49 pages 1-hour read

The Stolen Life of Colette Marceau

Fiction | Novel | Adult | Published in 2025

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Chapter 28-EpilogueChapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of pregnancy loss and child death.

Chapter 28 Summary: “1943”

Colette steals to help Le Paon’s network and feels proud that she’s fighting against the occupiers. In September 1945, her Uncle Leo takes her home to England with him. He hopes she’ll continue their family tradition. While Frédéric supports the value of tradition, he reminds Colette “that there is a difference between a life that honors the past and a life dictated by it” (275). Colette makes one last effort to locate her father and realizes she’s an orphan. Then she looks in the courtyard with the garden and finds the brick where she exchanged notes with Tristan. Her last letter to him is gone. She feels the full impact of all she has lost, and knows that Paris will never again be her home.

Chapter 29 Summary: “2018”

Colette marvels at how Paris has changed. She supports Daniel through the meeting with André Besner, and Daniel is moved to see a note in his father’s handwriting expressing his hope that Daniel and Ruth will pass on the bracelets as they see fit. Colette understands “that sense of foundational loss, of having not only your loved ones stolen from you, but also all evidence that they’d ever existed in the first place” (280). Daniel asks that the bracelets go to Colette.


Colette reflects on who she might pass the bracelets on to, besides Aviva. She tells Daniel she felt she didn’t deserve to have children because she couldn’t protect her sister. Daniel reflects on how his marriage to Paulette felt like “desperately trying to find a home in the world after it had all fallen apart” (287).


Her old neighborhood feels familiar to Colette as they reach their hotel. She takes a walk alone to revisit and say goodbye to her past. She visits her old apartment on the rue Pasteur, then goes to the garden courtyard and slips inside. To her surprise, the loose brick is still there, and inside the hiding space is a note from Tristan dated 1952. He writes that he searched for Colette but was told she died. He says his heart will always be drawn to her, like the honeysuckle and hazel of the poem. Colette can’t understand how he wrote the letter when the records show Tristan Berousek died. She feels like she rediscovered and lost him all over again.

Chapter 30 Summary: “1945”

Before she leaves Paris, Colette visits Le Paon, who is a pediatrician. He informs her that she funded the safe flight of 158 people, including 64 children. Colette wants him to help her find the man who stole her sister; she wants, she says, not revenge, but justice. Le Paon arranges for her to meet Verdier, a policeman, whom she bribes with a diamond choker. Verdier, who loves jewels, asks what her mother did with the bracelets. Colette asks about Guillaume Charpentier, and Verdier says he left Paris years ago. Colette departs with Leo and thinks, “She could feel in her bones the pull of the same shiny gemstones her mother had lost her life for, and she had no choice but to follow the call, to become the person she was always destined to be” (308).

Chapter 31 Summary: “2018”

Colette attends Hubert Verdier’s funeral. Lucas gives a eulogy in which he reflects on how people show different sides of themselves and suggests that perhaps one’s secrets define a person. He also says one should do what one can to right wrongs. Lucas’s daughter, Millie, reminds Colette of Liliane. Lucas introduces Colette to his grandfather, and Colette realizes she knows him from Paris; he was a policeman she and her sister knew and trusted. He’s Guillaume Charpentier, and just as she asks what he did to her sister, Colette faints.

Chapter 32 Summary: “1942”

Guillaume Charpentier goes to the Marceau home in an attempt to warn them. He knows Annabel was spotted stealing the bracelets. His wife, Francine, identifies Annabel from a police sketch. Francine has suffered several miscarriages, and their marital relationship is difficult. When Francine chides him, Guillaume shouts that he’s trying to be a good man. When he arrives at the Marceau apartment, Guillaume realizes the Germans are already there. He sees Liliane outside the window and carries her away, then realizes he has covered her nose and mouth. Francine finds the bracelet in the girl’s nightgown and insists on keeping it. Guillaume sees an opportunity to change their circumstances. He goes to the empty Marceau apartment and finds more jewels, enough to help him and Francine start a new life. After the war, Hubert offers to help Guillaume emigrate to the US in exchange for the bracelet.

Chapter 33 Summary: “2018”

Colette insists that she not be taken away in an ambulance so she can confront Bill Carpenter. Bill says he didn’t know Colette had survived. He explains that he wanted to warn them, and he took Liliane to save her life. He and Francine adopted Liliane as their daughter, and she’s Lucas’s mother. Bill never spoke with Liliane about her past out of respect for his wife. Lucas reveals his mother is living in Vermont.

Chapter 34 Summary: “2018”

Liliane’s new parents name her Anne and tell her that her memories of a mother, father, and sister are only imagined. They move to Weymouth, just south of Boston. When Anne is 18, she sees her mother with Hubert Verdier, who is giving her a bracelet. Anne recognizes that the bracelet belonged to her mother. Francine slaps her, and Anne leaves the house. She gets a college degree and a job at a bookstore, then falls in love with Ronan O’Mara. Their son, Lucas, is three when Ronan is killed in a construction accident. Needing help supporting her son, Anne moves back home for a time until she can afford her own home in Vermont.


Now 79, Liliane is content with her life and who she is. One April afternoon, she’s on her porch when Lucas and Millie arrive with two others. She feels the old woman is familiar, and she introduces herself as Colette. When Liliane says “Kyi-kyi-kyi,” Colette responds, “Ko-ko-ko” (341), and they tearfully embrace.

