63 pages • 2-hour read
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Set in the eighth century, the novel situates its narrative within the Viking raids on Anglo-Saxon England, grounding its fantasy elements in a period of real-world cultural clash and expansion. Farmer takes particular inspiration from the first recorded attack on British soil by Scandinavian raiders, the destruction of the Holy Island of Lindisfarne on June 8, 793. Lindisfarne is located a few miles off England’s northeastern Northumberland coast, near the border with Scotland. The abbey was founded in 635 by St. Aidan, an Irish monk, and became “a center of great learning and art” (451). The Anglo-Saxon Chronicle, historical annals compiled in the late 800s, offers the following account of the raid:
Here terrible portents came about over the land of Northumbria, and miserably frightened the people: these were immense flashes of lightening, and fiery dragons were seen flying in the air. A great famine immediately followed these signs; and a little after that in the same year on 8 June the raiding of heathen men miserably devastated God’s church in Lindisfarne island by looting and slaughter (“Lindisfarne.” Encyclopaedia Romana, 2025).
The omens the annals describe reflect contemporary Europeans’ belief in the influence of the supernatural on everyday life, as well as the terror that the unprecedented attack on the peaceful monastery caused. The attack on Lindisfarne is historically significant because it marked “the beginning of two hundred years of Viking raids on the British Isles” (451). During this time, monasteries remained popular targets of invaders from Denmark, Norway, and Sweden, due to their low defenses and abundant valuables. Within the novel, the Holy Isle’s destruction signals an escalation of the novel’s stakes, reveals the berserkers’ imminent march on Jack’s village, and develops the thematic exploration of the struggle for survival.
This is the first book in Nancy Farmer’s The Sea of Trolls trilogy, establishing Jack’s development as a bard and setting the stage for subsequent explorations of mythic and cultural landscapes. The Sea of Trolls (2004) blends details about eighth-century Saxon and Scandinavian cultures with elements of Norse mythology. The historical fantasy introduces readers to Jack’s enemy-turned-ally, the Viking shield maiden Thorgil, who accompanies Jack on a quest to Yggdrassil to save his sister. The series’s first installment was named an ALA Best Book For Young Adults, an ALA Notable Children’s Book, and a Judy Lopez Memorial Award Winner.
The Land of the Silver Apples (2007) expands the series’ mythopoeic landscape by weaving in figures from British folklore. The Lady of the Lake, an enchantress from the tales of King Arthur, becomes a key antagonist when she abducts Lucy, and creatures like the Scottish kelpie and the English hobgoblin also make appearances. Farmer further explores Jack’s friendship with Thorgil and the power and diversity of belief in this book. This sequel received the Emperor Norton Award (2007) and was nominated for a Carnegie Medal (2009).
Farmer’s trilogy concludes with The Islands of the Blessed, which was published in 2009. Jack, now 13, embarks on an adventure with the Bard and Thorgil to defeat an undead Old Norse creature known as the draugr. Their journey ultimately takes them to the Islands of the Blessed, a paradisiacal afterlife that the Bard has taught Jack about since the beginning of his apprenticeship. Like its predecessors, the third book in the series draws inspiration from diverse worldviews, including Christianity, Norse traditions, and the ancient Druidic religion, and uses the lens of fantasy to explore the importance of compassion.



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