68 pages 2-hour read

The Rose Bargain

Fiction | Novel | YA | Published in 2025

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Interlude 5-Chapter 35Chapter Summaries & Analyses

Interlude 5 Summary: “Faith Fairchild”

Faith narrates, explaining that she grew up poor in a boarding house with her mother. When Faith was four, her father visited, and she learned that her mother lied; he was not really “a sailor who died at sea” (299). This revelation caused Faith to distrust people. When she was 10, her mother admitted that she once worked as a maid for Faith’s father, who refused to publicly claim Faith as his daughter. At age 14, Faith started studying at the Royal Ballet School, pursuing her love of dance. Her mother died when she was 16, and the following summer, she met Emmett, whom she kissed when he gave her roses after a performance.


Emmett and Faith became close as they talked about their broken relationships with their parents. Although their kisses didn’t inspire any romantic desire and their bond remained largely platonic, people started to gossip about them. Six months later, Faith’s father visited her dressing room and demanded that she quit seeing Emmett and stop dancing entirely in order to avoid disgracing his family. Faith countered that her activities could never disgrace his family because he never claimed her as his child. Then her father’s wife entered, along with Faith’s two half-sisters, and Faith game them her autograph.


After Faith’s half-sisters and their mother left, Faith’s father explained that as a patron of the Royal Ballet, he was exercising his power to fire her. Faith was then forced to enter the Pact Parade, with her grandmother posing as her godmother. Her father threatened to keep her away from her half-sisters if she refused to comply with this plan. Later that day, Faith visited Emmett and asked him to marry her, but he refused, admitting that his love for her was not romantic. She threw a glass and left. Three days later, Emmett visited Faith, telling her that Bram was going to choose a bride. He coached her on how to win Bram’s affections.


Faith admits that her bargain with the queen is to know when other people lie—in exchange for never being able to lie herself. She confesses that she fears losing the ability to dance and does not want to lose her loved ones.


Faith’s narration indicates that when Emmett told her that he needed to back the girl who won the maypole dance contest, Faith was aware that he was lying about something. Faith told Marion about Emmett. When Marion and Faith kissed, Faith finally felt romantic desire. Faith then kissed Emmett to make sure that this experience was different from kissing Marion. She felt no desire for him and now regrets kissing him at all.


After telling Marion about her kiss with Emmett, Faith asked Marion why she pretended that they had met for the first time at the Pact Parade. Marion did not remember first meeting Faith in her dressing room after a performance of La Sylphide. During that earlier meeting, Faith had complimented Marion’s necklace, and Marion had sent the necklace to Faith the next day. Upon hearing Faith describe this meeting, Marion realized that this was the happiest memory of her life that Mor had taken from her in exchange for her writing ability. Marion and Faith now plan to leave the country, but they know that when they do, they can’t return.


In the present, Faith’s reflects on her awareness that Ivy is always lying; she thinks that despite Ivy’s protests, Ivy and Emmett would make a good couple. Faith hopes that Bram will marry Olive. After Faith goes to sleep that night, a footman comes and collects her.

Chapter 29 Summary

A footman takes a nightgown-clad Ivy to a private audience with the queen. Mor says that Ivy has lost the contest, but Mor doesn’t plan to take Ivy’s family’s titles or land. Ivy leaves courteously, tells the footman that she needs to vomit, and heads to the bushes. Then she runs to the secret tunnel and into Emmett’s room.


Emmett is there, which surprises Ivy. He says he tried to leave, but couldn’t stay away because he is obsessed with Ivy. She tells him that she has lost the competition. Emmett kisses her and suggests that they run away together. Ivy assures him that she is his. After she consents, she and Emmett have sex. This is her first sexual experience, but not Emmett’s. After they finish, she plans to tell him that she loves him, but is out of breath.


When Ivy gets out of bed, she says that she plans to get Bram to elope with her. Emmett is upset but believes that Bram will make a good husband. When Ivy says that Emmett will find someone else to love, he disagrees and offers to stop Ivy from going to Bram. When she turns down this offer, Emmett tells her where to find Bram’s bedroom.

