58 pages • 1-hour read
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Each member of the Nicolson family has a trunk in the attic at Greenacres, which serve as repositories for memories or, for those who have them, secrets. For the children, the trunk is a place to hold their cherished or important childhood memories. Morton uses the trunks as a key plot device that provides the clues to unravel the overarching mystery of the story. Laurel keeps a newspaper article in her trunk that identifies the man her mother killed as Henry Jenkins. Her mother’s trunk holds the items that Laurel (and the reader) eventually use to understand how Vivien Jenkins became Dorothy Nicolson: the white coat, the train ticket, the copy of Peter Pan inscribed from Vivien to Dorothy, and the unsigned thank-you card that turns out to have come from Jimmy. The trunk acts as another kind of secret keeper, hiding away these items that reveal the truth.
Morton uses photographs throughout her novel to represent the desires of the characters. Jimmy takes a picture of Dolly at the seaside and later dwells on this image as a symbol of his future; he wants to be with Dolly, and they talk of living by the seaside and raising children and chickens. Jimmy’s pictures of Dolly and Vivien represents what Dolly wishes for: friendship with this woman she so admires. At the end of the novel, when Laurel examines her mother’s locket, she finds a picture of her and her siblings overlaying the picture of her mother with her own siblings, which together capture and signify the most precious element of her mother’s life: her family.
Photographs also serve as reminders of has been lost. Vivien carries a picture of her and her siblings in her locket as a symbol of what she most longs for and wishes could be restored to her. Jimmy takes photographs of the war that are records of destruction and loss, but also of resilience and hope. The photograph of the young war orphan, Nella, serves to connect Jimmy and Vivien when Vivien recognizes the girl; this is the first link in what will come to be a deep, shared affection. Jimmy’s photographs of the war later become important historical artifacts that serve to educate others about what the war looked like in London and how people survived.
This story about a ship that carries dreams through a child’s sleep emerges as a motif that connects Jimmy, Vivien, and Laurel. For each character, the story captures a nostalgic longing for a world of imagination and a deep connection to their parents. Jimmy’s mother tells him this tale when he is small, and he tells it to the orphans as they work with Vivien on their play. The story provides an imaginative escape for the children, helping them believe there is magic and good in the world and they will come to find better circumstances. Laurel’s mother tells her the story, which becomes one of Laurel’s cherished memories of her mother’s fanciful side. Morton also uses the story as a red herring that signals a connection between Dolly Smitham and Dorothy Nicolson on the first reading and, on subsequent readings, a poignant reminder of how Vivien/Dorothy cherishes the memory of Jimmy Metcalfe and the time she spent with him.
Additional mentions of lights and stars reinforce the motif and serve a metaphorical purpose throughout the novel. At different points, Laurel thinks of making connections between stars—drawing constellations or patterns in the sky—as a metaphor for connecting the clues that reveal her mother’s secret. And lights play a role for Vivien at multiple turning points in her life. After seeing the lights gleaming on the bottom of the creek near her family home in Australia, she connects these lights with a place where her family has gone after their deaths. When she is in despair over Henry’s abuse and what she believes is Jimmy’s death, the light that accompanies the bomb that hits Dolly’s boardinghouse is welcomed by Vivien as the light she thinks will take her to the next world, where she can see her family again.



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