54 pages • 1-hour read
A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes discussion of death.
In March 1994, Jade waits to audition for the music education program at her university. She accepts that she cannot be a soloist but longs to teach. She performs with deliberate restraint, worried about standing out or being recognized. She lies to the judges, claiming her father taught her and she has no concert experience. The panel reacts with interest and suspicion at her skill. They tell her they will be in contact, and she leaves, fearing they will investigate her story.
In the present, the next morning, Riley begins wiping her father’s computer after backing it up. She pauses over his emails, regretting her last impersonal message to him. She finds affectionate notes from Jeannie Lyons and a puzzling one from Celia Lind.
Christine Lyons arrives to continue preparing for the estate sale and asks Riley to help with inventory. Riley negotiates to keep some Franciscan Ware plates. Her brother Danny signals for her to join him on the porch. He insists they confront Tom Kyle about his knowledge of the two sets of footprints at Lisa’s car. Riley doesn’t trust his motives, but he insists he will go with or without her.
In August 1995, at Grady’s music store, Jade meets Celia, the granddaughter of a regular customer, Charlie. Jade and Celia feel an immediate connection. Celia invites Jade to dinner. At dinner, Jade lies about her family, while Celia shares that she is gay. Afterward, they play music together. Jade performs a difficult piece, stunning Celia with her true ability. Celia walks Jade home, they share their first kiss, and Jade asks Celia to stay the night.
In the present, Riley and Danny visit the Kyles. Danny confronts Tom about how he knew there were two sets of footprints near Lisa’s car, a fact never publicly released. Tom evades, claiming he read it somewhere, then claiming he heard it from law enforcement contacts, before ending the conversation.
After they leave, Riley realizes she left her phone and goes back alone. She overhears Verniece shouting at Tom and mentioning Harry Washington. Riley makes her presence known, and Verniece’s tone sweetens as she hands over the phone. She decides not to tell Danny what she overheard.
Jade spends Christmas 1995 in Portland with Celia and her welcoming family. She recalls receiving a cold, cautionary reply from her father after writing to him about Celia. When Celia’s mother asks about the white jade pendant, Jade lies that its symbols mean hope and happiness. A family jam session gives Jade a rare sense of belonging. Despite her love for Celia, Jade feels guilty, believing she can never reveal her past.
Verniece intercepts Riley and asks to talk privately. At a park, she says she is afraid of Tom and has a heart condition. She offers to reveal Lisa’s location if Riley transfers the RV park deed to them. Riley recognizes the extortion but agrees, deciding to honor what she believes were her father’s wishes. Verniece insists the deed must be signed before Tom says anything. Riley promises not to tell Danny, resolving to use her inheritance to learn what happened to her sister.
In early 1996, Jade, writing as Ann, begs her father for news of the family. He replies in a letter, instructing her to destroy it after reading. He writes that the family is falling apart: Her mother is withdrawn, Danny is angry, and Riley is sweet but sensitive. He mentions their tradition of going to the Sanitary Fish Market for Riley’s birthday. He then ends their correspondence permanently, warning that continued contact is too dangerous.
In the present, Riley meets with Suzanne Compton to arrange the transfer of the RV park deed to the Kyles. She lies, claiming she found a note expressing her father’s wish to give them the property. Suzanne questions the story, warns her of the park’s value and tax consequences, and asks if she is being pressured. Riley denies being under duress and presses ahead. Suzanne agrees to prepare a gift deed but is concerned when Riley asks her to omit the usual “love and affection” clause.
In March 1996, Jade travels to North Carolina. In disguise, she stakes out the Sanitary Fish Market in Morehead City and watches her family arrive for dinner. She takes a nearby table and studies how they have changed, noting the strain between her parents. Overwhelmed with pain and love, and convinced her sacrifice was right, she leaves money on the table, returns to her car, and sobs before driving away.
Late Friday, Riley brings a copy of the signed gift deed to the Kyles. When they stall, she demands the information. Tom finally says her father orchestrated Lisa’s faked death and escape. He explains that, to repay a debt to her father, he drove Lisa to a Philadelphia train station and set her up with a new identity: Ann Johnson. Riley explodes, realizing he doesn’t know Lisa’s current location and that her father was being extorted. She tears up the deed, declares the deal off, and leaves a voicemail for Suzanne to cancel the transfer.
