54 pages 1-hour read

The Shards: A Novel

Fiction | Novel | Adult | Published in 2023

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Chapters 11-16Chapter Summaries & Analyses

Content Warning: The section contains depictions of antigay bias, sexual violence, sexual harassment, animal cruelty, animal death, substance use, graphic violence, graphic sexual content, cursing, illness, and death.

Chapter 11 Summary

As Matt hasn’t been at Buckley for days, he’s officially missing. Matt’s parents, Ronald and Sheila, were unaware of his absences. Typically, Sheila would look at the pool house from the second-story master bedroom and notice lights from the aquarium. Over the weekend, there were no lights. Ron then realizes that Matt’s Datsun is missing.


Bret thinks Matt is the Trawler’s fourth victim, and Dr. Croft calls an assembly to address Matt’s disappearance. A ranger finds Matt’s bloody backpack at Crystal Cove State Park. Neither Robert nor Ryan asks about Matt, which bothers Bret.


On Saturday morning, the Kellners’ gardener notices the return of the Datsun, which is bloody. There’s a beheaded cat nailed to the column of the pool house, and Matt’s extremely mutilated body floats in the pool. Authorities create a “clean version” of events and claim that Matt was high and fell into the pool, so his death was an “accident.”


Ryan stops going over to Bret’s house, but he and Debbie worry about how Matt’s death impacts Bret. Debbie and Bret have sex while Bret thinks of Ryan. Susan delays her party for Robert, and Bret reflects on his and Susan’s multilayered bond. Bret tells Susan that he and Matt “hooked up.” Susan promises not to tell Debbie. Bret vows that he has no link to Matt’s death. Susan calls him a “drama queen.”

Chapter 12 Summary

Bret inspects Matt’s pool house. The space is mostly empty, but he discovers a Hustler magazine and a piece of paper with the initials RM (Robert Mallory) and a phone number that is separate from the number listed on the school roster. Bret sees Matt’s underwear and stuffs it in his pocket.


Bret speaks to Sheila, meeting for the first time. She mentions bruises and wonders if he got into a fight with someone. Bret wants to know what really happened. Sheila tells him to speak to Ronald.


Ronald, a high-powered lawyer, mistakes Bret for Robert, as Matt mentioned Robert to Ronald. Ronald has a minor link to the ex-husband of Robert’s aunt. Robert was with his aunt in Palm Springs when Matt vanished. Robert claims he never hung out with Matt.


Ronald hired a crime-scene photographer, and Ronald shows Bret the grotesque photos, which both arouse and disgust him. Bret says Matt only used marijuana, yet Matt had 6,000 milligrams of methaqualone (Quaaludes) in his system. Also in Matt’s stomach were the fish from his aquarium.


Ronald knows that Matt didn’t drive 110 miles to Crystal Cove. As Matt never replaced the headlight on the Datsun, Ronald finally took it in and noted the mileage. Matt only drove the car around 10 miles after he was last seen. Ronald believes someone assaulted Matt and gave him drugs. Bret now thinks of Matt as his “first love.”

Chapter 13 Summary

The next morning, Bret vows to change. He’ll make a schedule, stop using drugs, limit his drinking, and follow Robert. He drives to school in silence and kisses Debbie. When he sees Robert at midmorning assembly, he imagines Robert’s penis.


The seniors prepare for Homecoming. Their theme is a spoof on the 1981 John Carpenter film Escape from New York—“Escape from Buckley High” (577). No one talks about Matt, and Robert “serenely” gazes at Susan.


In the administration office, Bret compares the phone number on the paper with Robert’s listed number; as expected, they don’t match. Bret goes “with the flow” of high school and plays the part of the “cynical” writer, but he wants to leave Buckley, Los Angeles, and his friends. Bret drives his mother’s Jaguar to school. He heads to the library and reads John Updike’s novel Rabbit, Run (1960) for his American fiction class. He tells Susan that he’s “hiding” from everyone.


Bret regularly follows Robert in the Jaguar. Though Robert only returns to his condo in Century City, Bret feels “addicted” to the dynamic. One time, Robert drives to a two-story home in Benedict Canyon. Bret senses a “presence” and realizes that Matt could’ve come here with Robert, as the distance is about 10 miles.

Chapter 14 Summary

The seniors continue working on their “Escape from Buckley High” float, and they remain silent about Matt. Susan doesn’t want to be Homecoming Queen, so she and Thom fight. Thom grabs Susan, and Susan slaps Thom. Bret and Debbie comfort her in the bathroom. Repeating what Susan told him, Bret tells her that she only has to get through one more year. Susan’s “pragmatism” emerges. She and Thom reconcile and kiss, which prompts movie-like clapping. Bret identifies Homecoming as the beginning of the end for Susan and Thom.


At the Homecoming football game, Ryan is with his family, and Thom is with his mother, but no other parents are present. Terry wants to have another meeting with Bret at the Polo Lounge in the Beverly Hills Hotel, and during the football game, Bret focuses on his pitch. Later, unable to sleep, Bret drives to the house on Benedict Canyon. There’s light from a second-floor room, but the light goes out, and Bret drives away.

