62 pages • 2-hour read
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Content Warning: This section of the guide includes discussion of bullying, alcohol use, illness, child death, and death.
Nineteen years later, Odile has become a gendarme. She waits in the lobby of the Hôtel de Ville as a man gives his petition to visit the future. When he comes out, Odile escorts him home. She learns that his name is Quinton and the Conseil approved his visit. If Est 1 approves, Odile will escort him there.
Odile returns to the barracks. She eats dinner with Raimond Raboulet, an officer who is a few years older than her. It is strange for an officer to eat with the regular gendarmes, but Odile realizes Raimond has no friends. At the same time, however, she considers Raimond her only friend. They discuss Quinton, with Raimond noting that Quinton was his schoolteacher when he was younger.
Odile patrols the fence along the border by the lake. Their patrol locations rotate every few months. Most gendarmes wait for their chance to be near the town so that they can be part of civilization; however, Odile enjoys the solitude of the lake. On her breaks, she carves her view of the valley into wood. She has one for each patrol spot. She only etches them while on patrol, often taking more than a year to complete each one and having several in progress at once.
Odile reflects on the events after she quit the Conseil vetting program. She ran into Ivret shortly thereafter. Although Odile could feel her disappointment, Ivret simply called her “honorable” for becoming a cadet and thanked her for her “discretion” over what happened with Edme. Odile dreads seeing her, as she feels her own disappointment in herself reflected in Ivret.
When Odile told her mother about her decision, her mother responded with anger, scolding her for throwing her life away. Odile spent several months with her grandparents afterward. Now, she only sees her mother in passing when she is in the Hôtel de Ville, and they get together to eat a few times a year.
Despite how her mother and Ivret feel, Odile is adamant that her life is not that different than it would have been if she’d gotten her original wish and been cut from the vetting program. She spends most of it in solitude, doing the Conseil’s bidding.
Odile learns that Quinton’s request is approved. Jean-Savile explains that Quinton has a tumor and will die before the birth of his granddaughter. They are allowing him to go to Est 1 to see her. Odile reviews his file, seeing pictures of his granddaughter.
After patrol, Odile showers and returns to her room. She is stopped by Raimond on the way. He wishes her luck with her visit to Est 1, the last visitation before winter. He asks her if she ever thought of becoming an officer, and Odile admits to herself that she has never had the desire to do so.
Raimond tells her a story about one of his last visits to the future. Outside the Hôtel de Ville, he saw an officer and became convinced that he was seeing himself in the future. The moment gave him more confidence in himself and convinced him to put his name in for a promotion.
The next day, Odile meets Jean-Savile and Quinton at the gate where they are searched and let through. They make the hike into Est 1. Partway there, they stop at an old cabin that is used for visitors that are coming and going.
As night falls, Odile and Quinton sit by the fire. Quinton talks about his excitement and nervousness at seeing his granddaughter. When he begins to ask about Odile and the fact that she is the only female gendarme he has seen, Odile changes the subject. She asks about Raimond in school. Quinton notes that Raimond was bullied and that Quinton always felt bad for him. Odile is not surprised by this information.
When they go to bed, Odile thinks about her time in the gendarmerie. Most female cadets leave almost immediately, facing harassment from the men. Odile considers herself lucky that an older woman, Rosa, took Odile under her wing. Once Odile was alone, a man named Gagne began staring at Odile constantly. She began to wonder if he was going to attack her. However, around that time, Raimond was promoted to officer and began spending time with her, scaring Gagne away until he was transferred.
The next morning, Odile and Quinton continue their journey. The hike is treacherous, and Odile often helps Quinton. When they reach the edge of the lake, Odile places the masks over both of their heads, instructing Quinton never to raise it or to speak. She then rings a bell, signaling their arrival, and gets two tolls in response to let them know that Est 1 is ready for them.
Odile and Quinton pass into Est 1. The captain there, Manduca, greets them. He tries to trick Quinton into talking, but Quinton doesn’t answer. Gagne is also there, the second-in-command on the western border both in the present and here.
Odile takes a boat across the lake and gets in a gendarmerie truck. She drives to the outskirts of town where she and Quinton enter the apartment for visitors. After unloading their things, they drive to the café where they are supposed to see Quinton’s granddaughter.
They sit in a truck on the edge of the crowded café. Following protocol, Odile sits with her gun trained on Quinton. She holds his glasses for him, promising to give them back when his granddaughter appears. Odile can see the moment when people recognize them as visitors, as the mood of the people shifts.
