68 pages 2-hour read

The Night Prince

Fiction | Novel | Adult | Published in 2025

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Chapters 22-32Chapter Summaries & Analyses

Content Warning: This section of the guide includes depictions of graphic violence, sexual content, and sexual assault.

Chapter 22 Summary

The evening before the full moon, Aurora reflects on being labeled emotional as a child despite her father executing anyone who opposed him and her brother’s alcoholism and violence. Callum senses her fear about the full moon and promises to stand by her and kill James.


Alfie nervously requests Aurora’s help in the kitchens. Callum teases her about her cooking. Aurora notices another romance novel from Elsie on the bedside table. Callum decides to speak with Ryan while Aurora helps Elsie.


In the kitchen, Aurora finds Elsie and Alfie chasing escaped live lobsters. Someone brought them as a prank for a traditional large meal before the full-moon fast. The sight of the boiling pot triggers a painful childhood memory: Her brother Philip once told her how lobsters are cooked alive. Aurora shares this with Elsie, comparing the lobsters’ fate to her own. Moved, Elsie declares they must free the lobsters. Aurora follows Elsie and Alfie out to release them in the loch.

Chapter 23 Summary

At dinner, Blake questions Elsie about the missing lobsters while the group eats potato soup. Lochlan’s clan is absent, attending a ritual with their priestess. Elsie claims the lobsters escaped, and Callum jokingly praises the soup’s gritty taste. Ryan laments that his girlfriend is still stuck at Madadh-allaidh with Fiona as a hostage, but the group jokes more to lighten the mood, including Blake.


Aurora reflects on the peace she feels at Lowfell. She senses that this is the calm before the storm of the full moon and the inevitable conflict between the alphas. Blake catches her eye across the table, seeming to read her thoughts.

Chapter 24 Summary

On the evening of the full moon, Callum leads Aurora away from the celebration at the loch, where others gather around a bonfire. Aurora has felt restless and irritable all day. Callum reveals a romantic clearing he prepared with candles and furs.


Aurora asks if shifting hurts. Callum insists it is a good feeling, a release. He brings her to climax, describing the wolf as always on the edge until the catharsis of the full moon.


As the sky darkens, Aurora feels a painful, soul-tugging sensation. Another fever is coming. Callum scoops her into his arms and carries her back toward the castle, seeking Blake.

Chapter 25 Summary

Callum carries a delirious Aurora into Blake’s chambers, where Blake is inebriated in an effort not to shift. Incensed by her dislike for Blake, she feels an overwhelming urge to attack him. He insists her violent reaction is normal for a half-wolf. Aurora launches herself from the bed and tackles him, trying to bite his throat.


Callum restrains Aurora, but Blake taunts her with sexual provocation. Callum warns him to stop but says he cannot intervene without the full moon compelling him to attack Blake as well. The power struggle between the two alphas overwhelms Aurora’s senses. Blake can feel her through the bond. Overcome by their wolf natures, he moves toward them. Callum and Blake begin to fight. Aurora’s fever peaks, and she blacks out.

Chapter 26 Summary

Aurora briefly regains consciousness to see Callum and Blake fighting as wolves, but she has not shifted. She wakes again to corresponding pain through the bond from Callum biting Blake. Her cry distracts Callum long enough for Blake to counterattack. Blake pins Aurora, growling any time Callum comes near. She passes out again.


Aurora awakens pressed against Blake’s bare chest, feeling an urge to bite him. Callum awakens, yanks Blake away, and slams him against a wall. Blake explains he guarded Aurora because she holds part of his life force. As they argue, Aurora observes Blake’s messy, book-filled room. She finds a book of monster sketches, one bearing the same symbol as Elsie’s Night tattoo. She notices dried lavender and a labyrinth drawing. As Blake dresses, she sees whipping scars on his back.


Aurora tells Callum she did not shift. He grins, believing she is not a wolf after all. Aurora feels Blake knows more than he is saying. Callum carries her back to their chambers. They spend the morning in bed. After Callum leaves to plan an ambush, Aurora is conflicted—not being a wolf severs connections to her mother and Callum. She realizes she wanted to bite Blake, which cannot be human. Seeing Blake by the loch, she resolves to confront him.

