50 pages • 1-hour read
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Content Warning: This section of the guide discusses emotional abuse, bullying, racism, and sexual content.
The novel begins in Palo Alto, California, in 1977. Joan is a graduate student at Stanford University; she is 25 years old and moved to America two years earlier (Joan is originally from Taiwan). She grew up in a difficult family environment, where her father’s infidelity (he keeps a second home for his mistress and regularly spends time with her) caused her mother, Mei, deep emotional distress. Joan has three older brothers, and her parents initially prioritized their education, hoping to send one of their sons to study in America. However, two of the brothers did not have the grades to get accepted to an American university and the third, Alfred, got his girlfriend pregnant and had to stay with her. After Alfred became unable to study abroad, Joan’s parents used their savings to send her instead.
Joan meets and marries a Chinese man named Milton Liu. Milton is a fellow graduate student, studying architecture at Stanford. Joan falls for him because he is sensitive, handsome, and cultured.
Shortly after they marry, Milton takes Joan to a video store specializing in Chinese films. Joan is surprised when Milton invites her to enter the curtained area of the video store, where pornographic films are kept. She is curious about the range of films displayed there. A few weeks later, Joan finishes packing up her things and completes the move into Milton’s apartment (where she will be living now that they are married). Joan’s landlady, an elderly woman named Iris, has exploited Joan by charging her expensive rent while also requiring Joan to perform many domestic chores; however, Iris seems very sad that Joan is leaving.
To celebrate Joan moving in, she and Milton return to the video store. While they are in the curtained area, they run into (seemingly by chance) one of Milton’s friends, a man named Kenny. Joan is appalled as she gradually realizes that Milton has engineered the encounter and wants Kenny to join the couple for viewing pornography “and stay for whatever happens after” (20). Milton brushes aside Joan’s objections, asserting his right to tell her what to do. Joan becomes more vociferous in her refusal and Milton slaps and hits her repeatedly. She grabs a pair of calipers (a steel tool used for measuring dimensions and distance) from her bag and stabs Milton, causing him minor injuries.
Outside of the store, Milton and Joan continue to argue. He is enraged and insistent that she has overreacted. Calmly, she tells him that she wants a divorce.
The next day, Joan phones her parents and tells them she is getting divorced. Her parents are very unhappy and urge her to reconsider. However, Joan gains a newfound sense of confidence in her decision, since “she had taken charge and left a mean-spirited man who would have likely only become meaner” (27). After this conversation, Joan’s parents refuse to take her calls and she does not speak to them for the next two years.
Milton broadcasts a one-sided version of why he and Joan are splitting up, and many of their mutual friends side with him. Joan returns to living with Iris and tries to fill all her time with work and studying. She begins taking community classes and exploring new interests such as art and entrepreneurship. Sometimes, Joan simply sits on campus, observing people around her. While doing so, a man named Bill Lauder strikes up a conversation with her. Bill is older (51) and a Stanford alum; he still enjoys spending time on campus. Bill has been divorced three times, has grown children, and is semi-retired. When Bill asks Joan out on a date, she is both intrigued and hesitant. The age gap and racial difference (Bill is white) both leave her doubtful.
Bill and Joan become engaged after less than a year of dating; his children, Theo and Juliet, are astonished. They have had two stepmothers already (their mother, Agatha, was Bill’s first wife). At the time when Bill and Joan become engaged, Theo and Juliet are 24 (they are twins). The siblings react in different ways: Theo (who has a volatile temper) is enraged, whereas Juliet (a medical student) is more pragmatic. Both Theo and Juliet have grown up with wealth and privilege; at the time when Bill and Joan become engaged, Theo is dating a woman named Charlotte but struggling to plan for a future and relying on his mother for access to money.
The news about the marriage also impacts Bill’s three younger siblings: Henry, Bridget, and Misty. Because Joan has only known Bill for a short time, she knows very little about his family.
In the lead-up to the wedding, Bill arranges for Joan to meet with his lawyer, Nelson Das. Nelson has worked with Bill for years and has arranged previous prenups and divorce agreements. Nelson is shocked when Joan proposes an agreement in which (should she and Bill divorce) she will be entitled to a percentage of ownership of his house, based on the number of years they have been married. Bill’s house was designed by a famous architect and is known as “Falling House.” Joan negotiates the agreement, which Theo and Juliet are not aware of. At the wedding, Theo and Juliet reveal to Nelson that they assume he has protected their financial interests by preparing a prenup that disadvantages Joan.
