57 pages 1-hour read

The Prayer Box

Fiction | Novel | Adult | Published in 2013

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Chapters 6-10Chapter Summaries & Analyses

Content Warning: This section of the guide discusses racism, physical abuse, emotional abuse, and addiction.

Chapter 6 Summary

In the Bink’s Market parking lot, Ross pulls up and watches with suspicion as Tandi talks with Paul. To diffuse the tension, Tandi loudly thanks Paul for information about her son, J.T., but Ross possessively interrupts and says she is coming with him to a job fixing a faucet and then to the beach to surf with his friends. Tandi gets into his truck, and he speeds away.


In the truck, Tandi and Ross argue about her conversation with Paul, and Ross drives recklessly. During the ride, Tandi thinks about her difficult past and Trammel. Ross is suspicious, asking whether Paul had been at her house, and Tandi feels the old pressure of being blamed or controlled. Their tense dynamic eases only slightly when Ross drops her off, promising to return in 45 minutes.


Tandi goes to Iola’s house, where she again finds that the one-eared cat has turned on a faucet upstairs. After securing the faucets with ribbon, Tandi notices a closet door in the blue room is slightly ajar. Inside, she discovers the closet is filled from floor to ceiling with a collection of decorated boxes.

Chapter 7 Summary

Inside the closet, Tandi loses track of time as she examines the boxes. She eventually hears a car horn and must hurry to meet Ross. They drive to the beach at Pea Island, and argue again about Tandi’s interactions with Paul. Ross’s anger subsides as they meet up with his surf crew. Tandi films them surfing, and later, everyone gathers for a beach boil. Tandi and Ross reconcile, but as the evening wears on, she feels growing guilt for leaving her children home alone.

Chapter 8 Summary

When Tandi and Ross arrive back at the cottage late that evening, they find it empty—J.T. and Zoey are not home. Tandi panics, fearing her abusive ex has found them and taken her children. Ross is dismissive but calls the sheriff’s department from his phone, commenting how Tandi needs a cell phone of her own.


The department has no incident reports. Outside, Tandi finds her son, J.T., who explains he was locked out. After waiting, he went down to Bink’s store, where Brother Guilbeau invited him to a church spaghetti dinner and family movie night.


Ross scolds J.T. for worrying his mother before leaving for a party. Later, Zoey sneaks into the cottage, claiming her boyfriend Rowdy’s truck got stuck in the sand. The next morning, Tandi and Zoey argue about the missing key before the children leave for school. Tandi then heads to Iola’s house to continue her work.

Chapter 9 Summary

In the blue room at Iola’s house, Tandi begins reading the oldest letters, dated 1933. She learns the decorated boxes are prayer boxes and the letters inside are addressed to God. Tandi discovers one of Iola’s early letters, written in 1933, in which young Iola describes being sent away from her family in New Orleans to a mission school. The letter reflects on her appearance. She writes that she was made to leave because of her “look” and compares herself unfavorably to other girls.


Feeling empathy, Tandi decides she must destroy the letters to protect Iola’s privacy. She returns with trash bags but finds the one-eared cat lying on the letters. As she gathers them, a tiny silver rosary falls out. Realizing other valuables might be hidden inside, she abandons her plan and commits to sorting through Iola’s life story.

Chapter 10 Summary

Tandi continues sorting through the prayer boxes, reading letters from 1936 that detail Iola’s life at the mission school for “children of color,” a detail that reveals Iola’s multiracial heritage. The letters also highlight Iola’s talents in academics and music, as well as a painful memory of being removed from the choir for maturing physically faster than the other girls. While Tandi reads, the doorbell rings.


She finds a UPS driver with a delivery for Iola. Tandi informs him that Iola has passed away, and he shares fond memories of her. After he leaves, Tandi opens the heavy package from a local store called Sandy’s Seashell Shop. Inside are two dozen new, expensive stained-glass suncatchers with a hummingbird theme.

Chapters 6-10 Analysis

These chapters establish the novel’s central conflicts and explore key symbolism, contrasting Tandi’s precarious present with the historical weight of Iola’s concealed past. Tandi’s interactions with Ross and Paul Chastain externalize her struggle between the desire for superficial security and the need for genuine emotional safety. Ross embodies a volatile and possessive masculinity that mirrors the abuse Tandi is fleeing. His aggressive reaction to her conversation with Paul, his reckless driving, and his dismissive attitude when her children are missing all trigger in Tandi a “familiar rush of queasiness” (77). This dynamic highlights Tandi’s trauma and her tendency to placate threatening men for the sake of a tenuous stability. Paul, in contrast, represents a gentle, non-threatening alternative, but Tandi’s immediate instinct is to manage Ross’s jealousy rather than question it, revealing how deeply her past trauma informs her present choices. Ross’s harsh criticism of J.T. further underscores his inability to provide the supportive partnership she and her family require, setting the stage for Tandi’s eventual turn toward a more authentic form of connection.