Chapter 27 Summary

Aurora goes to the loch and asks Blake if she is a wolf. Blake confirms she is, explaining he saw a vision of her moonlight-colored wolf form when he created their life bond. No wolf has ever failed to shift on the full moon, making her case a mystery. He reports that Claire was captured by Alexander’s men en route to Madadh-allaidh, so James will try to seize Aurora quickly to trade for her.


The next morning, Callum rides south to ambush Alexander’s men. As a storm approaches, Aurora waits anxiously in the library. Blake joins her, and they tease each other about her romance novel and his fear of thunderstorms. She tells Blake she believes the Heart of the Moon could break their bond, but she’s enraged when Blake reveals he already assumed so and has people looking for it.


As night falls without Callum’s return, the storm begins. Frightened, Aurora heads back to her room, clutching a vial of wolfsbane. Ian from Lochlan’s clan ambushes her in the corridor with two other men. Calling her the enemy, he knocks her unconscious and prepares to take her to James.

Chapter 28 Summary

Aurora experiences nightmares—first of Night’s prison, where she tries to call Blake for help, then of being whipped in the Church of Light and Sun as a figure tells her to fight. She awakens in a dungeon cell where Blake once held her, near the Borderlands. She confirms she still has her wolfsbane vial. Feverish nightmares of Blake plague her.


A werewolf she remembers, Duncan, and two men drag her to a dilapidated ballroom. James sits at a long table with five other alphas, including Robert, the alpha who acted as Wolf King in James’s absence. Aurora is thrown at James’s feet. Enraged, she attacks him, smearing his face with wolfsbane from her vial and burning him. James hurls her across the room as chaos erupts. He uses the Aithne—the alpha command—on her, but she resists. Duncan captures and ties her to a stone column.


Blake and Callum arrive and fight James’s men, but one holds a dagger to the enraged Callum’s throat. Blake announces they are there to negotiate her release.

Chapter 29 Summary

The standoff continues in the ballroom. James refuses to release Aurora and taunts Callum for allying with a woman betrothed to the man who had their mother flayed. The revelation shocks Callum, who was unaware of how she was murdered. James orders his men to stand down, but Duncan prevents Callum from freeing Aurora by holding a blade to her throat.


James confirms Alexander is on his way and says his interest in Aurora was sparked by seeing Blake’s unusual attention toward her at Madadh-allaidh. He mentions finding a book of Blake’s detailing grim experiments, which also contained another clue about Blake’s feelings. Amused, James says he will release Aurora if Blake kisses her.

Chapter 30 Summary

Aurora feels profoundly violated by the coercion. Blake laughs and refuses, calling it poor strategy to create a rift. To Aurora’s devastation, Callum commands Blake to do it. Blake hesitates, but Callum insists. Blake apologizes and kisses Aurora. The bond between them overwhelms her, and the kiss deepens. Afterward, Callum is in anguish, but he and Blake simultaneously attack James’s men again.


Blake frees Aurora while Callum challenges James for the throne. However, Alexander’s men, having apparently evaded Callum’s earlier ambush, storm in through a shattered window, and a chaotic battle erupts. Callum tackles James and roars at Blake to get Aurora out. As they flee, Blake shields Aurora with his body and is shot twice by a musket. Alexander enters the ballroom and greets Aurora.

Chapter 31 Summary

Aurora realizes the bullets were laced with wolfsbane. Aurora drags the wounded Blake out of the ballroom, with Alexander fighting his way toward them. They find horses waiting outside and mount one, which carries Blake’s pack. Alexander pursues them on horseback, taunting Aurora. Blake directs her toward a chapel on a mountainside.


They take refuge within the chapel’s graveyard, cornered. Alexander stops outside the gate, revealing he and Blake know each other from the past. He tells Blake to bring her to his fortress, the Grey Keep, to meet an old friend before she fulfills her purpose. He announces he is sending a visitor to Madadh-allaidh soon. Alexander rides away. Blake collapses against Aurora.

Chapter 32 Summary

Aurora knows she must treat Blake’s wolfsbane poisoning. She helps him into the abandoned chapel dedicated to Night. Following Blake’s instructions, she retrieves his medical kit and injects him with a wolfsbane antidote he developed.


