49 pages 1-hour read

The Stolen Life of Colette Marceau

Fiction | Novel | Adult | Published in 2025

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Chapters 9-17Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of religious discrimination and death (including child death).

Chapter 9 Summary: “2018”

The Boston Diamond Museum is located in a colonial-style mansion. Aviva arrives two days before the opening to find Lucas O’Mara, the museum director, in casual attire, working alone to set up the exhibit. He appears wary of Aviva’s story about writing a newsletter article, but allows her to see the bracelet. Aviva finds her breath taken away by the intricate beauty of the piece. When Aviva asks where it came from, Lucas says the owner wishes to remain anonymous. Aviva brings up blood diamonds, and Lucas tells her that the museum only works with diamonds that are responsibly mined. Aviva shares that her mother was a Holocaust survivor, born in Belgium in 1940. She admits, “Sometimes I get too emotional when I think about all the things taken from people like her” (96).


Aviva reflects on the night her mother died in a car accident and how Colette came. Aviva contacted her father, who left her and her mother when she was three, and feels uncomfortable around her mother’s sister, Jan. Aviva found it difficult to leave the hospital, and Colette sat with her for hours. She shared with Aviva how she felt the same when her mother died, but realized she carried pieces of her mother inside her. Colette offered to bring Aviva to her house. Aviva feels “the hope that if she could, like Colette, survive the worst, maybe one day she’d be strong enough to stand on her own, too” (102). Twenty years later, Aviva feels she owes it to Colette to find answers.

Chapter 10 Summary: “1942”

In mid-June, Annabel visits with her friend Hélène Rosman, with whom she connects over their work with Le Paon, and because they’re both mothers. Hélène doesn’t want her family to relocate to the Free Zone; she thinks she needs to face things in Paris. Annabel describes how she’s sewing jewels into the hems of her daughters’ gowns. Hélène asks Annabel to take an emerald ring of hers, but Annabel says that would be admitting she thinks something will happen. Annabel understands what Hélène’s jewelry, especially her bracelets, mean to her, but she also understands wanting to carry on with life as normal. Daniel and Ruth enter the apartment, wearing the yellow stars on their coats that mark them as Jewish.

Chapter 11 Summary: “2018”

Aviva visits Colette the next morning and informs her that they’re attending the opening of the museum exhibit that evening. Colette is concerned that Aviva sees her as an old lady and recalls clubbing at Studio 54, where she often went to steal. Colette calls Marty to ask him about O’Mara and learns the museum director has a college-age daughter and his wife died. Colette is torn, as she can’t steal from a man who has already lost so much, but she feels she owes it to her family to carry on their centuries-old tradition.


Colette decides she’ll feel better if she steals something, so she follows Franklin Gorich, a businessman involved in a corruption scandal. At the restaurant where he’s dining, she pretends to run into him and steals his Rolex. Gorich dismisses her as an old lady. Colette decides to use the proceeds from the watch to fund the Boston food pantry and hopes that she can hold off her nightmares.

Chapter 12 Summary: “1942”

Annabel wakes early on the morning of July 16 and sees French policemen bringing Jewish families out of neighboring houses and loading them into vans. Roger is confused that the Germans are taking children to work camps. He decides to talk to a former student who is a policeman, Guillaume Charpentier. Annabel learns that thousands of Jews have been rounded up across the city and are being held in the Vel’ d’Hiv. When Colette wakes, she worries that Tristan has been taken. Her father is upset, reminding her that relationships between Jews and non-Jews are illegal, and Colette thinks, “Her Tristan was just as forbidden as Isolde’s lover had been” (122). Colette reminds her father that they’re all human, and if they let the Nazis tell them not to care, then something has been lost. Liliane sees that Colette is upset and asks her to tell the story of Robin Hood. They make the cry of the eagle to help each other feel better.

Chapter 13 Summary: “2018”

Colette is nervous as they enter the Diamond Museum. She finds Lucas O’Mara handsome and familiar. Colette is moved to see the bracelet and determined to reunite the halves. Lucas won’t say who owns the bracelet, and Colette asks if it’s his.


Aviva researches Lucas’s background and finds he married a woman, Vanessa Verdier, whose grandfather, Hubert, came from Paris after the Second World War. Aviva calls Lucas and asks to meet with Hubert, revealing that the bracelet in his exhibit once belonged to a Jewish family in Paris. Hubert is now 102 and not in robust health, so Lucas insists on going with them if Aviva and Colette want to speak with him.

Chapter 14 Summary: “1942”

Colette’s mother learns that more than 13,000 Jewish people have been seized by the police and are being sent from the Vélodrome d’Hiver to work camps outside the city. Annabel describes the horrible conditions inside the stadium. Colette asks to go with Annabel. As they approach the stadium, Colette fears that the work her mother is doing with the resistance is for naught. A French boy taunts some Jewish prisoners as they’re brought out, and Colette kicks him. Hélène emerges, looking thin and dazed, and says her husband and children have already been taken. She throws a small, wrapped item to Annabel, asking her to take it. Annabel promises to find the bracelets and keep them for when Hélène returns. Later, Colette sees the name of Tristan Berousek on the list of those taken. She learns later that Tristan died in Auschwitz, where many women and children were deported.

Chapter 15 Summary: “2018”

Colette connects the name Hubert Verdier with a policeman who lived in her neighborhood. Colette spoke with him once and now wonders if he murdered Liliane. Marty insists on coming with them, and Aviva points out to Colette that Marty is in love with her.