After several moments, Quinton’s granddaughter appears. She looks directly at the truck and drops her plate of food. She then subtly waves at the truck. A moment later, she waves again. Quinton asks what is happening, but Odile ignores him and refuses to give him his glasses. She quickly drives the truck away and back to the apartment.
Odile recounts what happened and asks Quinton who he told about their visit. He admits that he hinted toward his daughter that he would one day get to meet his granddaughter. He argues that it wouldn’t harm anyone for his granddaughter to recognize him in his mask. He pleads with Odile to find another place where he can see his granddaughter. Odile placates him while knowing that, in the morning, she will deny his request and restrain him if she has to.
That night, Odile sits and carves the interior of the apartment. She notes that this carving is the only one she is doing that is indoors. As a result, it is always the same setting, never changing with the outdoor seasons as the others do. She struggles to capture the apartment’s “drabness.”
The next morning, Odile is grateful when Quinton accepts her denial of his request to see his granddaughter. They return to the barracks at the edge of Est 1. Once there, she tells Manduca what happened, and he has Odile type up a report. As she leaves his office, she spots a woman at the end of the hall. She is scrubbing the floor, her back bent, with a crutch nearby on the ground. Odile realizes that she is looking at the future version of herself. Her downtrodden, depressing air bothers Odile that night in the cabin and when she returns to the border fence.
Back in her home valley, Odile turns Quinton over to the gendarmerie where he will face a trial for his actions. She then gives her statement to Jean-Savile. She chooses not to divulge her sighting of herself as she is supposed to.
After, Odile asks Jean-Savile for an application to become an officer. He obliges, but warns her that two others are also applying and that there is only space for one officer. Raimond overhears the interaction. Outside, he congratulates Odile on her decision despite her pessimism.
As the narration shifts to the future, Odile’s adult life as a gendarme reveals the long-term consequences of The Burden and Moral Responsibilities of Knowledge that she assumed as a teenager. Her existence in the barracks is marked by monotony of routine and a sense of impermanence: The rooms are identical, her few possessions fit in a box by her bed, and her patrols rotate sequentially throughout the year. Although she insists that her life is not so different from what it would have been had she been cut from the vetting program, her solitude and emotional detachment suggest otherwise. Knowledge of the future guided Odile into a role that prioritizes obedience and discretion over her own personal well-being.
The border fences, now a central part of Odile’s life, reaffirm just how deeply she is now impacted by authoritarian control. As a gendarme, she is now tasked with enforcing the fences rather than observing them from a distance as she did in her childhood. Her enjoyment of patrolling the isolated lake underscores how she has adapted to a life of separation and surveillance. Despite being a personal artistic expression, even Odile’s carvings are bound to duty and restriction, as they are views of the valley made only while on patrol. These carvings convey her attempt to preserve memory and meaning within the banality of her life.
In particular, the carving that Odile makes in the Est 1 apartment develops the theme of The Lasting Impact of Grief. Unlike her outdoor carvings, which change slowly with the seasons, the carving of the apartment remains static and “drab,” conveying her emotional stagnation. This frozen interior space mirrors Odile’s unresolved grief over Edme, which has never evolved into healing. While her other carvings reflect the superficial freedom she feels being outdoors with the changing seasons, the apartment is a location that is wholly constructed, controlled, and surveilled by the Conseil. Similarly, Odile’s quiet dread upon seeing her future self as bent and injured confirms her fear that grief and obedience have narrowed her future rather than expanded it. The encounter confirms her fear that time itself is not enough to bring clarity or peace to her grief.
Odile’s decision to apply for an officer position serves as an attempt to better her life, yet she again tries to do so without confronting what happened with Edme, reflecting the dilemma of Authoritarian Control Versus Individual Freedom. On the surface, the promotion appears to be an assertion of agency, especially given that she makes the decision after seeing a future version of herself defined by submission. However, the role she seeks still exists within the same rigid hierarchy that caused her losses in the first place. Raimond’s encouragement juxtaposes Odile’s pessimism, highlighting her uncertainty about whether advancement can truly alter her fate. Odile’s choice thus serves as a false sense of freedom: Although it will marginally improve her life, it will also push her further into the system that led her to this point of stagnation and unhappiness.
Ultimately, Odile’s posting at the eastern border with the future metaphorically represents her new position in life. Standing on the literal border to the future, she makes this choice that she believes will change her life without ever fully believing in its ability to do so, because she is still haunted by the loss she has endured. Odile therefore remains suspended between choice and inevitability.



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