Shortly after she marries Bill, Joan completes her studies. She feels aimless and struggles to fit in with Bill’s wide circle of friends and acquaintances. Joan attends many parties and gatherings but often finds the conversation shallow and the connections inauthentic. A few months after her marriage, Joan is excited when a woman named Sue invites her to attend the opera. Joan arrives in San Francisco early and falls asleep while waiting in a park, observing the world around her. Sue happens upon her and clearly finds Joan behavior bizarre. Shortly thereafter, Joan learns that she is pregnant. Bill seems somewhat ambivalent about this news.
Joan’s life is shaped by chance and coincidence: Her parents would have preferred to send one of her brothers to study in America, and Joan is only able to go to Stanford because her older brother gets his girlfriend pregnant. This small plot detail introduces the novel’s exploration of how children and romantic relationships shape and foreclose choices in life. The first part of the novel documents how Joan transitions from a meek young woman who generally does as she is told into someone who stands up for herself. This growth and development of Joan’s character reflects the theme of Resilience and Self-Worth Despite Being Devalued. Joan’s emigration to America seems to render her more individualistic and more committed to personal happiness, reflecting traditional American ideals of liberty and the pursuit of happiness. While Joan never entirely fits in, notably because white characters often interact with her in racist ways, her move to California positions her as shaped by both cultural ideals of obedience and filial piety, and a newfound desire to live life on her own terms.
Joan’s brief first marriage is a key turning point in her character development. The incident at the video store reflects stereotypes of subservient Asian women and gendered expectations that Joan have no desires of her own but simply go along with what Milton wants. When Milton and Joan first select pornography to watch together, Joan is intrigued: Her decision to ignore judgmental stares from the shop owner is described as “Joan’s first real experience choosing between embarrassment and preference” (11), implying that Joan freely chooses to sate her curiosity. However, Milton becomes manipulative and abusive when he tries to coerce Joan into having another man join them in a sexual encounter. Despite Joan having “been trained her whole life to forgive a man like him” (20), she stands her ground and refuses to submit to Milton because she can predict that she will gradually lose her identity and self-worth if she continually violates her values. When Joan stabs and pierces Milton (causing only minor injuries), she symbolically reverses the sexual violation he has tried to impose on her; the protagonist of Thomas Hardy’s novel Tess of the D’Urbervilles (1891) stabs her male abuser in a similar form of retaliation.
The aftermath of Joan’s confrontation with Milton and her plans for a divorce put her in conflict with her mother, Mei. This conflict introduces the novel’s exploration of multiple generations of mother-daughter relationships. Mei flatly tells Joan that “no one gets divorced” (26), a statement that becomes ironic when Joan later marries Bill (who has been divorced three times). Mei’s reaction is revealing because Mei’s own marriage has been extremely unhappy and yet she does not believe she has any alternatives. By moving far away from her family of origin and becoming exposed to American values, Joan becomes much more inclined to make bold choices based on her own desires. Significantly, the novel will explore how a life oriented entirely by one’s own impulses can be selfish and reckless, but Joan’s decision to prioritize her well-being and self-worth puts her on a path toward a much happier life.
Joan recovers from a challenging episode in her personal life by seeking out new interests and hobbies. Her curiosity and willingness to seek out new experiences is a defining character trait that serves to establish her happiness. In one of the first classes that she signs up for, Joan paints a symbolic self-portrait. She initially depicts herself with “short permed hair, which resembled her mother’s and [a dress that is] a hand-me-down from her beautiful aunt” (31). Joan also depicts herself looking notably older than she is. This portrait reveals how Joan initially defaults to modelling her life after the women she has grown up with, even though those women are largely constrained and unhappy. She subconsciously anticipates that this is who she will grow up to be and feels a sense of liberation when her instructor tells her, “you can change it […] this needn’t be final” (31). By painting over the initial image and crafting a new self-portrait, Joan symbolically recommits to shaping her own destiny.
Although their relationship changes the course of their lives, Bill and Joan meet by chance after striking up a conversation on the grounds of Stanford. They are different in almost every way: Bill is white, in his fifties, has grown children, and is wealthy due to both inherited wealth and a successful career in real estate. However, their mutual attraction develops the theme of The Power of Unlikely Human Connections. Joan’s willingness to be curious and open about Bill (who is unlike anyone she has ever met) sets the stage for future profound encounters and for her eventual success as the founder of the Satisfaction Café. The success of the café rests on the idea that simple, fleeting conversations can be transformative, and the novel repeatedly utilizes conversations as major turning points in Joan’s life. Her first conversation with Bill sets her on a new path.



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