48 pages 1-hour read

The Pairing (The Proposition, #3)

Fiction | Novel | YA | Published in 2020

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Chapters 11-16Chapter Summaries & Analyses

Chapter 11 Summary: “The Beginning (Kit’s Version)”

The narration changes to Kit’s point of view. He recalls his early childhood in a verdant village near Lyon. After his family moved to California, his mother soothed his homesickness by baking French pastries with him. He remembers seeing Theo for the first time and thinking that they were more vibrant than anything else in the desert, like a superbloom. He loved them even before he knew what love was.

Chapter 12 Summary: “The End (Kit’s Version)”

Shortly before Kit and Theo’s breakup, Kit visits his Uncle Thierry, who lives in a Parisian pied-à-terre that has been in his mother’s family for generations. Thierry intends to sell the apartment because he is going to live with his girlfriend in Portugal, and he is overjoyed to learn that the place can stay in the family because Kit is moving to Paris. Thierry hopes that Theo will be joining Kit, and he answers, “I haven’t told her yet. But I have a plan” (201).

Chapter 13 Summary: “Cinque Terre Pairs Well With: Sciacchetrà, Ligurian Focaccia with Fresh Basil”

The novel moves four years forward in time. With Maxine’s encouragement, Kit decides to go on the culinary tour. He plans to throw an unsent letter to Theo into the sea at the tour’s stop in Palermo and then spend the rest of his life pining over them. He’s astonished to see Theo in London looking “fiercer and stronger and screamingly hotter than ever before” (206), and he agrees to try to be friends because he welcomes their presence in his life in any form. After Kit kisses Theo in Monaco, he apologizes, not wanting them to realize that he’s still deeply in love with them. Theo is angry with Kit the next day, and he thinks that they're upset with him for asking for more when they agreed to be friends. That night, Kit tells Theo that he’s wanted to kiss them since they reunited in London, and Theo proposes that they resolve the tension between them. Under this new arrangement, they agree to have sex but to refrain from kissing. Theo and Kit unleash their pent-up feelings for one another inside a shed in a vineyard. They both leave their clothes on during this encounter.

Chapter 14 Summary: “Pisa Pairs Well With: Souvenir Leaning Bottle of Tower of Pisa Hazelnut Liqueur, Torta di Ceci”

The tour bus breaks down on the way to Pisa, and Theo uses their knowledge of Volkswagen engines to repair it. Kit feels deeply attracted to Theo as he watches the confidence and competence with which they work, and he’s grateful that they trust him to help them. Theo has avoided photographs since tabloids fixated on the suit they wore to an event when they were 11, but Theo likes the picture Kit takes of them beside the famous tower. As Kit wanders through Pisa’s cathedral with Theo, he feels grateful to them and the tour for reviving his sense of wonder, which began to wane during his time in Paris.


Over gelato, Theo and Kit decide to continue their new sexual arrangement, and Theo tells him that they are nonbinary. Theo’s pronouns are “she/her” and “they/them,” and they prefer that their close friends use “they/them.” Kit appreciates this information and tells Theo that the attraction he feels for them has always felt different from the attraction he feels for men and women.

Chapter 15 Summary: “Florence Pairs Well With: Campari Spritz, Cornetti alla Marmellata di Albicocche”

Theo and Kit marvel at the Duomo together. Kit explains that this is his first time visiting Florence because going to the cities on the tour without Theo would have felt wrong to him. He guides Theo to the Buontalenti Grotto. While they admire frescoes and sculptures from the Renaissance, Kit waxes poetic about how sex made the city of Florence “the perfect environment for an artistic awakening” (247). Theo teases him for his philosophical approach to intimacy and explains that they see sex as a source of short-term pleasure. Kit wonders if that’s all that sex is to them and brings them to climax while they hold onto a fountain carved in the shape of Venus. Afterward, Theo buys them lunch at a sandwich shop.


While Theo goes to see Michelangelo’s David, Kit goes to the Uffizi Gallery. He recalls how his father fell in love with his mother after seeing her watercolor paintings, and he reminisces on how his own search for creativity and beauty led him to study art history and then pastry. As Kit gazes upon Botticelli’s The Birth of Venus, the goddess’s features remind him of aspects of himself and Theo. Kit rejoins Theo, Fabrizio, and the rest of the tour group for drinks and dinner. Everyone cheers for Theo as they uses her knowledge of wine to identify three vintages in a blind tasting. Afterward, they go to a bar, where Theo admits that they didn’t sleep with Juliette and Kit admits that he didn’t sleep with Paloma. This brings the score in their hookup competition to five to three. When Theo alludes to Kit’s sexual exploits at pastry school, he explains that Maxine greatly exaggerated in an attempt to make him sound better to Theo. They both open up about how much they struggled emotionally after the breakup.


When they run out of money, Theo fakes a marriage proposal to Kit so the bar’s patrons will buy them drinks: “Will you do me the honor of spending the rest of your life with me?” (266). To sell their act, Theo dips Kit and pretends to kiss him. Kit wishes that the proposal was real.

