s desires” (49), meaning that they usually indulge their longings for things like pleasure and revenge freely. However, Bast’s duty to his master requires him to act with unprecedented self-restraint:
He had never been in conflict with his own desire before this place. It used to be so easy. Want and have. See and take. Run and chase. Thirst and slake. Now everything was complicated. So much of what he longed for he could not pursue, and every day he felt more turned from his own true (53).
Bast’s struggle between freedom and obligation causes him to feel disconnected from himself and his desires, lending his character complexity and inner conflict.
The gift that binds Bast to Rike deepens the novella’s exploration of this theme. Because the protagonist is Fae, his debts to others have a supernatural, visceral hold on him: “The only obligations binding him were old, familiar things. Most barely more than scars. Some few resembling wounds old soldiers had. A shoulder that grew stiff with cold. A knee that ached when rain was on the way” (127). The debt that the penance piece places on him is likened to “an iron shackle welded tight around his heart” (35), which emphasizes the weight of obligation.
Although Bast wants to escape the bond as quickly as possible, this seemingly onerous connection becomes a source of positive change and liberation for both characters. As Bast works to repay his debt to Rike, he and the boy repair their relationship and grow closer than ever. Bast brings about enormous healing for Rike not only by driving away Jessom but also by transforming the boy’s understanding of himself. For his part, Bast’s interactions with Rike give him a powerful experience of the world’s beauty and his own capacity to foster positive change in the lives of those around him. At the start of the novella, Bast struggles with feeling disconnected from himself and his desires, but helping Rike makes him feel that he is precisely where he’s meant to be, in “alignment with the perfect seam of everything” (173). In Rothfuss’s nuanced examination of liberty and responsibility, true freedom arises not from acting without regard for one’s obligations but from recognizing the power of one’s actions and the importance of one’s relationships with others.
As a Fae man living in a human town, Bast has a distinctive insight into the influence of perception on identity. Because the townspeople believe that he’s human, Bast is able to take on a number of roles, including Rike’s defender, Kostrel’s friend, and Dax and Emberlee’s paramour. Throughout the novella, the protagonist purposefully cultivates and utilizes others’ misperceptions of him: “With the notable exception of Crazy Martin, most of the townsfolk found Bast pleasant enough, though most of them also considered him somewhat simple in the head, a fact Bast didn’t mind in the least” (143). Being underestimated helps Bast enact his schemes, such as when he attacks Jessom and damages Martin’s still without attracting suspicion from the local gossips. Rothfuss adds to the story’s humorous, lighthearted mood through comedic scenes that play with the concept of perception. For example, Bast pretends that he is “woefully nearsighted” and that the admiring audience that has come to see him bathe is simply “sparrows chattering among the branches” (67). However, there are very real stakes for Bast’s careful maintenance of others’ perceptions; he knows that his ability to remain part of this community depends on the townspeople’s certainty that he is human: “One day everything was kisses and cake, but let one little secret slip and suddenly the only choice was fire and iron, or flee and leave it all behind” (54). Bast’s conditional acceptance in the town of Newarre highlights the ways that individuals moderate others’ perceptions of them to protect their identities.
Rothfuss also develops the influence of perception on identity through Kote’s and Rike’s negative self-images. The people of Newarre know legends about Kvothe, but they have no idea that the heroic figure in these tales is “the man who r[uns] the second-most successful taproom in a town so small it only ha[s] one inn” (40). As explored in more detail in Rothfuss’s novels, Bast fears that others’ perceptions of his master damage his sense of identity, meaning that being viewed as Kote, an ordinary innkeeper, makes Kvothe believe that’s all he is. While outside perspectives exacerbate the world-weary Kvothe’s loss of identity, others’ perceptions help Rike regain his belief in himself. At first, the boy sees himself in a harshly negative light: “I’m not good. I know it. I know better than anyone” (166). Bast helps Rike fashion a new identity by changing how the boy views himself and his potential: “You are brave, and strong, and full of love” (202). By empowering Rike to see himself as someone capable of change, the protagonist helps Rike become more like the person he wants to be. In this way, perception serves as a steppingstone toward identity. Rothfuss’s story reveals that perception can have either a helpful or harmful influence on identity, encouraging his readers to be mindful of the narratives they construct about others and themselves.
The cast of characters in The Narrow Road Between Desires illustrates the beauty of childhood innocence. Many of the story’s characters are children, and Kostrel has particular importance to the theme. Bast is fond of the boy because he possesses many of the positive traits associated with children, such as curiosity, playfulness, and enthusiasm: “Grinning, Kostrel moved his closed hand back and forth in a teasing way. He waggled his eyebrows ridiculously. Bast smiled as he felt the old familiar tug inside” (28). Part of what makes childhood innocence so beautiful and precious is its fragile and temporary nature. The author highlights this through the adult characters, especially Kote. Although the innkeeper is still a young man, he seems older because he’s lost his joie de vivre and grown tired of the world. By contrasting the children’s sense of joy and wonder with the adult Kote’s weariness, the story calls attention to the value of childhood innocence.
Rothfuss’s structural decisions support the theme’s development. Most of the problems that Newarre’s children ask Bast to solve are fairly mild. Their youthful desires, such as getting even with a sibling or persuading their parents to let them keep a kitten, highlight how different their concerns are from the cares and troubles that adults face. The bargains with Brann, Kale, Viette, and Kostrel in the early chapters build this theme up and set a lighthearted mood. As a result, the severity of Rike’s situation marks a pronounced shift in the story’ structure and tone. Jessom has threatened to steal his son’s innocence by abusing the boy and warping his self-perception, but Bast helps Rike see that he is still a child and deserves love and safety: “‘Rike,’ Bast said softly. ‘You’re a good boy. Do you know that?’ The boy bent then, sagged against Bast and seemed like he would break himself apart with sobbing” (167). Much of the story’s plot focuses on the protagonist’s efforts to help Rike reclaim his innocence, placing clear significance on the theme.
The author also develops the theme through his choice of literary techniques. For example, the narrator uses a simile to underscore both the beauty of Kostrel’s innocence and the association between fragility and beauty when Bast briefly considers taking his life in Chapter 3: “Killing this boy would be like shattering a stained glass window, but secrets would betray his master” (55). Bast’s dialogue to Rike in Chapter 12 contains another key simile for the theme: “You are as precious as the moon” (201). This comparison holds great meaning because it challenges Rike’s self-loathing and instead helps him begin to see himself as an irreplaceable individual with intrinsic value. By situating his protagonist as a helper and defender of children, Rothfuss shows great respect for the beauty of childhood innocence.



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