42 pages • 1-hour read
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Content Warning: This section of the guide includes discussion of substance use, sexual harassment, racism, and illness.
Tom Layward is a middle-aged husband and father of two. He works as a lawyer and lives in Westchester County with his wife, Amy. Twelve years ago, she had an affair with Zach Zirsky, a man from her synagogue. Like Amy, Zach’s partner supported the family, and he got bored easily. When Tom found out about the affair, he threatened to leave Amy. She made him promise not to divorce her until their children, Michael and Miriam (Miri), had left for college.
Tom reflects on his and Amy’s marriage now that Miri is 18 and preparing to leave for Carnegie Mellon. He realizes how much he’s been clinging to Miri’s impending departure all these years.
Shortly before Miri’s departure, the family vacations at Amy’s brother Richard’s Cape Cod house. Tom recalls falling in love with Amy when he was 26, and the first time he met her family (the Naftalis) and vacationed with them. Their money and aesthetic impressed him, and he decided that was the sort of life he wanted.
Miri’s boyfriend, Jim, joins the family on Cape Cod for the trip. When Miri and Jim get into an argument in front of the whole family on the beach, Amy gets upset and demands that Tom intervene. Miri is irritated with Tom, but he’s always been able to communicate with her better than Amy. She explains that she and Jim are fighting about whether or not to stay together once they leave for college. Tom assures her that she doesn’t have to make this decision now and that whatever she chooses is fine.
The family has lunch with the Brinkman family. Tom watches as Amy slowly gets drunk and embarrasses herself. He reflects on how she has changed since college and how he saw her when she and Zach first began flirting. Meanwhile, Tom gets into a conversation with Danny Brinkman, his son, and Miri. They argue about pronouns, which Tom insists is ridiculous. Miri deems him an “[a]ngry white male” (15).
Back at the beach house, the family orders pizza. Amy criticizes Miri for eating too much, warning her that she’ll gain “the freshman” 15 pounds. Tom intercedes, which only upsets Amy. She has been this way with Miri since she was a young girl. Tom, on the other hand, sees himself in Miri and can never really get upset with her. He recalls various times when Amy wanted him to keep Miri from acting or dressing in a certain way, and he was reluctant to get involved. Amy has always hated how easily Miri gives up on things, but Tom has never worried about her quitting habits.
Before Jim leaves for New York the next day, he takes Tom aside. He wants them to stay in touch even if he and Miri break up, because he might need a law school recommendation one day. Then he and Miri say goodbye. Miri is visibly upset afterward, but Tom tells Amy they can do nothing to make it better.
When Tom and the family return home, Michael is waiting for them. He remarks on how sick Tom looks. Though Tom hasn’t been feeling well for several months, he dismisses his son’s concern. Later, he overhears Michael confronting Amy about his well-being. Tom assures Michael that he already visited various doctors and had several tests, but they came back negative.
That afternoon, Tom is glad to see his kids going out together. Tom reflects on Michael’s adolescence and how hard he tried to get him involved in basketball, because he played in college. Later, Tom and Michael hang out at the neighborhood court, shooting hoops and talking. Tom opens up about what’s “going on in [his] professional life” (31). He teaches at the law school, but recently worked on a case involving the Denver Nuggets, which his college friend Brian Palmetto asked him to pick up. Nuggets’ owner Terry Kirkland was accused of sexual harassment and racism at work. The league punished him by suspending him for a year and fining him $15 million. A public backlash ensued because many believed that Kirkland should have been fired. Because of the publicity nightmare and Tom’s involvement in the case, the law school asked him to take a leave of absence this coming term.
Tom admits that he hasn’t told Amy about any of this and doesn’t know what he’s going to do. He also admits that he and Amy aren’t in a good place. Tom thinks Amy is ashamed of his beliefs. Michael suggests that Tom use this work issue as an opportunity to reconsider his opinions.
The following day, Tom’s family has their family friends, the Pritzkers, over for lunch. Although Miri used to be friends with their daughter, Jessica, she goes out instead of visiting with the family. Tom watches Jessica and Amy interact, guessing that Amy wishes Miri were more like Jessica. He notices Amy getting progressively drunker and embarrassing herself. She gets upset when Miri returns home and doesn’t immediately join them. After the Pritzkers leave, Amy goes upstairs to bed. Tom lies next to her for a while, but their conversation quickly turns into another argument about Miri. Amy thinks Miri is squandering her talents because she plans to quit acting when she gets to college. Tom doesn’t think it matters, which bothers Amy. Amy leaves the room, and Tom falls asleep for several hours. When he wakes up, Michael is trying to mediate another fight between Miri and Amy.
In the morning, the family has breakfast together. Amy says she isn’t going to drive Miri to college with Tom after all. Michael promises to stay with her until his flight home.