Chapter 35 Summary: “2018”

Colette fills Liliane in on what happened to their family, revealing that she’s a jewel thief like their mother. Liliane wants to hear more, and Colette tells her the story of Robin Hood. Both women feel they “had finally found their way to where they belonged” (346).

Chapter 36 Summary: “2018”

Two weeks after the sisters’ reunion, Bill Carpenter dies of a stroke. Colette and Liliane continue to get reacquainted. Aviva’s research confirms that Tristan Berousek died at Auschwitz in 1942. Colette is happy to have a family again and decides, “Maybe it’s time to put the past to rest once and for all, and to think instead about the future” (350). Colette hosts a dinner party and finally speaks of Tristan, the boy who wrote poems to her. Daniel reveals that he was that boy and quotes the poetry he wrote to her. Colette reflects that the diamonds have brought them all home.

Epilogue Summary

Colette marries Daniel in a small ceremony in the backyard of her home in Quincy, where she has planted a row of hazel trees wrapped in honeysuckle, a symbol of Tristan and Isolde. Daniel gives Colette his mother’s emerald ring. Colette and Daniel bequeath the bracelets to Liliane and Aviva. Daniel reflects that the diamonds have witnessed the past and will witness their future. The bracelets will live on because, as the narrator notes, “[d]iamonds always do” (359).

Chapter 28-Epilogue Analysis

This section, as is appropriate for the fourth segment of the dramatic structure, contains the climax, resolution, and a denouement that solves the mystery, wraps up loose ends, and concludes the novel’s pertinent themes. In this book, the last line, “Diamonds always do” (359), echoes the concluding sentence of the Prologue. However, whereas the first instance of the phrase carried the tragic resonance of the diamonds outliving Hélène Rosman, the concluding repetition carries the optimistic suggestion that Hélène’s bracelets have become a precious legacy, helping bind more firmly the members of a family that her jewels brought together.


Colette’s character arc of coming to peace with her past, helped by the discovery that Liliane is alive, offers a closing argument on the debate about the past that has been unfolding in previous sections. The exchange between Frédéric and Leo underlines the perspective that the past shouldn’t dictate a person’s actions or future. Frédéric notes, “When you let your history shape your future, you relinquish the ability to choose a better way forward” (275). He doesn’t want Colette to force herself into her mother’s footsteps out of obligation, but rather out of choice. How to honor their losses and their loved ones, yet still navigate a path forward in their own lives, is a choice several of the key characters confront in the novel as a whole, and this section in particular.


The theme of Upholding Family Tradition and Leaving a Legacy looms large in this section, not only because of the prominence of past events, but also because Harmel is setting up her character, and the reader, for an enlargement of Colette’s family. Her confession to Daniel that she never felt she deserved to have a child illustrates the guilt that Colette has felt much of her life for failing, as she sees it, to protect her sister or help her mother. Her guilt has haunted her through nightmares. When she confronts Guillaume Charpentier, Colette finally realizes that she no longer needs to blame herself; someone else was responsible for the abduction of her sister.


With the discovery that Lucas and Millie are related to her, Colette immediately sees an opportunity to pass along the family tradition of honoring their ancestor, Robin Hood, by doing what good they can in the world. The reunion with her sister lays to rest Colette’s sense of guilt and allows her to finally make peace with the past and move forward. Other characters like Daniel, Lucas, and Aviva, who have also suffered losses, play out this theme of making peace with the past as well. The bracelets become, in the end, the symbol of this reconciliation and the suggestion that legacies can endure.


The novel’s earlier debate over what is morally good if not legally correct surfaces again in the choice that Guillaume Charpentier makes. As he tells his wife, Francine, he’s trying to make the right choice, to live by his own belief that he’s a good man. When he takes the opportunity to rescue Liliane from the German soldiers, Guillaume sees an opportunity to right a wrong; he can make his wife happy with the bracelet and by furnishing her the child she longs to have. Bill Carpenter’s reasons for wanting to hide and not resurrect the past are now explained; for him and Francine, it was necessary to try to erase Liliane’s past so that they could build a life as a family and see her as their daughter. As Liliane’s point of view shows, however, this became a point of conflict for her, suggesting that burying or avoiding the past is the more painful choice, and The Relief of Revealing Secrets is an argument for exposing the truth.


The call-and-response that she recalls from her earliest childhood becomes Liliane’s version of the family legacy, and the way she can ultimately identify her sister, her birth family. Though Guillaume told himself he was doing a good deed, it was clear that his choice—departing from the family code held by the Marceaus—was, at least in part, for personal gain. This, according to the book’s moral logic, imperils his ability to call this abduction a good deed, as suggested by the remorse he expresses at his death. Though he did save Liliane’s life, his actions aren’t deemed heroic by the other characters, as heroism is meant to be unselfish—the way Colette risked herself to steal jewels that paid to smuggle Jewish families to safety.


The theme of the burden of secrets and the consequences of exposing them plays out not only with the revelation about Liliane’s survival and descendants, but also in the revelation that Daniel was Colette’s first love. Theirs is a happy rewrite to the Tristan and Isolde legend. The hazel and the honeysuckle in Colette’s backyard, which hearken back to the symbol of the lovers in Marie de France’s Breton lai “Chevrefoil,” show that she never quite forgot this early love, just as Daniel never forgot her. This last reveal is another restoration of something the war stole from Colette. With her marriage to Daniel and the discovery of her sister, Colette’s stolen life has been returned, another wrong made right.

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