74 pages 2-hour read

The Primal of Blood and Bone

Fiction | Novel | Adult | Published in 2025

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Symbols & Motifs

Content Warning: This section of the guide contains discussion of graphic violence.

The Prophecy of the Ancients

An important motif that spans the series, the prophecy refers to a dream experienced by the Ancients, the oldest gods, and recounted by the goddess Penellaphe (after whom Poppy is named), the Primal of Wisdom, Loyalty, and Duty. The long, multi-part prophecy foretells the coming of two great powers that are partly mortal in origin. Both are female. The first, the “bearer of two crowns,” refers to Sera since she wears the crowns of Nyktos’s Consort and the True Primal of Life. The second power is a “second daughter,” clearly referring to Poppy, who will be “the giver of blood and the bringer of bone,” in that she will unite the powers of Life and Death.


Since Poppy’s rise is prophesized as accompanied by destruction in the realms, the older gods try to interfere in the course of the prophecy. However, the text establishes that the meaning of the prophecy is still unclear and hidden even from the wisest. While the death and destruction promised in the prophecy were believed to be the remit of Kolis or Poppy, the end of The Primal of Blood and Bone reveals the prophecy may have been pointing to Cas. The changing meaning of the prophecy indicates that not even the most enlightened beings can truly know the future. It is therefore better to use prophecies as broad guidelines, rather than base each action on them. The uncertainty around the Prophecy emphasizes the theme of Prescribed Destiny Versus Personal Agency.

Blood and Bone

Blood and bone function as a key symbol in the novel, illustrating the dualistic aspect of creation. While blood represents the life-force, bone stands for death. While the two appear contradictory images, the text presents a far more complex symbolism around blood and bone. Blood is vital and life-giving, its red the color of poppies and vibrancy. The act of partaking blood to renew eather shows the centrality and sacredness of blood in Atlantian culture. However, blood is also associated with violence, gore, and cruelty. The Ascended revel in shedding the blood of mortals and store their blood in vast containers. Kolis and his acolytes are often associated with the color of blood. The ambiguous portrayal shows that blood can be both life-giving and life-sapping, depending on the individual. Similarly, great power can turn destructive and corrupt.


Bone, bare and cold, traditionally has a negative association, like death itself. Bones are also seen as dangerous and powerful, since the bones of the Ancients have the power to absorb the life force of other gods, and can thus be used to harm them. As Cas’s destructive powers take over, he increasingly shows his Primal form as a skeletal being wreathed in smoke. However, bone also stands for liberation from the cycle of rebirth and great change. The new order rises only when the old grows skeletal and dies. This shows neither bone, nor death, are inherently negative. In fact, blood and bone together represent the balance that is crucial for creation, acting in tandem to power the realms, as indicated by Poppy’s Primal sign of the circle of life with a cross within.

Flowers

Working as both an important symbol and a key motif, flowers recur throughout the text. Poppy herself is associated with her namesake flower, the orange-red petals standing for her fiery, life-giving force. At the end of the novel, when the entire realm is dampened by frost, Kieran notes that bouquets of poppies still live under the snow, their vibrant color puncturing the bleakness. This suggests that Poppy symbolizes hope, renewal, and resilience. Since the poppy bouquets line the hall of Cas’s palace at the end of the novel, they represent his hope for her return. Further, poppies also link Poppy and Sotoria, since in Poppy’s dreams, Sotoria often gathers the red flowers from a meadow. Like Poppy, Sotoria too represents resilience in the face of pain and tragedy.


Poppy’s scent of fresh lilacs further symbolizes life, since the flowers bloom in late spring and early summer. Sera, the True Primal of Life, is also associated with lilacs. At the same time, the scent of dead lilacs around Poppy denotes the close link between life and death, suggesting that everything that blooms must wilt over time. Isbeth, Poppy’s biological mother, smells like roses, the sweet scent masking her moral corruption as well as representing her dangerous charm.

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