The Scorpio Races

Maggie Stiefvater

61 pages 2-hour read

Maggie Stiefvater

The Scorpio Races

Fiction | Novel | YA | Published in 2011

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Prologue-Chapter 16Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of graphic violence, bullying, gender discrimination, animal cruelty, animal death, and death.

Prologue Summary: “Nine Years Earlier: Sean”

Ten-year-old Sean Kendrick prepares his father for the Scorpio Races, a yearly event that happens on the first of November on the island of Thisby. Citizens ride massive, deadly water horses known as capaill uisce (singular capall uisce). As Sean’s father mounts his capall, Sean wishes he were the one riding instead, as he knows more about the horse and its habits than his father. As Sean watches, his father attains second place but is then pulled from his horse and stomped to death by those behind him. Sean reflects on the fear he saw in his father’s eyes when they said goodbye and vows not to feel the same way when he enters the Scorpio Races.

Chapter 1 Summary: “Puck”

In mid-October, Puck Connolly rides her horse, Dove, in the stables. She and her two brothers, Finn and Gabe, live together; they lost their parents a year ago to the capaill uisce while their parents were fishing. Her younger brother, Finn, drives by in his car and signals that he wants to race. Finn rides Dove through the streets of Skarmouth, where she sees her older brother, Gabe, working at the hotel. She loses the race to the beach, where she spots Finn quietly looking at the water. A capall uisce rises out of the water. Each October, the water horses emerge, and men begin catching them to train for the races. To Puck’s relief, this one runs down the beach without approaching them.

Chapter 2 Summary: “Sean”

Sean, now 19 years old, visits the butcher, Thomas Gratton, and his son, Beech. Beech drains the blood from a cow to sell to Sean for his capall, Corr. Since he was 10, Sean has worked for Benjamin Malvern, who raises sport horses that he sells to the mainland. Sean’s father’s death left him an orphan, as his mother had moved to the mainland the year before.


Thomas informs Sean that the Connolly children recently saw the first water horses emerge from the sea. Sean thinks about how excited he is for the Scorpio Races to finally begin.

Chapter 3 Summary: “Puck”

That night, Puck and her siblings have dinner. All they could afford were the ingredients for an apple cake. Gabe tells them that he is moving to the mainland in two weeks, adamant that he can no longer deal with living on the island. Puck feels angry and betrayed. Desperate to stop him from going, she tells her siblings that she is going to compete in the Scorpio Races. She hopes that she can win the monetary prize and convince Gabe to stay, though she wonders if she really has the courage to race. Gabe simply responds that he will wait two weeks until after the race.

Chapter 4 Summary: “Sean”

Sean dreams of the night he caught Corr, feeling a mix of awe and fear at the water horse’s strength. He is woken up by two boys, Brian and Jonathan Caroll. They tell him that Mutt Malvern, the son of Sean’s boss, tried to catch a water horse with his friends and is trapped.


Sean rushes to the beach. He finds Mutt with an older boy, Padgett; the two have a rope tied to a massive capall. When Mutt spots Sean, he yells at him to stay away, insisting that he can handle it. Sean thinks of how little he likes Mutt. He tries to warn him, but when Mutt responds with anger, Sean allows him to struggle with the water horse. The horse breaks free, biting Padgett’s shoulder and crushing him. Sean then intervenes, grabbing the horse’s mane behind the ear and putting a red ribbon in front of its nose. He whispers to it, causing it to finally calm down.


As Sean gets the capall under control, Mutt angrily yells at him not to let it go, insisting that he earned the horse after the damage it caused. Sean briefly considers, noting how he is the only one who could safely bring in the capall. Instead, Sean steps into the water, whispering to the horse and letting it go back into the ocean.

Chapter 5 Summary: “Puck”

The next morning, Puck wakes up and prepares to go to the beach for the first day of training. In the kitchen, she is surprised to find Finn already awake. He made them both a cup of hot chocolate. It shocks Puck, as she realizes that it is one of the first times he has seemed to care about Puck or their homelife since their parents died. As she looks around the kitchen, she notes how much of a “mess” their life is and isn’t surprised by Gabe’s decision to leave it behind.