For the first part of the drive, Tom reflects on his and Amy’s marriage. He recalls the challenging weeks after Amy told him about her affair. Amy told Michael about it, but Tom didn’t tell Miri because she was only six.
Tom and Miri stop for lunch at the Cracker Barrel. Miri tells Tom about hanging out with Michael and about his confused relationship with his close friend (Betty or Betsey). A call from Amy interrupts them. Tom dismisses himself to the bathroom, where he stares at his swollen face in the mirror. For months, he has woken up with a puffy face, which gradually deflates throughout the day. Back at the table, Tom says a quick hello to Amy, who now regrets not coming along.
Back in the car, Tom and Miri talk about her relationship with Jim. She explains that they broke up because he wanted an open relationship so they could each get the full college experience. Miri didn’t want that, so she ended it with Jim. Then she and Tom talk about the future, Tom’s health, and how much Tom will miss Miri.
They arrive at Carnegie Mellon. Tom helps Miri unpack the car and set up her room. After she meets her roommate, Tom invites them out to dinner, but Miri just wants to get settled. Tom heads out to his college buddy Sam Tierney’s house, where he has made plans to spend the night.
The protagonist Tom Layward’s first-person depictions of his family life throughout Chapter 1 introduce the novel’s central conflicts, stakes, and themes. Now middle-aged, Tom is preparing to send his youngest child, Miri, off to college and settle into the empty nest with his wife, Amy. Despite the inevitability of this typical family experience, Tom feels lost, detached, and alone. Intimate first-person narration explores the particularities of being a father and husband on the brink of change.
Through Tom’s response to Miri’s impending departure and the ongoing friction in his marriage, the novel establishes the theme of Navigating Identity in Middle Age. Tom’s matter-of-fact manner creates a blasé, unaffected narrative tone. Regardless of the experiences, scenes, incidents, or events Tom is describing, he renders them all with the same absence of emotionality. Tom’s narrative voice echoes his way of being in the world. He moves through life as if nothing bothers him and nothing matters. When his wife gets drunk in front of their friends, he says nothing to her and admits no embarrassment or shame in his narration. When Miri argues with her boyfriend and makes a scene at the beach, he’s reluctant to address the issue because he doesn’t think their bickering matters. When he stares at his puffy face in the bathroom mirror or when Michael confronts him about his physical well-being, Tom dismisses the issue as nothing to worry about, insisting that there isn’t “anything more we can do” (30). Tom’s overarching philosophy is that it’s “probably better [to] stay out of it” (46), whatever the issue may be.
Tom has crafted his identity in this nonconfrontational manner to avoid “creating waves” or disrupting the perceived “natural order.” The same is true of Tom’s sadness over Miri leaving and his uncertainty about the future of his marriage: He thinks about these issues without any depth of feeling. Tom’s experience of being middle-aged implies that because he’s getting older, it’s difficult for him to invest in life more ardently.
Tom’s relationships with Amy, Miri, and Michael provide insight into how he sees himself. Because his account assumes a stream-of-consciousness style, the movement of his thoughts propels the narrative. Very few of the scenes in Chapter 1 are set in the narrative present. Whatever Tom is experiencing in the present reminds him of a former experience or incident, which tugs his mind perpetually into the past. He spends much of his time reminiscing about or reflecting on his familial relationships. The way he sees and responds to Miri as an 18-year-old is much the same way he has always interacted with her. When Tom reluctantly confronts Miri about her fight with Jim, he muses on the history of their relationship:
[Amy’s] view was that the only reason I had an easy relationship with Miri is because I never challenged her on anything, and the only reason I could get away with it is because Amy did all the dirty work. Which was maybe even true, I don’t know. But I could never really fight with Miri anyway. She was too much like me (21).
Tom’s reluctance to challenge Miri about her decisions or actions thus implies his reluctance to take accountability for his own actions, thoughts, decisions, or behaviors. Amy accuses Tom of not caring about anything, which aligns with his perpetually nonplussed manner. Just as Tom doesn’t want to push or question Miri, he doesn’t want to push or question himself. The same is true in his relationships with Amy and Michael: He doesn’t want to fight with them and doesn’t humor their frustrations with him or their attempts to get him to change.
Driving Miri to college places Tom outside his familiar environment and challenges him toward a new way of being. Miri’s departure from home offers him a natural turning point. While on the road with his daughter, Tom reflects on his life back at home and at work. His physical removal from these spheres offers him a wider perspective. In addition, Tom’s road trip is a gesture to other archetypal road novels such as Travels With Charley by John Steinbeck, On the Road by Jack Kerouac, and American Dirt by Jeanine Cummins. The road trip offers the protagonist in these texts the chance to explore the world and to learn from it.



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