Chapter 30 Summary

Ivy tells Bram that Mor told her she lost. As she cries, Bram declares that the winner of the contest is his to choose, not the queen’s; he says that he was going to pick Ivy. Bram suggests that they run away together. He kisses her and tells her to pack a bag. They declare their love for each other, and Ivy trusts this because she believes that faeries cannot lie. Ivy walks to her family home and packs a bag. When she takes a hat from a high shelf, she knocks down dozens of Lydia’s drawings of Bram.


Lydia hears the crash and comes into the hall. She reveals that she has been dreaming about Bram ever since her disappearance. Ivy confesses that she and Bram are eloping. Suddenly, a footman knocks on the front door and says that the queen demands an audience with Ivy. Ivy rejects this and tries to close the door, but the footman holds it open. As the footman drags Ivy out of the house, she tells Lydia to “tell Emmett” (327). When Ivy arrives at the palace, it takes a total of four footmen to get her into the throne room. Mor congratulates Ivy.

Chapter 31 Summary

The queen hugs Ivy and says that she has always wanted a daughter. She explains that telling Ivy that she lost was just another test: one that she inflicted on the other debutantes as well. Mor describes how the other girls reacted; Marion laughed, Emmy was in shock, Faith tried to cry, and Olive begged. Bram will officially propose to Ivy at Kendall’s ball the next day. Mor offers to make Lydia Ivy’s lady-in-waiting, then demands that Ivy make a Rose Bargain. Then, the queen asks if Ivy wants to be with Emmett. Edgar comes into the room briefly to tell the queen that breakfast is ready.


Ivy tells Mor that she doesn’t want Emmett; she explains that he was merely coaching her on how to win Bram. She asks the queen for an hour to consider her bargain, and the queen agrees. Ivy goes to Savile Row and picks up a coat that she made for Emmett. She writes him a letter, puts it in a box along with the coat, and tells a footman to deliver the box to Emmett. Ivy then returns to the throne room, and for her Rose Bargain, she asks the queen to remove all of her memories of Emmett.

Interlude 6 Summary: “Prince Emmett De Vere”

Emmett ignores a knock at his door and remains in bed. A little while later, Bram comes in and tells Emmett that Ivy came to see him. Emmett privately regrets not telling Ivy that he loved her; he surreptitiously hides a ribbon that fell off of Ivy’s nightgown. Bram says that he planned to elope with Ivy, but the queen came to him as he was packing and asked if he wanted to marry Ivy; he said yes. The brothers discuss the queen’s love of playing games. Emmett recalls that Bram’s game of choice is billiards. As Bram leaves, he gives Emmett the package that was sitting outside his door.


Emmett reads Ivy’s note. She writes that if they run away, they can never unseat the queen. Ivy wants to repair Lydia’s life, Eduart’s life, and Emmett’s relationship with Edgar, and she also wants revenge for Greer’s death. Lastly, she confesses her love for Emmett and relates her plan to have the queen erase him from her memory. Her postscript states that she owes him a coat.


Emmett runs out of his room and sees Ivy with Mor in the foyer. Ivy responds as if she is meeting Emmett for the first time, and he notices blood in her mouth and sees that one of her teeth is missing. Ivy says she hopes that she and Emmett can be friends. Emmett longs to hold her. Mor privately tells Emmett that she gave Ivy the option to marry him; Ivy’s rejection of this option makes him love Ivy all the more. Over the next day, Emmett searches through the library for a note from his father and finds one that reads “SOON” (340).


As Emmett prepares for Kendall’s ball, Bram comes into his room, holding Emmett’s bank statements, which were obtained from Emmett’s valet. Bram fears that Emmett is going to gamble his money, and Emmett deflects the question with a joke. Emmett realizes that he inherited enough money from his mother to run away with Ivy. Bram shows Emmett the engagement ring, which Emmett compliments. Bram asks if Emmett is upset about Faith and confesses that Faith bit him when he tried to kiss her.