In April 1996, Jade learns she must be fingerprinted for a teaching credential, which would expose her. A private investigator arrives at the music store and shows Grady and Charlie an old photo of Lisa, saying she is wanted for murder. They deny knowing her. After he leaves, they give Jade money and urge her to run to Celia. Jade rushes home, packs, lies to her landlady about a family emergency, and drives to Portland. At Celia’s apartment, Jade breaks down and tells her everything.
These chapters advance the theme of The Role of Memory and Subjective Truths in Shaping History by juxtaposing Lisa’s lived experience with Riley’s fragmented investigation. Through a series of flashbacks, the narrative reveals how Lisa constructs a new identity, “Jade,” which necessitates the creation of a fictional past. This is not merely a change of name but a psychological split; Lisa must perform a version of herself that is deliberately restrained to avoid detection. During her music school audition, she consciously stays “emotionally detached from her playing” (183), an act of survival that underscores her deep internal conflict. She feels as though Jade and Lisa are two different people, with the former being a public persona and the latter emerging only in solitude. This bifurcation of self is a direct consequence of the initial trauma and the subsequent need to bury her past, illustrating how truth becomes a malleable commodity, shaped and suppressed to ensure survival.
The consequences of deception are further explored through Frank’s secret correspondence, which provides an illustration of The Corrosive Nature of Family Secrets. His letter to “Ann” is a confession of the failure of his plan. While he engineered Lisa’s escape, the secret itself has become a destructive force, fracturing the very relationships it was meant to preserve. He details his wife’s withdrawal, Danny’s anger, and Riley’s sensitivity, concluding that they are “a family falling apart at the seams” (213). This admission confirms that the secret, intended as a shield, has slowly eaten away at the family. Frank’s collections can be understood in this context as his attempt to impose order and create meaning in a life hollowed out by an all-consuming lie. His decision to permanently sever contact with Lisa is the ultimate tragedy of this theme; the secret becomes so dangerous that it forces him to abandon the daughter he sacrificed everything to save, demonstrating that such deceptions inevitably lead to profound isolation.
Contrasting with the decay of the MacPherson family, Lisa’s relationship with Celia introduces the theme of Redefining the Bonds of Family. The Linds represent a chosen family built on acceptance and emotional honesty—things the MacPherson family is missing. During a Christmas jam session, Jade experiences a rare sense of belonging, yet this feeling is shadowed by the knowledge that their acceptance of her is based on a false identity. This tension is further developed through the symbolism of the white jade pendant. To the Linds, she lies that its symbols mean “hope” and “happiness,” innocuous sentiments that allow her to fit in. However, the pendant’s true meaning represents the foundational secret of her life, a truth she cannot share. This act of symbolic misdirection highlights the impassable barrier between her past and her potential future. While she finds love and community with Celia, the relationship is incomplete because it is not built on the whole truth.
The alternating narrative structure creates a sustained dramatic irony that heightens the narrative’s tension. The reader becomes an omniscient observer with the opportunity to piece together the truth from two timelines long before Riley can. For instance, the Kyles extort Riley for the name “Ann Johnson,” information they present as a high-stakes revelation. The reader, however, already knows this name from Frank’s letters, contextualizing the Kyles’ actions not as a revelation but as a cynical act of extortion. This structural choice reveals how the truth is a mosaic assembled from unreliable narrators and fragmented memories. Riley’s journey becomes a microcosm of this process; she must navigate lies, extortion, and her own emotional biases to reconstruct a family history that has been deliberately dismantled.
Within this framework, Riley transforms from a grieving daughter settling an estate into an active agent in her own story. Her decision to trade the RV park for information, despite recognizing the Kyles’ extortion, marks her transition into a protagonist willing to take significant risks. This transaction forces her to engage in deception herself, lying to her lawyer about her motives. The confrontation with Tom Kyle, where he callously asks if she ever thought Lisa might not want to be found, is a pivotal moment of disillusionment. The question strikes at the core of her quest, forcing her to confront this possibility. Her immediate reaction—tearing up the deed and canceling the deal—demonstrates a newfound agency. She is no longer willing to be a passive recipient of manipulated information. This act signals her realization that the truth will not be bought but must be excavated through her own investigation, setting the stage for the more difficult discoveries that lie ahead.



Unlock all 54 pages of this Study Guide
Get in-depth, chapter-by-chapter summaries and analysis from our literary experts.