The discovery of the prayer boxes marks the novel’s most important symbolic turning point. The letters transform the hidden closet from a hoarder’s stash into a sacred archive of memory and faith, each box preserving fragments of Iola’s life that could not be spoken aloud. Their sheer number conveys both the weight of her secrecy and the endurance of her devotion, while their fragile state underscores the urgency of preservation. The one-eared cat, which repeatedly activates the faucets in the house, serves as the unlikely catalyst for this revelation. By tying the faucet handles with ribbon to control the chaos, Tandi demonstrates her instinct to contain disorder, even as the animal’s interference leads her to the very closet that will reshape her understanding of Iola. The cat thus functions as a liminal figure, nudging Tandi toward discovery while reminding her that what feels like disruption can also be the beginning of transformation.


The initial prayer letters from 1933 give voice to The Corrosive Nature of Secrets and the Freedom of Truth. Iola’s childhood exile to a mission school is predicated on a secret: her multiracial heritage. She is sent away “cause of [her] look” (111), a phrase that encapsulates the societal prejudice forced upon her. This foundational secret dictates the course of her life, isolating her from her family and forcing her into a state of concealment. The prayer boxes become her only safe repository for truth, a private space to articulate the pain of being deemed unacceptable by the outside world. This narrative of a life shaped by a hidden identity runs parallel to Tandi’s own. Tandi is living under a cloud of secrecy, hiding her addiction recovery, abusive past, and financial desperation. Her fear and isolation are a direct result of the secrets she carries. This parallel structure demonstrates how concealment fundamentally hinders the development of an authentic self and prevents the formation of genuine community.


Through Iola’s early letters, the narrative also begins to explore the theme of Redefining Prayer as an Act of Witness and Service. Sister Marguerite’s advises Iola to put all the things she keeps inside her into the box, to “get them out in [her] words” (110), establishing prayer as a form of healing and self-documentation. This concept directly challenges Tandi’s initial understanding of the boxes. Her first impulse is to destroy the letters to protect Iola’s privacy, viewing them as a source of potential shame. However, the discovery of the tiny silver rosary hidden among the pages sparks a crucial realization that there are “valuable things hid among the scraps of a life” (123). This moment marks a profound shift. Tandi transitions from a would-be destroyer of history to its designated keeper and witness. Her decision to sort the letters rather than discard them signals her first conscious choice to preserve, a symbolic reversal of the erasure she has long endured in her own life. Her commitment to carefully sorting through the boxes becomes her first act of service to Iola’s memory, unknowingly initiating her own spiritual mending.


The parallel lives of Tandi and Iola create the sense of a relationship unfolding across time. That Tandi discovered Iola’s body and unearthed her hidden letters feels like design, as though divine intervention placed Iola’s legacy in the hands of someone who must learn to speak her truth through prayer just as Iola once did. Iola’s endurance through secrecy and prejudice becomes the spiritual inheritance Tandi receives at the precise moment she needs a model for survival and renewal. The delivery of the stained-glass hummingbird suncatchers from Sandy’s Seashell Shop adds another symbolic thread. The hummingbird—small, fragile, yet persistent—becomes linked with Iola’s hidden acts of beauty and provision. That the UPS driver recalls Iola fondly at the door also situates her legacy firmly within community memory. These concrete details reinforce how prayer, once articulated, reverberates outward through both material tokens and human testimony.


Structurally, the epistolary narrative embedded within the main plot forges the novel’s central bond. The prayer letters allow Iola’s voice to emerge directly from the past, creating an intimate, dual narrative that unfolds for the reader at the same pace as it does for Tandi. This structure avoids flashbacks and instead fosters a deep, resonant connection between the two women, highlighting their shared experiences of displacement and the search for a safe harbor. The contrast between Tandi’s frantic, chaotic present—marked by arguments with Ross, panic over her missing children, and financial anxiety—and the measured, eloquent voice of young Iola creates a powerful narrative tension. Iola’s articulate processing of her trauma provides a model of resilience that Tandi has yet to achieve. By reading Iola’s story, Tandi is not just uncovering a historical mystery; she is receiving a guide to navigating her own brokenness. Her recognition that Iola’s words could guide her, even though she has no conscious framework of faith, foreshadows the eventual creation of her own prayer box as a continuation of this practice.

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