Watching Ivy at the ball, Emmett notices a hickey that he left on her neck. As Bram proposes to Ivy, Emmett goes outside and vomits. Faith comes up to him, and Emmett cries on her shoulder. As rain begins to fall, Faith gets Marion, and the three take a carriage back to the palace. Faith and Marion sleep in Emmett’s bed while he stays up, tending the fire and thinking about Ivy. Throughout the next week, Emmett contemplates leaving entirely but worries that Ivy will need him, so he agrees to be Bram’s best man at the wedding.

Chapter 32 Summary

During the wedding preparations, Ivy sleeps in Lydia’s room. Ivy still can’t remember her bargain, and she feels that she is forgetting something else important. The wedding takes place on the summer solstice. Marion, Faith, Olive, and Emmy are Ivy’s bridesmaids. No one’s family has been stripped of their titles or lands. Ivy and her father privately prepare for their entrance, and Emmett notes that her father has forgotten his boutonniere.


In a private moment, Emmett asks Ivy if she loves Bram. She is shocked and asks if he has ever been in love. He tells her that falling in love was like getting hit by a carriage, but Ivy doesn’t understand this reference to their first meeting. As she approaches the altar, Ivy cannot stop looking at Emmett, who is next to Bram. She reflects that her marriage will help her family. After she and Bram exchange rings, Bram puts the May Queen tiara on Ivy, and the priestess declares that they are husband and wife. Bram kisses Ivy passionately. Then, chaos breaks loose as Ivy’s memories and missing tooth suddenly return. Bram orders Mor to be seized.

Interlude 7 Summary: “Lydia Benton”

Lydia sees Ivy collapse into Emmett’s arms. Bram appears in front of Lydia and says that he missed her. When he kisses her, Lydia pushes him away. He grabs her hair, and she kicks him in the groin, lamenting her failure to protect Ivy. When Lydia tries to catch Emmett’s attention, Bram grabs her arms and says they are leaving. Lydia begs to talk to Ivy and admits that she loves Bram. He orders her to obey him and hits her with the hilt of his sword.


Lydia awakens in the Otherworld, where she stayed during her disappearance. The door to her room is locked and enchanted. Eloree, who was Lydia’s fae maid, comes in and cries. She gives Lydia food and promises to return to help Lydia dress for the feast. After Eloree leaves, Lydia tries hitting the window with the fire poker, but the window is also enchanted. She sits on the floor and bangs her head against the wall.


Lydia recalls trying to talk to Percival Chapwick; when she realized that he couldn’t carry on a conversation, she decided not to marry him. Her bargain was to “experience something completely new” (358) in exchange for not being able to remember what it was. After striking her bargain, she was magically pulled to a tree in Kensington Park that transported her to the Otherworld. Guards took her to a wild faerie revel at the palace, where Bram welcomed her. She danced and feasted all night.


Bram gave her a room and forbade her from attending any more revels. He was often gone for days. Lydia became lonely and started losing memories of London. Eventually, she fell in love with Bram. He proposed, and she accepted, but he still continued to revel without her every night. He crowned her with flowers at lunch one day, but Lydia wanted a proper ceremony. Right after they were married, Bram ran off and sent Lydia magically to bed.


She woke up to an unlocked door and found Bram at the revel, arguing with an adviser. Bram said that the double crowning would not work, and the adviser said the crowning must occur in England. Bram noticed Lydia but wandered off, allowing her to stay. Lydia drank and danced, seeing other humans who had been enchanted to dance until their feet bled. She also saw Bram laughing at the humans’ pain. At dawn, Lydia found the dungeon cells where the humans were being held. They begged for help and said they were born in the 1400s.


She gave them the keys, but the guard awoke and tried to grab Lydia. She ran to the forest found the gateway back to England. When she returned, she could not remember anything about the Otherworld.


