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Content Warning: This section of the guide includes discussion of religious discrimination and death (including child death).
Colette knows things are getting more dangerous, and she promises her mother to look after her sister. She knows her mother’s theft of the bracelets went against her usual code, “for she hadn’t stolen them to fund justice; she had stolen them to avenge a friend” (180). However, Colette feels her thefts, too, are an attempt at payback for Tristan’s disappearance.
One night, German officers pound on their door, and Annabel tells the girls to run. Colette helps Liliane out of the bedroom window, then goes to her mother. One of the officers identifies himself as Möckel, and he claims he owns the bracelets Annabel stole. Colette runs back into the bedroom and sees a man in a uniform carrying Liliane down the street. She, her father, and her mother are taken to jail, where Annabel is questioned. Annabel accuses Möckel of stealing the bracelets from the Rosmans, recognizing that he’s a stupid man who has been made a puppet of the Nazi government. She suggests he feels guilt over what he did to Salomon Rosman, and Möckel vows to take her life.
Colette wonders if her mother would be disappointed with her for not seizing the bracelet’s other half yet. Aviva can’t be with her to meet Daniel Rosman, and Colette reminds Aviva she isn’t an old lady but rather “a perfectly capable woman who has survived nearly everything life could possibly throw her way” (191). When they meet, Colette has the sense she knows Daniel, and they conclude they met at a conference for the Holocaust Center, since Daniel volunteers with the sister institution in New York City.
They discuss their families. Daniel shares what his mother said: that jewels “carry a piece of anyone who has touched them” (194). Colette thinks she’s responsible for her sister’s disappearance. Knowing this was what her mother would have wanted, Colette gives Daniel her half of the bracelet. She and Daniel go to visit Hubert Verdier, and Colette realizes she feels comfortable with Daniel, perhaps because of all they share in common. Daniel acknowledges that they both struggle with the guilt of surviving their loved ones. He, too, wants to find out the story of the bracelet.
Annabel is being held in the Cherche-Midi prison. She bribes the Nazi guard to let her see Colette and Roger, promising the woman one of the jewels she stole, which she took from a Nazi collaborator. Annabel feels that Roger doesn’t understand her anymore, but she gets to hold Colette. They make the call and response of the eagle to one another, the cry of “Kyi-kyi-kyi” and the answer “Ko-ko-ko” (206).
Colette still wonders if Hubert killed her sister. She remembers meeting him when she was looking for Liliane, and all she thought of him at the time was as a police officer who could be bribed. Colette tries to draw Hubert out. He mentions a woman named Francine, but says his wife’s name was Odile. Hubert begins to cry as Colette interrogates him and says he didn’t know what was going to happen to the Jewish families he arrested. He says he’s haunted by the nightmares. Colette asks how he got the bracelet with the lily flowers, and he says he promised never to tell. He calls for a nurse, who makes Colette and Daniel leave.
Colette and her father are released from prison. At their apartment, the building concierge, Madame Nadaud, finds them. She says Liliane’s body was found in the river. Nadaud recognized the nightgown Liliane was wearing.
Annabel is in prison for a few more days and hears the prisoners singing and chanting at night. Since Möckel’s men beat her, she reflects that she still thinks what she did was right, and she hopes that one day Hélène will be reunited with her bracelets. As she dies, she has a vision of her daughters as old women, holding hands in the shade of hazel trees, “a promise that her family’s legacy would live on” (221).
Lucas comes to Aviva’s office to inform her that Colette and Daniel visited Hubert and upset him. He wonders if his grandfather might be able to give Aviva the information she seeks. He tells her, “I’m very aware that someone I consider family might have deeply hurt someone you consider family. I’m doing the best I can to make it right” (224).
Lucas brings Aviva to have dinner with his grandfather, Bill. Bill becomes angry at the mention of Hubert, with whom he thinks his wife had an affair. Bill suspects this because Hubert let her wear the bracelet. Bill says it’s too late to change the past and a mistake to dig it up. He asks them to leave.
Roger leaves Colette with Annabel’s friends, Frédéric and Marie. Frédéric has been the broker who sold Annabel’s stolen jewels. Frédéric confirms that a girl wearing Liliane’s nightgown was pulled from the river. Frédéric defends Annabel, saying she did what she believed was right and was trying to make a difference in the world, but Roger is angry. He tells Frédéric to send Colette to Annabel’s brother, Leo, who lives in England, and then he leaves.
Colette finds it hard to accept that her father has simply abandoned her and feels he must blame her for Liliane’s death. Marie insists that Colette is family and has a home with them for as long as she wishes. Colette visits her apartment, and Madame Nadaud reports that her father is gone and instructed her to tell anyone who asks that they’re all dead. Colette then tries to locate Guillaume Charpentier and is told the policeman has gone south. Frédéric informs Colette that Möckel killed her mother. Colette wears the bracelet sewn into her brassiere, knowing her mother would want her to return it someday.
Lucas tells Aviva that his grandmother was self-centered and selfish. As they drive, he gets a call from Hubert’s assisted living facility that Hubert has been taken to the hospital.
Colette is having dinner with Marty, who asks if it’s too late for them to have a romantic relationship. Colette thinks it is, though she deeply values their friendship. She asks him about the first jewel she ever asked him to sell, an emerald set with diamonds. Selling it helped fund the Holocaust Center. Colette asks Marty if he can locate the ring and help her buy it back. Aviva calls to tell Colette that Hubert had a heart attack. Colette and Marty join Aviva and Lucas at the hospital, where they’re informed that Hubert passed away. Colette fears that now she’ll never know the truth.
