66 pages 2-hour read

The Never List

Fiction | Novel | Adult | Published in 2025

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Symbols & Motifs

The Occuli

The Occuli are a group of magical aides to the kings who perpetually spy on Rylee and the four Legends of Chaos as they undergo their courtship. The Occuli therefore have the effect of a panopticon, which, per critical theorist Michel Foucault, makes the observed feel as though they are under perpetual observation (regardless of how often authority figures actually maintain this observation) while the observer remains invisible in a way that maximizes their sense of power. Rylee and the Legends suffer under the oppressive presence of the Occuli, whose presence, they repeatedly note, never becomes comfortable, no matter how long one lives under their observation. Their constant surveillance reinforces the theme of The Corruption of Power Through Immortality, as the kings’ use of magical tools to enforce submission reflects how absolute power becomes increasingly paranoid and controlling.


The Occuli never speak in the novel. Instead, they create an ominous, silent presence that speaks to the omnipresence of the immortal kings in Lumathyst. This indicates that the kings’ authority pervades all elements of life in Lumathyst, leaving its citizens to constantly fear their violent interventions if they even slightly transgress the kings’ rules. This adds to the secrecy in the novel, as Rylee must keep her own secrets and keep constantly aware of how she is conducting herself in public as the kings—and their kingdom—are watching. Kal’s comment that the kings are “ancient and uninterested in anything that happens outside of the royal city” reveals how this omnipresent control functions more as inertia than active governance (188). The kings don’t intervene thoughtfully, they simply oppress by default.

The Sleeping Goddesses

The four sleeping goddesses provide significant influence to the plot of The Never List despite their absence from almost all of the novel. It is the intervention of the goddesses that leads to the Choosing ceremony; though the novel does not explicitly state that the goddesses have set up the terms in which their sons must all unite with one fated mate because they regret their choice in kings, it is regularly implied. The novel also foreshadows that the goddesses possibly did not go into their slumber willingly, though this is not resolved at the end of the novel. Both of these unresolved mysteries build suspense for a suggested sequel. Rylee herself expresses skepticism about the mythology, noting early in the text, “Why would the goddesses go to sleep when they could’ve likely created wards on their own?” (66). Her critical perspective invites readers to question official narratives and recognize the gaps in Lumathyst’s history.


The goddesses are religious figures to the people of Lumathyst, made all the most sacred and unknowable by their long absence. For the four Legends, however, the goddesses are their mothers, whom they have missed during the many years that they have been separated by the mystical slumber that the goddesses entered to protect the kingdom. The absence of their mothers emphasizes the fraught relationship that each of the Legends has with his father, who have benefitted enormously from the absence of their mates, as well as from the powers they have gained due to being selected by the goddesses in the first place. The goddesses’ dormancy thus functions not only as a mystery but as an emotional wound for the Legends, shaping their desire for meaningful connection and making them more receptive to Rylee’s love.


The goddesses appear briefly at the end of the novel, when Rylee goes through the Athanry. Though they seem, in this brief appearance, to be more benevolent than the four kings, they refuse to give their sons useful information regarding the identity of Rylee’s poisoner. They allude to “balance” as the reason behind this obfuscation, suggesting that they consider broader issues in Lumathyst and magic more important than their sons’ romance. This decision again highlights that even benevolent power may come at a cost, gesturing toward the novel’s ongoing interest in the ethics of leadership and personal sacrifice.

The Never List

The eponymous “Never List” refers to a list of political dissidents and their descendants who are kept on a physical list that the Lumathyst kings maintain. Membership on this list means that one can never ascend past a low social status, and that transgressing rules of that status (including dressing simply, not passing inter-city borders, or wearing cosmetics) can see them sent on a mission to fight one of Lumathyst’s enemies. These missions are nearly always fatal. Rylee assumes that her parents are dead after being sent on one such mission 10 years prior (for the crime of going to an anniversary dinner in an unsanctioned neighborhood), though their deaths are unconfirmed. As Rylee notes “It’s not my fault Erin and I were born on the wrong [side of the map]. It’s the kings’ fault,” emphasizing how the List functions as a tool of generational punishment and class immobility (45).


The Never List thus stands as a powerful form of social control that the immortal kings use to control the populace. By punishing the descendants of long-dead rebels, they discourage any resistance to their authoritarian rule by keeping those who have most reason to oppose them too hungry and oppressed to coordinate. Because her family is on the list, Rylee is technically ineligible to take part in the Choosing, but when the Legends discover her status, they are untroubled by the way she has transgressed the rules. The list itself therefore emerges more as a plot setup than a valuable plot device, as Rylee both does not find the information she seeks on the list and does not ultimately suffer any direct repercussions from her family’s status on the list. However, its psychological impact on Rylee—and her fear of being “flayed alive for the truth”—adds significant emotional tension and reinforces the danger of inherited disenfranchisement in Lumathyst (431).

Shared Bodies

Throughout The Never List, sexual intimacy functions as a symbol of emotional trust, magical alignment, and social defiance. Rylee’s sexual relationships with the Legends mark moments of deepening vulnerability, but they also reflect the broader magical structure of the world, in which physical union strengthens metaphysical bonds. These connections do not just indicate romance—they signal power convergence. The trope of “fated mates” is literalized here: Rylee’s compatibility with each Legend is confirmed through mutual desire and their intertwined magic. Axl’s command of water, Pierce’s telepathy, Jax’s emotional control, and Kal’s ability to fly all become more resonant when shared with Rylee.


More importantly, the novel’s repeated emphasis on sexual openness without jealousy positions the body as a site of communion rather than competition. Rylee’s physical relationships with each of the four Legends highlight the unusual unity of the group: They are parts of a greater whole. Kal and Axl’s shared enjoyment of watching Rylee with others reframes pleasure as collaborative, not possessive. In this way, the sexual bond between the Legends and Rylee becomes a symbol of both political resistance (against the kings’ restrictive codes) and emotional transcendence. Their shared bodies reflect the novel’s investment in reimagining love as something fluid, expansive, and mythic in scope.

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