Now, in the present moment, she finds her wedding ring and Ivy’s necklace and puts them on.

Chapter 33 Summary

In the human world, Ivy doesn’t see Bram and Lydia, but she does see her mother gazing at a restored pinky finger even as Olive regards her restored fingernails. Footmen who were made immortal by the queen suddenly turn into ash. Palace guards attack the queen, who strikes with magic, killing five of them. Edgar jumps on Mor, and she stabs him. As she kills two more guards, others cuff her in iron. She collapses, and they lead her away. Emmett runs to Edgar’s side. With his final breath, Edgar tells Emmett that he has done well.


Ivy tells her parents to go home and not to let anyone in except for her, Lydia, or Emmett. She and Emmett look for Lydia and see Bram ordering the guards around. Bram says that Emmett got what he wanted, revealing that he always knew about Edgar’s plan. Then, Bram reveals that he killed his father and is now king of the Otherworld; he also reveals that faeries can lie. Ivy demands that Bram tell her where Lydia is, and he promises that Lydia is safe.


Bram reveals that he heard Ivy and Emmett having sex; Emmett tries to take all the blame. Ivy apologizes and begs Bram not to hurt Emmett. Bram orders his guards to seize Emmett and magically steals Ivy’s voice. Emmett apologizes to Ivy and tells her that he loves her. The guards drag him away. Bram returns Ivy’s voice, kisses her cheek, and leaves. Ivy runs outside to find Marion, Emmy, Faith, and Olive huddled under a tree. She leads them to the cottage. After they barricade the doors and windows, Ivy tells them what she has learned. She plans to find Emmett while the others stay at the cottage.

Chapter 34 Summary

The other debutantes decide to come with Ivy. They go to the Tower of London, and because Ivy is Bram’s queen, a guard reluctantly allows her to enter. As they search, Ivy apologizes to Faith for viewing her as competition rather than as an ally. In Wakefield Tower, they finally find Mor, who claims not to know where Bram took Emmett. Ivy says she knows the queen can lie. Mor admits that Emmett was desperate for love and blindly trusted Bram as well as his father. Meanwhile, Edgar was willing to sacrifice anyone for his goal of unseating the queen. Mor didn’t know that this was Edgar’s goal until after they married.


Mor also wrongly trusted Bram, believing his lie that the king had exiled exiling him, not realizing that in reality, Bram had committed patricide and become King of the Otherworld before he ever appeared in England. Ivy reflects on the irony of her own childhood fantasy of becoming the queen of the Otherworld. Mor explains that she closed the portal between worlds because she got bored with faeries bringing humans from “the Hunting Grounds” (378)—another name for England—to the Otherworld. Bram disagreed with Mor’s decision and planned for many years to overthrow her; he is over 1,000 years old.


Olive thinks that Bram might still get rid of the bargain system and create a better world, but Mor laughs at this idea. (Mor’s favorite debutante is Ivy.) Faith suggests killing the queen, but Mor says they need her. As guards arrive, Mor finally answers Ivy’s questions about Lydia’s disappearance, confirming that Lydia was in the Otherworld. However, Ivy doesn’t believe the queen’s explanation for sending Lydia there: that Mor was bored.

Chapter 35 Summary

The guards take the debutantes back to the palace, only to find a riot at the palace gates. After the girls are safely inside, the guards tell them not to leave the palace grounds. The palace lawn is covered with people partying, including Ivy’s parents. Ivy believes that the champagne is enchanted; it sizzles when she pours some on the ground. The other debutantes find their parents, then go to sleep in the cottage. A footman takes Ivy to her royal chambers.


Bram isn’t there, so she sneaks out and goes to Emmett’s room, grabs Pig the dog, and puts him in her bed. Eventually, Ivy falls asleep. She awakens the following afternoon to find the palace reception hall filled with faeries who are dancing on the blood-soaked floor. Bram happily greets Ivy and tells her that he is excited to introduce her to his friends.