When she’s waiting in line for rations, Colette overhears two women saying that Le Paon’s network needs funding. She follows one of the women to a secret meeting, which is held at an old medical clinic. Le Paon tells Colette he heard that a French police officer betrayed her mother to the Germans, and then took her sister, intending to steal her jewels. Colette asks Le Paon if she can help somehow. Le Paon warns her to be careful.
Daniel visits Colette with breakfast, and she has a sense of being taken care of. Daniel tells her he’s been contacted by the grand-nephew of the jeweler who made the bracelets. He has records that could help Daniel prove his claim of ownership to the other half of the bracelet. He invites Colette to come to Paris with him. She thinks, “Being around Daniel Rosman felt like returning to a home she’d thought she’d lost forever” (265). She tells Aviva where she’s going, then Marty. Marty has located the emerald ring, still in the buyer’s possession.
Before they leave, Colette feels Daniel should know the truth about her. She tells him she’s a jewel thief, that her family is descended from Robin Hood, and it’s “my family’s code that we steal only from the cruel or unkind” (269). Colette tells him that when they went to the Vél’ d’Hiv to find his family, his mother gave Annabel her emerald ring, which Colette later sold and which she now hopes to buy back. Colette admits to him that her choices haven’t always been the right ones, but she’s tried to do good in the world. She’s surprised that learning this about her doesn’t change Daniel’s regard but rather increases his respect for her.
As the dual narratives draw nearer the revelations that will provide answers to the book’s central mysteries, the two storylines display opposite thematic movements. The war narrative begins with the scene when Liliane is abducted and when the Germans take and imprison the rest of the Marceau family. After the devastating fracturing when Annabel is killed, Liliane is reported drowned, and Colette is abandoned by her father, Colette finds a small hope of restoration in working with Le Paon’s network and carrying on with the cause her mother supported. The suggestion that she’s coming back to life with this work looks forward to how Colette will survive the changes of the coming decades and find meaning in her life through adhering to what her mother taught her.
In contrast, the 2018 storyline begins with an important restoration when Daniel and Colette meet. Their sense that this is a reunion is initially explained by the conclusion that they previously met through their respective work for the Holocaust Center and the friendship between their mothers. This reserves their deeper, longer connection for a later surprise. The present-day storyline works toward a fracturing when Hubert has another heart attack and dies, and Lucas’s grandfather, Bill, refuses to provide Aviva the information she seeks. Hubert’s passing establishes significant suspense around whether Colette will ever find answers to her questions.
The interview with Bill introduces an alternative view on the actions of revisiting the past, contrasting with The Relief of Revealing Secrets, which has motivated Colette so far. While Colette feels that finding her sister’s murderer will provide closure to her grief and fulfill her mother’s final request, Bill argues that interrogating the past is a painful and ultimately useless exercise, since the past can’t be changed and revisiting tragic memories can only be painful. Colette would agree that memories can be painful, and Daniel speaks to the emotional reality that the pain of loss can be deepened by a sense of guilt over one’s actions or the simple act of surviving a loved one. However, Colette maintains the belief that finding answers to troubling questions can provide a sense of peace and that knowledge is better than doubt or secrets.
Her stance, as the action bears out, rests on the motive of finding justice for Liliane, while Bill’s motive, as later chapters show, is to hide the guilt he feels over his actions. As this section ends, the questions in the story appear impossible to resolve, and the protagonists pivot toward more directly confronting the past by visiting Paris. This poises the narrative to approach its final answers while also knitting the dual timelines more tightly by giving them a shared setting.
The bracelets gather meaning as a symbol, representing the painful separations in the plot: those of the Rosman family, the Marceau family, and the parting between Colette and Tristan. Most potently, the bracelets signify for Colette the loss of her sister; her remaining half directly reflects the fractured sense of self she feels at losing her sister, a loss exacerbated by confirmation of her mother’s murder. The torn blue nightgown lingers as another symbol of Liliane’s loss, the marker of her identity, and the ripped hem is evidence that something valuable was taken from her.
In the present-day storyline, Colette’s giving her half of the bracelet to Daniel allows her, in part, to fulfill her mother’s wishes, something she hasn’t otherwise been able to do. This gesture also represents reparation for the great wrong done to Daniel’s family, and by extension to Colette’s. Unable to return the second half of the bracelet, which is in the keeping of Lucas’s family, Colette instead hopes to recover Hélène’s emerald ring, which serves as another artifact of remembrance and legacy, another gift channeled through Annabel’s hands. While the jewels are an inadequate stand-in for the return of a person, Daniel points out that the meaning attached to jewels, or simply possession of them, can form a type of legacy. This gives a deeper emotional resonance to Colette’s act of returning his mother’s jewels to Daniel.
A motif touching on the consequences of aging has been developing throughout and gains weight in this section as the significant ages of several principal characters add suspense to the question of whether a solution to the mystery is possible. Colette is 89 but doesn’t feel her age; Daniel is slightly older, but still mobile and healthy. Bill Carpenter uses a walker, which hints at the mobility limitations that can accompany aging, and Hubert, who is 102, receives memory care services, a not uncommon situation for someone of his age. While Colette points to instances where younger persons can regard age as a type of disability, Hubert’s unexpected death, a reminder of human mortality, not only provides a further plot obstacle but also adds urgency to the novel’s theme of secrets and the consequences they can have.



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