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Examine the parallels Hayes draws between the commodification of attention in the 21st century and wage labor during the Industrial Revolution. What does this analogy reveal about the power structures of modern technology companies, and how does it highlight the limits of individual agency?
Discuss the significance of the “siren” metaphor that runs throughout the book. How does it function as both a classical literary allusion and a socio-political allegory for Alienation and Loss of Autonomy in the Digital Age?
Hayes often invokes historical and political contexts—such as the Lochner era—to illustrate the need for regulating attention. In what ways do these historical analogies enrich our understanding of his argument, and how might they shape our view of government’s role in technology? How do these historical allusions contribute to his thematic engagement with The Fragility of Democratic Discourse Under Attention Capitalism?
Analyze the tension between personal autonomy and societal constraints as depicted in the text. How does Hayes balance the idea of self-discipline (such as setting screen limits) with broader systematic or policy-level interventions? How realistic is Resisting the Siren Call Through Individual and Collective Remedies via Hayes’s approach? Cite specific examples from the text to support your argument.
Consider the psychological underpinnings of “spam” and “trolling” that Hayes explores. What do these behaviors reveal about human nature when it intersects with largely unregulated digital spaces, and how might this connect to larger theories of mass communication?
In what sense can the rise of private group chats, niche platforms, or vinyl records be seen as a cultural or literary “counter-movement” against mainstream digital culture? Evaluate how these alternatives critique dominant commercial media through their form and ethos.
Hayes references both the historical newspaper era and modern feed-based social platforms. Compare and contrast these two mediums in terms of editorial curation versus algorithmic curation. How does each method of “gatekeeping” shape public discourse and the reader’s experience?
Explore the role of nostalgia in Hayes’s portrayal of past technologies (e.g., video stores, print newspapers) as less alienating forms of media consumption. What literary techniques does he use to convey both the allure of these older formats and the complexities of our current age?
Assess Hayes’s use of real-world anecdotes (such as the case of children and smartphones) to ground his theoretical points. How do these personal or social examples reinforce the broader claims regarding the dangers and potential remedies of today’s attention markets?
Imagine a future in which the reforms Hayes advocates—regulations on screen time, noncommercial digital spaces, et cetera—are broadly enacted. How would such policies reshape our cultural practices, media consumption habits, and collective psyche, and what potential literary or thematic directions might authors explore in this new environment?



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