The antidote provokes a feral reaction in Blake’s inner wolf. His animalistic urge to hunt floods Aurora through the bond. She experiences phantom pain in her shoulder from his wounds. Instinctively, Aurora pushes back through the bond, helping him regain control.


Blake asks her to bandage his wound. The chapel door bursts open, revealing Duncan. He announces he brings a message from the king, and when challenged, clarifies he serves the new king: Callum. He orders them to come to Madadh-allaidh immediately.

Chapters 22-32 Analysis

These chapters use the motif of entrapment to explore The Quest for Female Agency In Patriarchal Systems. Aurora’s reflection on how lobsters are cooked so slowly that “[they] didn’t even realize they were trapped” becomes a metaphor for her own experience within patriarchal structures (196). Just as the lobsters are ignorant of their fate, Aurora recognizes her gradual subjugation, first in her father’s court and now within the possessive laws of the wolf clans. Elsie’s impulsive decision to free the creatures represents an act of female solidarity and a rejection of predetermined outcomes. This symbolism finds its narrative climax in the ballroom, where James reduces Aurora to a pawn in a masculine power play. His demand for a kiss is not about desire but about demonstrating ownership and creating a strategic rift between his rivals. Callum’s command, “Do as he says” (248), underscores the pervasiveness of this theme; even a character positioned as a protector ultimately prioritizes patriarchal strategy over Aurora’s bodily autonomy, reinforcing her status as an object to be either owned or taken.


The narrative also develops the central conflict of The Struggle Between Self-Control and Vulnerability through the contrasting philosophies of its male alphas. Callum frames the wolf shift as a desirable, cathartic “release,” a concept he demonstrates to Aurora through the metaphor of sexual climax. For him, the primal self is an integrated part of his identity. Blake, however, articulates the opposite perspective, expressing an aversion to the wolf state because he cannot control it. His feral reaction to the wolfsbane antidote provides a visceral illustration of this internal conflict; Aurora can feel his sudden spike of aggression, possessiveness, and lust, all emotions he normally represses. Meanwhile, Aurora’s failure to shift denies her the controlled release Callum describes, yet she is increasingly subject to primal urges she cannot suppress, such as her instinct to attack Blake and her complex, wolfish reaction to their forced kiss. Her primal self is thus characterized as somewhere between Callum’s and Blake’s, a volatile power that would offer her relief if released, despite her anxieties.


The dynamic between Blake and Callum explores Power as Both Protection and Domination, setting them as foils in their approach to authority. Callum’s power initially appears protective; he offers physical comfort, promises retribution against James, and positions himself as Aurora’s shield. Yet, his authority reveals its dominating aspect when he commands Blake to kiss her, sacrificing her agency for a perceived strategic outcome. It appears to be a route to free Aurora by surprise, but she can tell he’s also curious to see her reaction. Blake’s power is initially presented as more controlling, manifested in the non-consensual life bond that connects Aurora’s psyche to his own. However, he attempts to dissuade Callum and James from forcing him to kiss Aurora and apologizes to her for it. He then instinctively takes several bullets for her. Alexander’s taunts about Blake’s past, referencing his “screams” and status as the “king’s favorite pup” (257), along with the whipping scars on his back, suggest a history of being subjected to dominating power himself. This adds complexity to his character, framing his need for control as a potential trauma response and his protection of Aurora as a projection of the safety he wish he’d had.


The narrative structure of this section is deliberately destabilizing, mirroring Aurora’s chaotic reality through a recurring pattern of tension and anticlimax. The chapters begin with a moment of quiet, friendly domesticity in the lobster incident before accelerating into the violent, feral confrontation of the full moon. This sequence builds from intimate sensuality to a chaotic three-way power struggle that ends not with resolution but with Aurora’s blackout and subsequent confusion. A similar structural arc occurs with her kidnapping; the rising tension of her imprisonment and the dramatic standoff in the ballroom culminate in a chaotic battle. However, the central conflict—the fight for the Wolf Throne—happens largely off-page. Callum’s victory is reported secondhand by Duncan, subverting the expectation of a heroic climax. This structural choice de-emphasizes the political struggle to instead foreground the immediate personal threats posed by Alexander and the deeper mystery of Aurora’s identity and her bond with Blake.

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