74 pages • 2-hour read
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Content Warning: This section of the guide contains discussion of graphic violence.
Poppy’s epiphany during her Primal stasis sums up the importance and inevitability of change: “[E]verything done to prevent what was coming had only ensured that it would” (29). Poppy’s cosmic perspective allows her to see that various generations of gods tried to stop the prophesized end of the realms, but their very intervention has hastened that outcome. What the Ancients fail to see is that “for every end, there must be a new beginning” (30): The cosmic reset feared for thousands of years is not just inevitable, it is necessary for the renewal of the realms.
Despite their wisdom, every existing order in the series resists change, starting with the Ancients who are repulsed when Primals embrace mortal emotions, such as love and sorrow. For their part, Primals like Sera and Nyktos, though well-meaning, try to stop the end of the world by barring Ires and Malec from their heartmate trials—the tests meant to prove the love between a deity and their beloved mortal. Though the older gods fear destruction, the novel suggests that destruction is not always evil. Sometimes old structures need to be demolished to build a new architecture.
Poppy, Cas, and Kieran already embody this new architecture and era. The swift evolution of Cas’s shapeshifting abilities, the variegated color of Poppy’s eyes and her resistance to Ancient bone, all indicate these characters are a paradigm shift in action. To hold them up to old standards is futile, as indicated by the prevailing wisdom around defeating Kolis. As Cas tells Poppy, the argument that he and Kieran would be weak before Kolis is mere speculation. The truth is that the three being a new class of Primals, “There is no telling what we’re capable of” (1062). Since the new pantheon signifies change, it cannot operate strictly in accordance with old knowledge.
Another way in which characters in the novel resist change is by trying to reverse entropy and bring back the past. However, repeating the past, symbolized by resurrecting the dead, often leads to disastrous consequences. For instance, when Poppy resurrects Tawny, it possibly costs Tawny her soul. Poppy quickly learns from her mistake and from then on fights the urge to return the dead to life. Characters like the Ascended, Isbeth and Kolis, chasing unnaturally prolonged life and glory, symbolize the staleness that comes from repeatedly rejecting change. The novel thus implies that the more natural order is to accept change and work with it, since change is the one constant of the universe.
With a universe dominated by prophecies, predetermined roles, and resurrection, characters throughout the Blood and Ash series often have to struggle to establish their individual identities and agencies. In The Primal of Blood and Bone, the tension between destiny and free will is complicated further by the reveal of Poppy’s connection to Sotoria. Not only does Poppy have to contend with being the prophesized Harbinger of cosmic destruction and change, she now has to face the fact that her soul is stuck in a pattern. Faced with this dual revelation, Poppy briefly feels lost about her true self. Over the course of the novel, Poppy has to find a way to chart her own course, confronting the challenge of prescribed destiny versus personal agency.
Poppy’s identification with Sotoria makes her feel particularly claustrophobic because of her history as the Maiden, which was a highly circumscribed role. For Poppy, the “gilded cage Sotoria had been kept in…like a pet. Or […] a prisoner” (886) mirrors the physical cloister of the Maiden. Thus, it seems that destiny is pulling Poppy back into the past. The pattern in which Poppy is repeatedly drawn to the window facing the Cliffs of Sorrow further emphasizes the repetitive nature of Poppy’s existence. Even though Poppy is now the all-powerful Primal of Life and Death, she does not always feel free. She feels the pain of others very keenly, but cannot always take away that pain, as is obvious in the Manhattan sequence. Thus, the power of her position does not imbue Poppy with free will; free will arises from the actions of Poppy, the individual.
The tension between destiny and agency is cast in a new light through the role of the Fates. The Fates believe in not meddling in the course of destiny, yet the novel shows how even abstaining from action is a choice with consequences. In Ileesium, Holland and the other Fates tell Poppy that they, like many Ancients, wanted a cleansing of the mortal realm thousands of years ago, as they believed this was destiny. However, Poppy asserts that even though the Fates “can see the […] threads of fate […] that does not mean there isn’t a choice” (416). The Fates chose to initially participate in the supposedly destined cleansing, their choice paradoxically causing that destiny. The case of the Fates shows how destiny can be used as an excuse for a failure to make the right choice.
For Poppy, the answer to balance destiny and agency lies in recognizing the difference between what one is (the Primal, the Harbinger, the Maiden) and who (the individual) one is. Even though destined roles are important, at the end of the day the individual must choose based on their own system of values.
The novel is especially interested in examining the complex way love drives characters in situations of duress, offering them a sanctuary, but also weighing them down. Although love is a powerful, positive force in the text, it simultaneously extracts a cost from the characters, casting love as both sanctuary and burden under pressure.
Characters often feel love keenly to the point of pain, as seen in Cas and Poppy’s intense devotion to each other. For instance, when Poppy is in stasis, Cas can hardly leave her side, nearly foregoing his duties to his people. Even the usually stoic Kieran is beside himself with worry. He anxiously tests the temperature of Poppy’s skin, alert to any sign of chill. Words like “anguish” are often used in the context of the central trio’s love for each other, such as when Poppy briefly drifts out of sleep and tastes the “thick tanginess of anguish and concern” (97) in Cas’s emotions. Poppy also senses anguish in Cas when he is feuding with Kieran, the pain like “the near-constant anguish for his brother” (940) during the period Malik was with the Blood Crown.
Love is also dualistic in the novel because it sometimes forces characters to make difficult choices, such as the choice between personal love and public duty. Cas has trouble balancing his role as Poppy’s husband with his royal responsibilities. His instinct is to focus only on Poppy till Kieran’s chiding reminds him that, whether he likes it or not, he is the king of his people. Another difficult test is between competing loyalties, such as when Poppy chooses to place the burden of stopping her on Kieran, instead of Cas. While Cas has assumed Poppy chose Kieran because she did not trust Cas, Poppy reveals that her decision was based on other factors. Poppy knew stopping her would destroy Cas. When an incredulous Cas snaps “And you thought it wouldn’t destroy Kieran?” Poppy replies that she knows it would destroy Kieran but she made a choice all the same.
While love is not easy, it is always life-affirming and transformative. Throughout the novel, characters are driven to do good because of the power of love. Poppy’s love, not just for Cas, but for her entire found family—Kieran, Delano, and the others—gives her hope and balance. Even when she panics about being Sotoria, she controls herself for the sake of everyone she loves. She stops herself from killing Isbeth out of love for her people, reminded by Valyn that her violence will terrify them. Cas, too, changes himself for Poppy, reining in his impatience and impetuousness. Kieran’s love works in a subtler fashion: He allows Poppy and Cas to take centerstage, stepping back to give them space. He does not burden Poppy with expectations and weathers Cas’s ill temper.
Finally, love acts as hope and sanctuary, enabling characters to survive the grimmest conditions. It is Poppy’s love for Cas and the others that allows her to first fight Kolis in stasis, and then face him in a terrifying battle. The novel ends with the implication that Cas, although now terrifyingly powerful, will ultimately find salvation and purpose through Poppy’s return.



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