60 pages • 2-hour read
Emilia HartA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide contains discussion of racism.
At the time of Mary’s story, the English had been attempting to control Ireland for over 600 years. The first English-led invasions began in the 12th century under the Ango-Norman government and continued under the Tudor monarchs Henry VIII and Elizabeth I. English lords were given ownership of plantations of confiscated land, and landlords worked to discourage Irish language, culture, and the practice of Catholicism. Strict laws suppressed Irish manufacturing and commerce, keeping the majority of the population at or below subsistence level.
Following the examples of the French and American revolutions in the later 18th century, a group of Irishmen rebelled against English rule in 1798 in hopes of establishing an Irish Republic. The rebellion was brutally suppressed by English forces, and many of the rebels were sent to the penal colonies in Australia.
Throughout the 18th century, the British government, facing an overflow in its prisons, had transported convicts to its colonies in America. This solution ended with the American Revolution, and Britain turned to eastern Australia, which had been mapped by Captain Cook and claimed as a British possession in 1770. The first ships, carrying nearly 800 convicts, arrived in Botany Bay in January of 1788 and made land in the territory they called New South Wales, establishing the town of Sydney. Other colonies were later established in Queensland, what was called Van Dieman’s Land (Tasmania), and in western Australia.
The transport of convicts to Australia continued until 1868, with an estimated 162,000 people being transported as part of their prison sentence. Most were convicted for petty crimes like theft, as more serious offenses like murder were answered with capital punishment. An estimated 15% of the convicts were women, like Mary, Eliza, and the other women on the Naiad. The convicts were pressed into labor for government purposes or contracted to free settlers. When their prison sentence was complete, many chose to stay in Australia.
The British colonization in Australia had a devastating impact on the Indigenous peoples, which included over 250 unique nations of Aboriginal peoples and Torres Strait Islanders. Hart briefly references this impact through Melody’s storyline, which reveals that her mother was Wiradjuri, a member of the Indigenous group with origins in Comber Bay. Though each Indigenous tribe was unique and distinct in its own way, they shared a semi-nomadic lifestyle blending hunter-gatherer and agricultural practices. Tribal history and beliefs were communicated and handed down through songs, stories, dance, and visual arts expressing shared symbols and myths.
British settlers confiscated the lands of the Indigenous peoples, enforced the use of British customs and language, and spread diseases. Amnesty International estimates that while an estimated 750,000 Aboriginal and Torres Strait Islander peoples inhabited the territory at the time of settlement, the indigenous population was reduced to fewer than 100,000 persons by 1900. (“Why saying ‘Aborigine’ isn’t OK.” Amnesty International. 9 Aug. 2015). Hart points to the long struggles of Australia’s Indigenous peoples for recognition, reconciliation, and rights through the land acknowledgment she includes in the front matter of the novel (xi). She also establishes that her fictional Comber Bay was inspired by Batesman Bay, a popular seaside resort in New South Wales where the historical custodians are the Walbunja people.
Readers and reviewers variously position The Sirens as a work of fantasy, fabulism, or magical realism, reflecting the fantastical qualities of the book. Fantasy books are frequently distinguished as either high fantasy, which typically delivers thoroughly developed alternative worlds, or low fantasy, which describes works set in a recognizably real world with the addition of fantastical or supernatural elements. As such, The Sirens could be placed in the genre of low fantasy.
Magical realism is a literary tradition that incorporates magical or supernatural elements into the real world to add a metaphorical or symbolic layer of meaning. The label originated in the mid-20th century to describe a style of writing found in the works of Latin American authors. Classics of magical realism are One Hundred Years of Solitude by Gabriel García Márquez or the stories of Jorge Luis Borges, like “The Aleph.” However, while interpretations may vary, the category of magical realism is most often used to describe works that continue this tradition as defined by Latin American writers.
Fabulism is also a type of speculative fiction that blends fantastical elements into realistic settings, and not necessarily to convey a moral, as in earlier definitions of the term “fable.” In such works, the fabulist elements typically resist explanation but rather serve a symbolic or emotional logic.
Literary fantasy is another definition with very porous borders, but it is typically used to describe books primarily meant to be literary, in the sense that their focus rests more on an exploration of character, interiority, and sentence-level craft than on the fantastical elements. Kazuo Ishiguro’s The Buried Giant is an example, as is Jonathan Strange and Mr. Norrell by Susanna Clarke. Hart’s book could be classified as literary fantasy, given the attention to language and imagery in her prose. Genre, however, is best understood as an attempt to describe the ruling characteristics or elements of a book and not a set of rules that writers must follow.



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