Chapter 6 Summary: “Sean”

Gorry, a horse trainer, calls Sean to the beach early before training starts. He shows him a black and white piebald capall that he hopes Sean’s boss will buy. He insists that she is the fastest one he has ever ridden. Sean immediately dislikes her, noting fierceness and restlessness. However, Sean agrees to ride her. As they move down the beach, Sean notes her impressive speed, wondering if she is faster than Corr. However, the horse then tries to get to the water, forcing Sean to travel in that direction. Sean notes how the horse’s “magic” nearly overwhelms him and convinces him to enter the sea. Instead, he uses all his experience and skill, barely managing to bring the horse back to Gorry.


As Sean dismounts, he insists that he does not want the capall. He advises Gorry to release her back into the ocean because she is dangerous but knows that Gorry won’t listen.

Chapter 7 Summary: “Puck”

As Puck and Finn arrive at the beach, they look down at the collection of men and horses, a chaotic mess on the shore. She is then distracted by a man (Sean, though Puck does not know him yet) riding a “bright red [capall] like fresh blood” on the edge (44). Finn then points out the massive piebald horse being led away from the group. It screams, chilling Puck.


As she makes her way down to the beach, Puck is overwhelmed by the chaos. She searches for a man wearing a bowler, which is the traditional outfit of “horsemongers” who sell horses. She spots Gorry, who is leading the piebald capall, and approaches him. She asks if he does “fifths,” a practice where a horsemonger will give a rider a water horse and take four-fifths of their winnings in exchange. However, Gorry dismisses her.


Puck spends the rest of the morning trying to find a horsemonger who will back her. They all dismiss her, most laughing at her or refusing even to listen to her. By lunchtime, she sits by the ocean, wondering if she is even capable of riding a water horse. However, she is determined to try, so she returns to Gorry. Now, he only has the piebald capall with him. She again asks if he would be willing to do fifths, noting that he has nothing to worry about if the horse is as speedy as he claims. In response, Gorry invites her to ride it, insisting that she prove she is capable.

Chapter 8 Summary: “Puck”

Puck stands on a boulder looking at the water horse as Gorry urges her to ride it. She realizes the thing that’s stopping her isn’t fear but the thought of her parents; they hated the races and were killed by capaill uisce, so Puck knows they would be disappointed in her. She looks up and sees Finn watching her. She makes a decision and tells Gorry that she won’t ride the capall. In that moment, however, the horse rears up and grabs a nearby dog. It kills it, tossing part of its body toward Puck, who has fallen from the boulder.


As men yell around Puck and get the capall under control, Finn comes to her. He urges her not to ride a water horse. Puck replies that she has decided to ride Dove in the Scorpio Races.

Chapter 9 Summary: “Sean”

That night, Sean trains Corr up and down the beach, playing in the water. After, he coaxes Corr from the water, noting how her magic draws her to the Scorpio Sea. He looks up and sees Mutt on the ridge, watching. As Sean grabs his boots, he realizes that Mutt urinated in them. Sean simply empties them out and continues off the beach, not wanting to give Mutt the satisfaction of seeing him bothered.

Chapter 10 Summary: “Puck”

That night, Puck walks through Skarmouth to the butcher’s to sign up for the races. As she waits in line, she spots Sean nearby and recognizes him as the man riding the red capall. An old man scolds her, insisting that she shouldn’t stare at Sean, who is considered the heavy favorite to win this year. When Puck gets to the front, Peg Gratton, Thomas’s wife, questions her decision to enter the races, but Puck stands firm. She requests a rule sheet and looks through it to confirm that she is allowed to enter with a normal horse. She pays her entry fee and writes down her name alongside Dove’s.


After, as Puck goes to leave, she sees Sean in a tense conversation with Mutt. Mutt accuses him of losing his capall. Sean initially refuses to respond, using his silence as a weapon. Mutt claims that he is going to get Sean fired for “theft,” which finally prompts Sean to speak. He points out that Mutt is only alive because he has kept him alive each year during the races—and he will continue to do so on Mutt’s father’s orders. Gratton arrives and breaks up the confrontation.

