45 pages 1-hour read

Gene Luen Yang, Bryan Konietzko, Michael Dante DiMartino

The Promise: The Omnibus (Parts 1-3)

Fiction | Graphic Novel/Book | Middle Grade | Published in 2013

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Part 1, Pages 7-41Chapter Summaries & Analyses

Part 1, Pages 7-12 Summary

Content Warning: This section of the guide includes discussion of racism, graphic violence, and death. In particular, this section deals with issues of colonialism, cultural appropriation, and genocide.


The first pages of the novel replicate the title sequence from the original Avatar: The Last Airbender animated television series. This sequence is an iconic part of the show and summarizes the story’s premise and setting. The story takes place in a fantasy universe in which people are separated into four groups defined by their abilities to telepathically manipulate, or “bend,” one of the four elements: earth, air, fire, and water. In this universe, one person, known as the Avatar, is reincarnated each generation and is the only one able to bend all four elements. The Avatar is a quasi-divine being tasked with maintaining the universe’s balance—in this generation, the Avatar is Aang, who was born as an airbender. 


The graphic novel begins just after the end of the Hundred Year War and the final defeat of the Fire Lord Ozai. Having mastered all four elements and defeated Ozai, it is now Aang’s role to help restore global harmony. He hopes to do this with the help of Zuko, who has been crowned the new Fire Lord. Aang also has the help of his other friends, Team Avatar.


Now, Earth King Kuei, Aang, Sokka, Katara, and Zuko, all members of Team Avatar, discuss the Fire Nation’s continued colonial presence in the Earth Kingdom after the end of the war. Kuei compares the colonies to scars, and Zuko agrees that it is time to end the Fire Nation’s occupation of the Earth Kingdom. Aang knows that this will be a difficult transition and agrees to oversee it in order to maintain peace. Katara and Sokka also volunteer to help Aang, and Sokka suggests that the project be called the Harmony Restoration Movement.

Part 1, Pages 13-17 Summary

Kuei organizes a city-wide party in the Earth Kingdom to announce the launch of the Harmony Restoration Movement. Before the celebrations begin, the friends visit Iroh, Zuko’s uncle and former heir to the Fire Nation throne, at his new tea shop, the Jade Dragon. In a scene replicated from the last episode of the animated series, Aang and Katara share a kiss on a balcony outside the shop. Sokka walks out onto the balcony and discovers them kissing. He and Katara briefly bicker about public displays of affection before Sokka announces that the other friends want to take Appa, Aang’s flying sky bison, for a ride.


Aang, Katara, Sokka, Suki, Zuko, and Toph watch the celebratory fireworks from atop Appa. Toph, who is blind, does not enjoy the fireworks very much since she only experiences how noisy they are. Aang notices that Zuko also seems upset. Zuko says that he has recently visited Ozai in prison and asks Aang to destroy him if he ever becomes evil like his father. Zuko is unsure if the pressure of running the Fire Nation, especially at such a critical time, will eventually corrupt him. He wants assurance that should that ever happen, Aang will prioritize the world’s well-being. At first, Aang is hurt that Zuko, his friend, would ask him to do such a thing. But with Katara’s encouragement, he finally promises that if Zuko ever becomes like Ozai, he will kill him.

Part 1, Pages 18-23 Summary

A year later, Fire Lord Zuko has survived five assassination attempts and is paranoid about people trying to kill him. One night, while asleep in his bed at the Royal Palace in the Fire Nation capital, he is woken by strange noises. He tells the guards outside his door that another assassination attempt is underway, but they assure him that he is imagining things. 


However, the guards are suddenly knocked out by a masked assailant, who then turns to attack Zuko. Zuko uses his firebending to defeat her and pulls the mask off to reveal Kori, the teenage daughter of Mayor Morishita of Yu Dao, the Fire Nation’s oldest colony in the Earth Kingdom. Kori tells Zuko that he is a traitor and that the Harmony Restoration Movement is destroying her home.

Part 1, Pages 24-33 Summary

Zuko brings Kori back to Yu Dao and confronts her parents about the assassination attempt. While the mayor is initially apologetic about Kori’s behavior, he chafes at Zuko’s insistence that the Harmony Restoration Movement is a force for peace. Morishita asserts that his family has lived in Yu Dao for generations and played an essential role in the city’s development; he argues that they do not deserve to be forcibly removed from their homes. He goes on to compare Zuko to Ozai, arguing, “[Y]our father would never have let the Avatar and the Earth King bully him into something so obviously bad for his own nation’s citizens” (26).


The mention of Ozai sparks a flashback for Zuko, and he remembers going to visit the defeated Fire Lord in prison. Zuko demanded that his father divulge the location of Ursa, Zuko’s long-lost mother, whom Ozai had banished at the start of his reign. In response, Ozai taunted Zuko, telling him that they should have the conversation over a warm cup of tea. As Zuko stormed out of the room, Ozai said that he would inevitably be changed by the pressures of being Fire Lord and that he, Ozai, was the only one who would be able to give Zuko counsel from experience. Returning to the present, Zuko furiously pins Morishita against a wall and yells that he is nothing like Ozai.