Chapter 16 Summary: “Chianti Pairs Well With: Chianti Riserva after a Long Bike Ride, Pesche di Prato”

The tour group stays in a villa in Chianti, and Theo and Kit are accidentally assigned to the same room. They undress and look at each other with undisguised interest. The moment is interrupted by the arrival of a bottle of wine and a note that reads, “Theo, Might have taken it a bit too far. Sorry. Love you. —Sloane P.S. Offer still stands” (276). Theo quickly hides the bottle in a wardrobe, but Kit has already seen the note. Theo swims in the estate’s pool while Kit finishes A Room with a View. After dinner, Theo calls the sommelier at Timo to verify a story they tells their fellow tourists. The sommelier mentions that Theo should be preparing for the Court of Master Sommeliers certification exam, and Theo is mortified because they let Kit think that they already passed.


On the verge of tears, Theo hurries to their room. Theo tells Kit that they failed the sommelier exam three times, that they'll have to sell their mobile bar to pay off the credit card debt they took on to fund their freelance business, and that they consider themselves a failure. Kit urges Theo not to give up on herself and accidentally says that he loves them. They renegotiate the rules of their arrangement so that they are allowed in bed together. Theo tells Kit how they want him to touch himself, and he relishes this opportunity to show them how competent they are. Afterward, they fall asleep in each other’s arms.

Chapters 11-16 Analysis

In the novel’s third section, Kit takes on the role of narrator and offers a new perspective on the main characters and themes. While Theo’s narration is filled with cheeky quips and olfactory imagery styled after the tasting notes for a wine, Kit’s point of view brings knowledge from his training in pastry and art history: “I look at the massive oil paintings and recite pigments of the Renaissance palette [...] I remember when I learned their names, how I imagined being some sixteenth-century cheese maker seeing paint give off light for the first time” (228). Kit’s response to the paintings at Pisa illustrates his unabashed sense of wonder. Beyond tonal and stylistic differences, Kit’s narration challenges much of what Theo considered immutable truth. Theo thinks that Kit easily moved on from their relationship and has a limitless capacity for wonder. However, Chapter 14 reveals that Kit’s sense of awe “left [him] not long after Theo, but much more quietly” (228) and has returned “like an old friend” after his reunion with them (228). Theo’s ability to revive one of Kit’s quintessential traits shows that the two characters bring out the best in one another.


Although Kit seeks to prioritize his friendship with Theo in these chapters, denying his love for them leads to inner conflict and becomes increasingly untenable. He describes them as “the love of [his] life” in the very first chapter he narrates as though he can hardly contain his feelings for them (198). Kit’s choice of reading material also conveys his hope for Second Chances in Love: “I continue reading, watching Lucy and George come back together, confess their love, and return to Florence to marry” (278). Seeing the characters in Forster’s A Room With a View achieve their happy ending soothes Kit when his own seems unattainable.


McQuiston uses the motif of kisses to demonstrate how Kit sometimes hinders his second chance with Theo. The main characters’ new arrangement allows sex but forbids kissing because they both attribute greater emotional vulnerability and significance to kissing. Both characters are especially wary of venturing into risky territory after the kiss in Monaco, which Kit immediately apologized for: “I swore I was drunk and caught in the moment, that I hadn’t meant it” (208). Despite this disavowal, Theo and Kit’s honest and emotional conversation in Chapter 16 speaks to the growing trust and intimacy between them. Moments like these offer hope that the main characters will give their love a second chance.


Theo and Kit advance the theme of The Pursuit of Pleasure by sharing their views on sex. Both main characters possess a hedonistic streak that informs their decadent adventures across Europe and their current sexual arrangement. Theo summarizes their perspective in Chapter 14: “Taste everything, fuck how you like, nothing else matters” (231). Similarly, Theo eschews the idea of a greater meaning in Chapter 15 when they liken sex to “eating a great meal. Short-term pleasure [...] But it doesn’t have to be anything deeper” (247). The novel frequently draws comparisons between food and sex as a way of entrenching the novel’s exploration of physical pleasures. Kit makes another such comparison when he observes that he and Theo are “delirious from consuming everything but each other” (217). However, Kit reveals that he places deeper meaning on sex than Theo does in Chapter 15: “Sex is in every beautiful thing that’s ever happened, and every beautiful thing can become sex” (247). His almost spiritual reverence for physical intimacy explains why he lags behind Theo in their hookup competition.


Theo’s decision to come out as nonbinary marks a major step on The Journey Toward Self-Acceptance. Even before Theo entrusts Kit with this information, he recognizes how their confidence has grown: “Now, she stands with her shoulders back, moves as if she knows a thousand ways to use her body and fears none of them” (207). Theo’s enhanced understanding of their gender identity improves her relationship with themselves physically and mentally. In addition, the fact that Theo realized their gender identity after the breakup demonstrates that painful circumstances can sometimes lead to important reflection and empowering self-knowledge. Theo’s decision to share something so personal with Kit proves that the main characters have made significant progress in rebuilding their trust, an important prerequisite to becoming lovers again.

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