Interlude 5-Chapter 35 Analysis

In the final section, Faith, Emmett, and Lydia each narrate an “interlude” chapter that reveals their inner thoughts, motivations, and secrets. Notably, Emmett is the only man whose first-person perspective Smith chooses to include: a choice that allows her to keep the novel’s focus predominately on women’s experiences. Her only omission is Faith, and this strategic choice reflects the author’s need to hide the fact that Faith has never intended to compete with Ivy for Emmett’s love. For most of The Rose Bargain, Smith creates the sense of a rivalry between the two women, but Faith falls in love Marion and feels no sexual attraction to Emmett. Once Faith’s thoughts are revealed, the narrative focuses more fully upon the camaraderie and solidarity among the women, who have been forced to evolve in order to counter their society’s tendency to pit women against one another.


As the various characters’ secret motivations are revealed, these passages add nuance to the author’s examination of the Societal Limitations on Victorian Women, which are largely class-based. As the narrative shows, members of the aristocracy are ironically far more limited than members of lower-class in certain respects, for they are discouraged from pursuing a wide range of vocations and forms of recreation that have arbitrarily been deemed disgraceful. For example, when Faith’s father decides to acknowledge her existence as the daughter of his mistress, it is only to demand that she quit working as a ballerina and stop spending time with Emmett. As he declares, “No daughter of mine will make her living as a dancer and a mistress” (302). His actions reflect his acute focus on appearances; working outside the home is considered inappropriate for upper-class women in this Victorian-style society, and as the actions of the debutantes abundantly prove, aristocratic women can only secure their financial security through fortuitous or strategic marriages.


Thus, even after Ivy admits to herself that she loves Emmett, she must still focus on marrying Bram in order to ensure that her “family will be safe for generations” (352). This sense of obligation contrasts greatly with men’s freedom to be choosier about their wives, for as the narrative states, even Emmett is “a romantic in the way only men can afford to be” (305). Smith thus makes it clear that because men can inherit, work outside the home, and hold titles in this society, only they have the latitude to wait for true love rather than marrying for pragmatic reasons.


The novel’s climax also reveals the true extent of The Ruinous Impact of Upper-Class Corruption, for Bram’s treacherous actions make it clear that all of the fae, not just Mor, share a love of cruel and manipulative games. In this final section, the queen reveals that the Others have been preying on humans for hundreds of years because they “are easily bored and have long used humans as […] playthings” (378). Even Mor’s presence in England stems from her highly privileged view of existence, which fueled the boredom that caused her to leave the Otherworld and find new sources of “sport” for her amusement. Her tastes evolved to favor more subtle, psychological games, and these preferences can be contrasted with the novel’s final scenes, which depict humans being physically tortured during the fae’s Otherworld revels. In light of these widespread atrocities, Mor’s more insidious version of trickery through wordplay suddenly appears far gentler, even if it is equally cruel. Rather than openly capturing humans like Bram, she delights in the wordplay that lies at the heart of all fae bargains. As she offers to help Ivy and her companions, this contrast foreshadows the possibility of an altered role for her in novel’s sequel, which is scheduled to be released in 2026.


As the final scenes wind down to the novel’s close, Smith deliberately revisits the recurring imagery of dancing, altering its meaning in creative ways. Faith’s first-person narrative expands on what dance represents for Faith herself: a way to calm her mind and to feel like she is flying. Thus, Faith sees dancing as a form of freedom that her restrictive, Victorian-style world would otherwise deny her. Performances are such a joy for her that she trains her body extensively, enduring great pain and practicing “until [her] feet were bloody” (300). This visceral image demonstrates the intensity of her love for her profession, but at the novel’s conclusion, it also creates an implicit contrast with the enslaved humans at the faerie revel who are forced to dance until their feet bleed. While Faith consents to the pain, inflicting it on herself for the sake of her art, the captive humans are enchanted and have been robbed of all choice in the matter. Thus, at different points in the novel, dancing represents humans’ greatest moments of freedom and their most grievous suffering under oppression.

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