At the same time that Zuko is in Yu Dao, Aang, Katara, and Sokka escort a group of Fire Nation colonials from their homes in Yu Dao to the Fire Nation. The colonials are nervous because they have lived outside the Fire Nation for generations. Aang dismisses their concerns, telling them that they will have fun and reconnect with their culture in the Fire Nation’s homeland. When the group docks in the Fire Nation, however, a Fire Nation soldier tells them to stop unloading and return to the Earth Kingdom. He informs Aang that Zuko has rescinded his cooperation with the Harmony Restoration Movement.

Part 1, Pages 34-41 Summary

After the end of the Hundred Year War, Toph, Aang’s earthbending teacher and friend, established a metalbending academy. Aang, Katara, and Soka find her there, and Katara fills her in on Zuko’s change of heart. Meanwhile, Aang meditates, hoping to gain some clarity about what to do. In his spirit form, Aang converses with the spirit of Avatar Roku (Aang has access to the spirits of all previous Avatars since they are reincarnations of one another). Roku, Aang’s predecessor who died at the start of the war, apologizes to Aang because he is “still dealing with the consequences of [his] own indecisiveness” (40). Roku says that he regrets not killing Fire Lord Sozin, his childhood friend, when it became clear that Sozin was trying to take over the world. Aang is shocked by this, but Roku remains resolute that Aang should prioritize the needs of the world over his friendship.

Part 1, Pages 7-41 Analysis

Although the animated Avatar series had a happy ending, the opening scenes of The Promise make it clear that some key conflicts were never truly resolved. Even though the Hundred Year War has ended, it has left enduring marks on the world, and there are many remaining conflicts, such as the continued presence of Fire Nation colonials in the Earth Kingdom. Earth King Kuei’s comparison between the colonies and a scar underlines this notion that the negative effects of the war outlast the war itself, leaving a presence in their communities. These opening pages of The Promise, therefore, open up a new series of questions left unconsidered by the animated series: How do societies rebuild and reinvent themselves in the wake of war? How can world leaders figure out the right way forward after decades of colonial trauma? These questions establish one of the novel’s most important themes, The Complexities of Decolonization, by exploring the long-lasting repercussions of the Fire Nation’s imperialist and colonialist actions.


In addition to revisiting and developing content from the animated series, The Promise also introduces new settings and characters to the Avatar universe. Most notable among these additions is the city of Yu Dao, which serves to illustrate the impact of decolonization on its multicultural population. In particular, Kori Morishita embodies a multicultural existence that Aang, Zuko, and Kuei fail to consider when formulating the Harmony Restoration Movement's decolonization policies. Kori tells Zuko, “I may be an earthbender, but through my father’s bloodline I am a Fire Nation citizen! My father taught me to always be loyal to the Fire Nation, to my people. Something you obviously never learned from your father” (65). The harsh, resentful tone of her speech provides readers with context for why Kori would want to kill Zuko, giving the assassination attempt a sense of emotional realism. Kori’s perspective highlights The Position of Marginalized Cultures in a Multicultural Society, as she struggles to advocate for populations that belong to both the Fire and Earth Nations.


Though Kori may not know it when she confronts him, Zuko is struggling with his own dual identity since he is the Fire Lord and son of Ozai, and at the same time, a friend and political ally of Aang. As he struggles to reconcile these two parts of himself, he worries that the former will supersede the latter: “My family’s legacy is still a part of me…And if I’m honest with myself, I need a safety net” (17). As a result of this fear, Zuko asks Aang to make the titular promise, the inciting incident of the entire book. By asking Aang to kill him if he becomes as corrupt as his father, Zuko establishes the theme of Friendship Challenged by Moral and Political Differences, which they will continue to struggle with throughout the novel.


As both Zuko and Kori illustrate, duality of identity is a trait shared by a range of characters throughout The Promise. Furthermore, these dual identities drive the plot forward, motivating Zuko to ask Aang for the promise and motivating Kori to make an assassination attempt against Zuko, eventually leading to his visit to Yu Dao. Even Aang, the book’s indisputably good protagonist, struggles with the duality of self, seeking balance between his existence as a human and his superhuman obligations as the Avatar. Roku’s advice to him, “When you are in a position of power, you must put the needs of the world above your own” (41), highlights the contradiction between these two versions of himself, and illustrations of Aang’s consternated facial expression in these pages indicate his internal struggle over it.


Even though the characters have different experiences and political perspectives, these early pages of The Promise suggest that nearly all the characters in the book are united by their separate, ongoing internal conflicts. These conflicts play out individually and oftentimes privately. Aang’s internal conflict, for example, is revealed largely through his spiritual dialogues with Roku, and only Aang has access to the spirit world. Despite the interiorized spaces these conflicts occur in, however, the novel offers equal insight into every character’s internal experiences, highlighting striking similarities in their stories. As the political tension heightens throughout the story, this sense of commonality between characters serves to remind readers that many of the differences they are fighting over bely their shared humanity. By balancing both political and human intrigue, Yang crafts a nuanced and ambitious introduction to the novel, which promises to cover issues ranging from the individual to the societal.

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