Chapter 11 Summary: “Puck”

Puck dreams of the day her mother taught her to ride a horse. When she wakes up, she feels Gabe standing in the doorway to her bedroom. She desperately hopes that he will come and sit on her bed as he used to before their parents died. Instead, he turns after a few moments and leaves.


Meanwhile, Sean cleans out the stables that house the three capaill uisce because the stable hands are too afraid to do it. He thinks of his desire to have his own ranch one day. However, he knows that he would settle for having only Corr and his own home, not having to answer to Mutt or his family anymore.

Chapter 12 Summary: “Puck”

The next morning, Puck tries to get Dove from the pasture so that she can take her down to the beach to train, but Dove stubbornly avoids her. A red car pulls up that Puck recognizes as belonging to Father Mooneyham of St. Columba’s Church. Peg gets out and comes to Puck. She and her husband discussed Puck’s entry, and Peg assured him that she would try once more to stop Puck from entering the races—especially with a normal horse. However, Puck again dismisses her, insisting that she has “personal reasons” for entering. Peg sighs in resignation and leaves. Just before the car pulls away, Father Mooneyham calls to Puck, reminding her that she has not been to confession in a long time.

Chapter 13 Summary: “Sean”

Instead of going down to the beaches to train, Sean is stuck at the ranch entertaining an American horse owner, George Holly. As they watch Corr, Holly asks about Sean’s history, and Sean explains that he has won the Scorpio Races the last four years. Holly praises him, offering Sean a job when he returns to the mainland after the race. When Holly asks about buying Corr, Sean insists that Malvern will not part with him. He thinks of how Malvern will not sell Corr even to Sean, who has offered his share of the winnings from the last four races. Sean decides that he likes Holly, as he clearly has affection for the horses.

Chapter 14 Summary: “Puck”

On the way to the beach, Puck and Finn stop at a shop owned by a woman named Dory Maud and her sisters. Puck paints teapots that they sell in the shop. Dory is delighted to show her a new catalog that the town printer, Mr. Davidge, made for them. It will allow them to sell their products on the mainland. As the sisters begin to pester Finn, Puck leaves for the beach.

Chapter 15 Summary: “Sean”

Sean watches Puck on the beach. She is in the water with Dove. He notes the danger of having a horse in the water among the capaill uisce but decides it’s not his problem to worry about. Instead, he takes Corr and two other capaill. He has tried to train the two others, but they are being stubborn.


On the beach, two water horses begin fighting, and one bites the fingers off its owner. The other breaks free in the water and begins making its way down the beach toward Puck. Sean runs quickly down the shore and into the water. He reaches the loose capall just as it attacks Puck, pulling on her sweatshirt and dragging her into the water. With no other choice, Sean draws holly berries, which kill water horses, from his pocket and forces them into the capall’s mouth. As the capall dies, it turns on Sean and throws him into the water. Puck pulls him above the surface. Sean angrily tells her to keep her horse off the beach.

Chapter 16 Summary: “Puck”

Puck returns home, shaken by the incident. She is adamant that she can’t continue in the race but also fears the judgment and humiliation of backing down. As she debates what to do, Benjamin Malvern comes to her home.


Puck invites Malvern inside and offers him tea, unsure why he is there. As Malvern drinks, he tells Puck that he has come to evict her and her siblings. To Puck’s surprise, their house is not paid off; Gabe has not made payments on it during the last year. Malvern tells her that he came to tell her about the eviction to her face, hoping to enjoy her reaction. He asks her what she and her siblings are “willing to do to save this house” (107). In response, she tells Malvern that she wants to wait until after the races, adamant that she will compete and win. She knows that Malvern will agree, as he will enjoy the spectacle of it.

Prologue-Chapter 16 Analysis

The novel uses alternating first-person points of view to introduce the theme of Belonging Versus Freedom in Identity Formation, specifically within the social and cultural framework of Thisby. Sean’s narration in the Prologue and early chapters emphasizes his fascination with nature, particularly through his relationship with Corr. Because Corr is owned by Malvern, Sean is forced to follow his rules and maneuver within the social framework of training horses for profit, creating an ironic conflict between his desire for autonomy and his attachment to the capaill uisce that embody freedom. Puck’s life, too, is shaped by her surroundings—in particular, the poverty and isolation of Thisby, which force her to step into the hypermasculine arena of the races to secure a comfortable life for her and her siblings. Her struggle to find a place within the world of competitive racing underscores that, despite Sean’s frustrations, his identity is largely formed in alignment with the island’s traditions. Through these dual perspectives, the novel therefore contrasts the tension between belonging to a community and asserting personal freedom.


