70 pages • 2-hour read
Antonia HodgsonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section contains discussion of death by suicide, discrimination, death, and violence.
The truth cannot remain hidden indefinitely, especially when there is a Raven scholar determined to root it out. Neema Kraa discovers various secrets during her investigation of Gaida’s murder, discovering the truth about Orrun’s political corruption and, in doing so, revealing the inevitable uncovering of deception.
Neema’s entire society is built on deception, starting at the very top. Emperor Bersun is actually Andren Valit in disguise, the rebellious nobleman who supposedly died in a failed coup many years before. The false Emperor Bersun takes on a deceptive appearance by stealing from the soul of the deceased Bersun’s younger brother, presenting himself as an entirely different person from who he actually is. He adds to this deception by presenting his political program as one committed to social mobility and justice, all while secretly working to undermine the Commoners, shore up the power of the aristocratic Venerants, and institute a new tyranny. Emperor Bersun’s behavior thus speaks to how appearances can be deceptive, with his schemes fooling most of Orrun’s population for many years during his reign.
While Neema is also initially fooled by Emperor Bersun’s outward appearance and protestations of commitment to the common good, her investigation into Gaida’s murder quickly teaches her to doubt what she has long taken for granted. She soon realizes that Gaida’s death is not as it seems: She was not actually killed by the stabbing, but by poison designed to make her death appear as a death by suicide. As Neema pieces together who would have killed Gaida and why, she gradually begins to uncover the secrets of Emperor Bersun’s corruption as well. She learns that the emperor wanted Gaida dead because she knew his secret, and that she will soon become a target as well thanks to her investigation. As she shares her findings with others, she learns more information in turn about how the imperial system really operates. Cain tells her about Emperor Bersun’s false commitment to social mobility, while Benna’s careful plotting reveals a thread of resistance to the emperor’s power-hungry schemes.
By the end of the novel, Neema now knows the truth about Emperor Bersun and the danger his ambitions pose to Orrun. While Bersun reveals himself as Andren to his court, he now plots to disguise himself as Ruko to the populace as he sets up the next phase of his tyranny. While his true nature is not yet known to Orrun at large, Neema’s discoveries suggest that it is only a matter of time before the truth becomes more widely known and resistance to his rule and many deceptions grows.
Many characters are driven by their pursuit of power throughout the novel. The novel examines the temptations and corruptions of power by exploring why people seek power, what they are willing to sacrifice to obtain it, and how the pursuit itself transforms them—often more significantly than the power they ultimately achieve.
In the opening chapters, Yana is given a chance at power. Though her only dream up to this point was to have a humble life, when the emperor offers her a gift that could someday give her the chance to rule, she is tempted. Though her love and respect for Ruko prevent her from seizing the opportunity, the same cannot be said when the emperor offers Ruko a choice between his sister and a spot at the Tiger monastery. The emperor asks Ruko, “Will you send your sister into exile, to feed your own ambition? Or will you spare her, as I did?” (35). Ruko’s ambitions distort his priorities and his sense of morality, overcoming the importance of the relationships in his life. He sacrifices his sister’s life for this ambition and pays a steep cost mentally and emotionally.
Ruko grew up an optimistic, enthusiastic child but his mother, Yasila, has always been blank and withdrawn. It isn’t until this moment when he sacrifices Yana for power that he understood that one must “open a hole inside [them]self and let everything drain through it. The horror, the grief, the guilt. The love. Most of all, the love. Let it drain away until there was no feeling left” (36). Throughout the rest of the novel, it is apparent how strictly he lives by this technique. Rarely does he show any form of emotion or attachment, and this is the price he’s paid for power.
Neema’s pursuit of power is more understated than Ruko’s. While she didn’t make the choice to exile Yana, she signs the deed. She has an opportunity to leave court entirely and travel away with Cain where they could live a happy life, but she wants to be a scholar at court and so she agrees to write the Order of Exile. Cain tells her not to “trip on Yana’s corpse in the rush” (47) to meet the emperor, highlighting how she’s willing to help send someone to their death to get recognition. As Cain warns Neema, “There’s a line, Neema. A thick, black line. Once you cross it […] You’re not the same person any more” (47).
By the novel’s end, both Ruko and Neema have started to embrace the alternative principle voiced by Gaida: “Principles before power, compassion before ambition” (73). Ruko has begun to prioritize rekindling his human emotions and vulnerabilities, while Neema has learned to regret her role in Yana’s exile and is now plotting to resist the emperor. Their character arcs thus suggest that in order to avoid the temptations and corruptions of power, one must stick firmly to one’s moral conscience.
Despite the reforms Emperor Bersun has achieved throughout his reign, Orrun’s society still greatly values the aristocratic Venerant families and discriminates against Commoners. The novel explores how affluent individuals or elite classes secure, preserve, and reinforce their power across generations, often by having a hand in shaping systems that protect their wealth and status. Wealth becomes self-perpetuating, allowing those who possess it to maintain dominance even when social conditions begin to change. Through these sociopolitical dynamic, the novel exposes the oppressive nature of class hierarchies.
Though Bersun began his reign with encouraging various reforms—most notably, his reform allowing monasteries to open their doors to accepting Commoners—there is still heavy discrimination against the Commoners. When Neema has the opportunity to share her concerns with the headmaster of the Raven monastery, he not only brushes off her concerns as unfounded complaints, but punishes her by expelling her from the monastery and revoking her status as a Raven. Neema realizes that their informational interview had been a trap from the beginning and that “for some reason he’d wanted her to fail. He’d orchestrated it” (79). He let Commoners like her into the monastery to appear benevolent and inclusive, but would do anything he could to prevent them from actually succeeding while there.
Cain Ballari is a Scrapper—even lower on the social hierarchy than Neema—yet raises himself to be not only a well-liked Fox graduate, but their chosen contender for the throne. Though Neema believes him ruling would be a disaster, she can’t deny “what an extraordinary feat that would be […] To see a Commoner sit upon the throne for the first time […] to even imagine it—was a thing of wonder” (92). Cain, however, faces danger from Ruko and his supporters, who regard the throne as destined for the aristocratic Ruko. The Tiger abbess’s urging of Ruko to kill Cain in whatever way he can during the Trials speaks to how even Commoners who manage to rise against the odds through merit meet fierce resistance from the status quo, with the elite wishing to preserve power and prestige for themselves alone.
The Venerant and High-Middling families benefit most from current society in Orrun. It is a repetitive scenario throughout the novel, seeing these families resist change. Tala Talaka is open about her aspirations to take on further reforms if she becomes empress, and that makes her a less desirable candidate amongst the wealthy. Meanwhile, Ruko and Havoc represent traditional values that will help the wealthy stay wealthy, making them the most popular candidates for the throne, especially amongst the court. When Cain reveals to Neema Emperor Bersun’s secret favoring of the Venerants, she realizes that social mobility has long been an illusion in Orrun, solidifying her opposition to the system.



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