46 pages 1-hour read

The Nix

Fiction | Novel | Adult | Published in 2016

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Part 7Chapter Summaries & Analyses

Part 7 Summary: “Circle”

In the summer of 1968, at the University of Illinois Chicago Circle, Faye meets Alice. Intrigued by Alice’s role in the student underground movement, Faye accompanies her to the small offices of the Chicago Free Voice, a radical underground newspaper. There, Faye meets Sebastian, the editor in chief. When Sebastian addresses the group about the upcoming protest, Faye is impressed by his passion and his sincerity. The students are aware of the surveillance of the so-called Red Squad commissioned by the mayor to keep the peace at all costs during the Democratic Convention. One cop, Officer Charlie Brown, is particularly officious. He understands his duty as simple: “Target and annoy the bad elements in the city as far as the law allowed” (475).

 

When Sebastian runs into Faye the next day during a student protest against ChemStar, the factory back in Iowa where Faye’s father works, a conglomerate responsible for the production of napalm that American troops use to incinerate Vietnamese villages, he claims he feels a deep empathy for Faye, senses a strong around her. Faye is intrigued. With little warning, however, police cars swarm in. Sebastian impulsively hops on the hood of one of police cars. He is arrested. Faye runs. The next day, she seeks out Alice in her dorm the next day. As Alice casually pages through Playboy, Faye asks about Sebastian, who has already been sprung from lockup.

 

That night in a dark neighborhood along Lake Michigan, Alice meets her secret lover, the much-feared Officer Charlie Brown. Officer Brown has a fetish for dangerous sex that involves domination of the woman. The two engage a role-playing game that involves Alice being “arrested” by Officer Brown before having rough sex in the car. Officer Brown is married, but, after six months playing out rape fantasies with this college rebel, he has become addicted to their game: “It felt like his chest and guts were held together by a single wooden clothespin that she could remove by simply not showing up” (505).

 

Faye comes under the tonic sway of Beat poet Allen Ginsberg, a visiting lecturer. He provides spiritual counseling to the underground activists. His classes draw on Buddhism and challenge students to free their minds. Initially Faye struggles to touch the “white pristine light of total awareness” (516). When Alice introduces Faye to recreational pharmaceuticals, Faye embraces an entirely new reality. Suddenly rural Iowa, marriage to Henry, even the nisse she believed haunts her seem unimportant. What Alice and Faye do not know is that Officer Brown is listening to them through an illegal wiretap.

 

The next day, even as Faye prepares for a night of intimacy with her “fairy-tale prince” (544) Sebastian, out in the streets what started as a relatively orderly anti-war protest collapses into chaos when one student suddenly discharges a gun. The cops shoot the student dead. Over the next news cycle, it is Sebastian who hypes the confrontation in print—what Faye does not know is that Sebastian is actually in the employ of the Red Squad and his job is to incite students by publishing incendiary reports full of lies about the cops: “He had learned something important: What was printed became the truth” (539).

 

Alice is drawn to Faye and tries to break up with Officer Brown despite his protestations that he loves her. She says matter-of-factly, “I want to try girls” (542). That same night Faye, leaving her dorm anticipating a night of life-changing lovemaking with Sebastian, is confronted in her dorm lobby by none other than Officer Charlie Brown. Faye is handcuffed and arrested on the trumped-up charge of prostitution. 

Part 7 Analysis

Part 7 is the novel’s darkest section. It is days before the streets of Chicago will erupt in violence and angry confrontation, testifying to a culture devoid of empathy, a culture in conflict with itself. In a novel that comes to endorse as solution to both individual heartache and cultural confrontation the difficult leap of empathy, Part 7 mires us in a world of lies and shadows, deceit and pretense, of characters pretending to be something they are not, of maintaining distance from those who trust them and love them. Officer Charlie Brown, Alice, Sebastian, and even Faye, are content to judge others, use others, and refuse, in short, to step beyond the simple hungers, needs, and wants of their own self. None is willing to be who they actually are or to open up to the healing possibility of identifying with others. They sustain confrontation and assume their judgments are somehow valid.

 

Within this dark section, the apparent gospel of enlightenment offered in the class lectures of Allen Ginsberg with his encouragement to his students, already radicalized by the ongoing national protests against the continuing American presence in Vietnam, rings false and self-serving. There is no room within Ginsberg’s cosmic vision for others. Through the use of controlled substances, his students are sent off into pilgrimages to define their essential selves, to probe inwardly until they tap into their core being. Although Faye is entirely taken by the idea of a spiritual journey to lead her to some beautiful cosmic white light, the broader argument of the novel suggests that Ginsberg’s gospel of enlightenment recycles selfishness as glorified self-awareness: “Live,” he unctuously advises, “in your breath” (515).

 

The hippies and the police then manifest the same lack of awareness of others. The cost of this mass deception and this selfishness is the malicious arrest of Faye for prostitution, a charge invented by Alice’s frustrated lover, a change generated and sustained by deep-seated hate of others and uncomplicated by empathy. There is perhaps no more chilling moment in Part 7 then when an enraged Officer Brown, threatening Alice who is trying to break up with him, pulls out his service revolver and casually, calmly shoots point blank a stray dog prowling an alley for food scraps. 

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