At the same time, the novel foreshadows the romantic connection that will grow between Puck and Sean. The first time that Puck sees Sean up close, she thinks, “He turns then, so he’s in profile, and suddenly, I think I know him from the beach: the rider on the red stallion. Something about his expression and his wind-torn hair makes my heart go thump thump stop” (63). Similarly, when Sean sees Puck on the beach, he is too distracted to continue his training with the capaill. Instead, he notes, “Corr watches me. The mares watch the ocean. I watch the girl. My thoughts turn the mystery of her presence over and over as I flip open my leather bag” (97). While in some ways aligning with the “love at first sight” trope commonly found in romance novels, their immediate feelings for one another are not centered on physical attraction. Instead, Puck notes Sean’s strength and bravery as he rides Corr and handles the capall that attacks her, while Sean is awed by Puck’s determination on the beach and her courage in returning after the attack. In this way, the novel grounds their relationship in mutual respect and appreciation.


One of the overarching conflicts in the novel is the class conflict between the wealthy and working people on Thisby, an idea that is established through the dynamic between Sean and the Malvern family. Sean, an orphaned stable boy, is intimately familiar with the capaill uisce, yet he remains under the authority of Malvern, who profits from his skill. Malvern’s son, Mutt, represents the arrogance and entitlement associated with Malvern’s wealth. He attempts to capture and control a wild water horse despite lacking the ability to manage it, resulting in chaos and injury. Sean’s intervention to calm the horse before releasing it back to the sea emphasizes both his superior knowledge and his moral integrity. Instead of being grateful, Mutt responds with anger and bitterness, highlighting the gulf between those born into privilege and those who survive through experience and knowledge. This conflict illustrates how class difference shapes character in the novel. While Sean’s experiences with poverty and labor cultivate his resourcefulness, courage, and compassion for the capaill, Mutt’s wealth fosters his recklessness and entitlement, creating one of the novel’s central conflicts.


A second conflict emerges in connection with nature’s portrayal as a pervasive and deadly force, with the capaill embodying nature’s unpredictability. The opening scene of Sean’s father dying during the race establishes the inherent danger of interacting with the water horses, while Sean’s youthful vow to approach fear differently foreshadows his ongoing battle with nature and his simultaneous respect for it. Similarly, Puck and her brothers experience this conflict on a daily basis: They navigate a life that has been influenced by scarcity, loss, and the ever-present threat of the wild sea. As the first capaill emerges from the ocean, Puck reflects on their influence over the island:


Our parents tried hard to shield us from the realities of the uisce horses, but it was impossible to avoid it. Friends would miss school because an uisce horse had killed their dog overnight. Dad would have to drive around a ruined carcass on the way to Skarmouth, evidence of where a water horse had gotten into a fight. The bells at St. Columba’s would ring midday for the funeral of a fisherman caught unawares on the shore. Finn and I don’t need to be told how dangerous the horses are. We know. We know it every day (16).


This conflict with the natural world introduces the theme of The Conflicting Beauty and Danger of Nature. The environment is an active part of the world of the novel, shaping identities and decision-making while heightening the danger of life on Thisby.


The setting of Thisby is a fantastical element that amplifies the novel’s exploration of bravery, class, and maturation. The island’s coastline, beaches, and rough waters create a space that allows characters like Sean and Puck to test their limits in ways unavailable in more conventional settings. For Sean, the beach and the sea are arenas for mastering both nature and himself, as he dedicates his life to caring for the horses in Malvern’s stables and to building a connection with Corr. For Puck, the beaches become the place where she can win money to save her family while also challenging the social norms of Thisby and proving that she has the bravery to compete. In this way, the setting serves as a mechanism to explore the challenges of growing up under extreme circumstances.

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