Chapter 15 Summary

Bret takes a valium before arriving at the Beverly Hills Hotel. He’s seen the hotel in movies like American Gigolo (the 1980 crime drama about a male sex worker), and he’s been here for many bar mitzvahs. Presently, the hotel corridor is empty, reminding him of the vacant hotel in Stanley Kubrick’s The Shining (1980). The hotel has rooms, suites, and bungalows, and Steven wants to take Bret to Terry’s bungalow. Bret is suspicious and questions Steven. Curious about what might happen, Bret goes.


In the bungalow, there’s a football game on the TV. Terry wears a bathrobe that exposes his genitals. As Bret pitches his story, he notices that Terry is bored. Afterwards, Bret and Terry have sex. Bret notes that no one forced him to be here. Later, he learns that someone took pictures of his and Terry’s sexual interaction.

Chapter 16 Summary

Still thinking about the bungalow, Bret claims no one hurt him, so he’s not the victim of assault. He then recommits to playing the role of Debbie’s caring boyfriend.


Bret reads in the Los Angeles Times about another missing teen, Audrey Barbour. She left the mall to watch the premiere of the fifth season of the primetime soap opera Dallas (1978-91). Her parents didn’t notice anyone entering their house or rearranging furniture. The Trawler called Audrey on her private line, and though he only breathed and sighed, she told him about miscellaneous topics, including a sexual fantasy. When the Trawler abducted Audrey, he left behind a poster for Gang of Four’s album Entertainment! (1979). No one at Bret’s school discusses Audrey.


At the party for Robert on Saturday, Bret notices how close Robert has become with Thom and Susan. Ryan and Bret have a tense conversation about Matt, Debbie, and their past. Ryan says Bret makes life “so difficult,” and Ryan doesn’t want to become a part of Bret’s “drama.” Outside, Bret notices Debbie and Robert in Susan’s parents’ bedroom. Debbie leaves, and Robert and Susan have an intense exchange.


Debbie and Bret meet at the tennis court. Bret says he needs a “break” from the party, and he asks Debbie about the bedroom. Debbie explains that Susan is upset with Robert for drinking while on medication. Overcome with feelings for Robert and Thom, Bret has intense sex with Debbie.


Thom and Susan scream at each other, with Thom calling Susan a “liar” and a “bitch.” Robert tries to calm Thom, then takes off his clothes and cannonballs into the pool. Thom tries to pull him out, but Robert resists, so Susan takes off her clothes and helps Thom with Robert in her underwear. Robert tries kissing Thom and Susan before falling asleep on the couch and experiencing several nightmares.

Chapters 11-16 Analysis

With the murders of Matt and Audrey, the atmosphere of vague dread and impersonal violence intrudes on the personal lives of Bret and his friends. Clues foreshadow the violence before it happens, a technique drawn from the mystery genre. Matt receives a Foreigner 4 poster, which indicates that he’s the Trawler’s fourth victim. Audrey gets a Gang of Four poster, suggesting she’s the fourth victim. As the Trawler’s past three victims have been teen girls, Audrey has more credibility as the true fourth victim. Yet Matt’s murder has the hallmarks of the Trawler. The house in Benedict Canyon is another form of foreshadowing—an eerie, abandoned space in one of Los Angeles’s most exclusive enclaves, it suggests itself as a future site for the Trawler’s grotesque violence.


Matt’s murder highlights Alienation and Suspicion within Relationships. As Matt lived in the pool house on his parents’ property, he existed separately from his parents. About their dynamic, Bret says, “[T]hey didn’t really know precisely if this absence was ‘typical’ of their only child or not. It wasn’t something that would have concerned or even worried them otherwise, until they found out that Matt hadn’t been to school for three days and then the fear set in” (480). They’re less like family members and more like neighbors who keep to themselves. They know so little about Matt’s life that they don’t know whether to be worried when they don’t see him. After Matt’s death, Bret evidences a similar alienation in his own relationship with the murdered boy, telling Susan, “I really didn’t know him[….] It was an experiment (512).” Bret subverts this depersonalized depiction by taking Matt’s underwear, a gesture that suggests he has feelings for Matt and misses him.


Bret admits that he “was becoming addicted to following Robert Mallory after school” (594). This addiction encapsulates The Complex Relationship between Sexuality and Identity, as Bret sees Robert as a dark mirror for himself: His pursuit of Robert is a symbolic pursuit of the elusive darkness within his own psyche. He knows little about Robert, but he projects onto this cipher the aspects of himself that he least understands. His intense attraction to Robert, inextricable from fear and revulsion, mirrors his attraction to (and revulsion for) his own unconscious mind. Bret doesn’t care if Robert is the serial killer; he simply wants proximity any way he can get it.


Bret doesn’t have proof that Robert is the Trawler or hurting anyone, but he witnesses Robert’s negative impact on his friend group. The appearance of Robert spurs the breakdown; as Susan becomes attracted to Robert, Susan and Thom fight. Then again, the relationships were never stable in the first place. Bret reminds Susan what Susan tells him, “It’s only one more year” (619). The high-school milieu isn’t sustainable, and Susan and Bret specifically feel its strain. Before Robert arrived, they were already playing tiresome roles.

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