59 pages • 1-hour read
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The starkly contrasting settings of Wiley City and Ashtown function as the novel’s central symbol, representing the violent realities of systemic inequality, class division, and racial segregation. Wiley City is a walled, sterile metropolis of immense wealth and privilege, a place that has “vaccinated most viral illness into extinction” (5). By contrast, Ashtown is a polluted wasteland that is populated by the disenfranchised groups whose poverty makes them ideal, expendable candidates for traversing. The physical wall separating the elite from the marginalized symbolizes the seemingly impassable social and economic barriers that define their world.
This harsh division fuels the novel’s broader critique of how systems of power exploit marginalized communities, for Wiley City’s prosperity is literally built upon the high mortality rates of Ashtown’s citizens. Cara exists in the liminal space between these two worlds, inhabiting a uniquely precarious position as she finds it impossible to “hover in between without being torn apart” (14). This constant tension defines her internal conflict and drives her search for belonging, but ultimately, the symbolic opposition of the two cities suggests that true belonging can only be found by integrating the disparate parts of Cara’s identity, which were forged in these opposing worlds.
The recurring act of adopting new names is a central motif in the novel, and as different Caras, Nik Niks, and Adams take on different names and titles, the complex interplay between shifting circumstances and enduring character traits highlights the idea of Identity as Both Static and Fluid. In many instances, the characters rename themselves in order to assimilate, rebel, or survive, treating their identity as a role to be played rather than as a fixed essence. The protagonist’s entire journey is marked by these shifts: born as Caralee, she adopts the name of Caralexx when she is enslaved to the Nik Nik of Earth 22, and she later assumes the identity of the Ruralite Caramenta to infiltrate the Earth Zero Wiley City. Her mother’s transformations from Mellorie to the sex worker Lorix to the pious Mel also mirror this pattern. This motif suggests that a person’s identity depends in part upon the unique circumstances of each world.
Specifically, Cara’s successful performance of “Caramenta” hinges on studying her doppelgänger’s journals, which function as an instruction manual for her new life. As she confesses, “I read them like data from another world, doing research on people who love me” (16). This admission reveals the calculated and constructed nature of her new self, framing identity as a role that she must rehearse. However, she inevitably begins to lose her sense of self in the process, and only by sifting through the immutable traits that she shares with her doppelgängers and reconciling the various fragments of herself is she finally able to forge a comprehensive identity.
The painful bruising and permanent marks left by multiverse travel serve as a potent symbol for the physical and psychological trauma of navigating oppressive systems. In the novel’s world, the ability to traverse is valuable only for those whose counterparts on other worlds are dead, a condition met almost exclusively by the marginalized people of Ashtown. The “jagged stripes” (7) that line Cara’s body are the literal price that her body pays for her value to the Eldridge Institute: a tangible manifestation of The Systemic Exploitation of Marginalized Groups. The novel presents two competing interpretations of this trauma: the scientific and the mythic. Scientists explain the bruising as “the resistance of an object from one world being forced into another” (7), while the traversers themselves call it the “kiss” of a goddess named Nyame. Because the protagonist’s body is branded with the cost of her labor, the novel argues that systemic exploitation is not a bloodless, economic process but a violent one that is written directly onto the bodies of the oppressed, leaving scars that are both a badge of survival and a reminder of the price of passage.



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