Hubert lives in the memory care ward of a facility in Braintree. Colette wonders if she’s looking at a murderer. She mentions how he used to take bribes from Le Paon. Hubert becomes hostile when Colette asks how he came into possession of the bracelets. He mentions a woman he loved who liked to show off the jewels. Colette asks why he killed her sister. Hubert insists that he upheld the law. Lucas forces them to leave, upset that they would accuse Hubert of murder. Colette fears that she’ll never learn the truth.

Chapter 16 Summary: “1942”

Annabel sees Octavie Duplessis, the mistress of a German officer, wearing Hélène’s bracelets. She suspects that Möckel put the Rosmans on the list of people to seize because he wanted their jewels. Annabel follows them to a club where Nazis and Nazi sympathizers gather. She manages to steal the bracelets but is spotted by a French policeman, who pursues her.


When Annabel returns home, she argues with Roger over her activities. Annabel looks in on her sleeping daughters and decides she’ll sew the bracelets into their nightgowns, “one in each gown, connecting the girls” (166). She imagines the girls can use the jewelry to preserve their lives, if it comes to that.

Chapter 17 Summary: “2018”

Lucas visits Aviva at her office and demands to know why she confronted Hubert as she did. He’s concerned for Hubert’s health. Aviva explains that Colette’s sister was found dead and that half of the bracelet was stolen from her. Lucas insists that Hubert isn’t a murderer. He mentions that his grandfather, too, is still alive. Aviva shares how her mother died and how Colette was there for her. They have a coffee date, which Aviva enjoys.


Two days later, Aviva and Colette are working together at the Holocaust Center when a man calls. He identifies himself as Daniel Rosman and says the bracelets belonged to his family. He notes that each is inscribed with an initial, D and R, for him and his sister. He says that Salomon was executed by firing squad, and his mother died in Auschwitz. His sister died 20 years ago. Daniel agrees to come to Boston. Colette thinks it’s time to finish what her mother started.

Chapters 9-17 Analysis

Aviva’s question to Lucas about blood diamonds sets the thematic tone for this section of the novel, associating jewels, which are bright, beautiful, and valuable, with blood, terror, and pain—reinforcing the link between the lost bracelet and Liliane’s death, which are somehow implicated. Lucas responds by reminding Aviva, and through her the reader, of a wider contemporary awareness about the often tragic or violent activities associated with diamond mining. Modern organizations attempt to ensure this lucrative worldwide trade is conducted ethically and responsibly, with minimal damage to human workers or natural resources. These efforts at correction, if not reparation, foreshadow Colette’s mission to reunite the bracelets and right the long-ago injustice done to the Rosmans and the Marceaus.


The movement of loss unfolds across several storylines, as Colette loses Tristan, Annabel loses Hélène, and Aviva reflects on the loss of her mother. Lucas’s losses, including that of his wife, make him a figure of sympathy but also complicate Colette’s efforts, since by her code, she can’t take from a man who has already lost so much. These shared experiences of grief serve to connect characters, especially Lucas and Aviva, just as their shared experience of motherhood helps link Annabel and Hélène, and the loss of their mothers links Aviva and Colette. The two halves of the bracelet, still separated, represent these broken relationships and pose questions about exactly what parted the two pieces in the first place.


Harmel describes the consequences of the July 16 roundup of Jewish citizens through the eyes of both Annabel and Colette, and their ignorance and horror reflect a larger lack of understanding among Parisians about the Nazi agenda of genocide taking place at the time. Roger voices the propaganda that was circulated to the French public, that the Germans wanted workers for their labor camps. Annabel’s observation that the police were seizing children contradicts this and adds gravity to the situation. So do the conditions of imprisonment within the Vélodrome, dramatized by the shock Hélène has experienced. The introduction of this historical event adds realistic detail to the atrocities Annabel and Colette are witnessing, which they feel helpless to prevent.


The scene in the club when Annabel steals the bracelets from Möckel’s companion illustrates the several conflicting currents of political sympathies that informed this historical moment. Many French people attempted to profit from the German occupation, hoping through this to ensure their own survival, while others overtly supported the Nazi cause. The incident where the French boy mocks the Jewish boy at the Vélodrome shows that some French people, too, held antisemitic attitudes, while Colette’s swift reprisal offers a rebuke of these beliefs of racial superiority. This scene with the Jewish prisoners provides further evidence of cruelty on the part of German officers, foreshadowing the danger to the Marceau family when the officers come knocking on their door, just as they did to the Rosmans.


The two scenes of theft, Colette’s stealing the watch from Gorich and Annabel’s stealing the bracelet from Octavie, put the two women in further parallel, showing Colette’s commitment to this family tradition of robbing from the rich and her support of The Obligation to Resist Injustice. While both women proclaim allegiance to a moral imperative handed to them by family tradition, their motives also include personal interest. Annabel hopes to retain the bracelets and eventually return them to her friend—a kind of magical thinking that she can prevent, or restore, Hélène’s losses by keeping these bracelets safe. Colette feels the need to perform her theft because she feels thwarted in her efforts to resolve the larger injustice of Liliane’s death. This shared imperative confirms the bond between the two women as foils and types of one another, while emphasizing Colette’s commitment to her mother’s legacy.


Annabel’s hiding of the bracelets in the girls’ gowns, almost as a protective amulet, serves to link Colette and Liliane much as the original design of the bracelet, with their carved initials, linked Daniel and Ruth. The introduction of Daniel is another new twist that foreshadows a reunion between the Marceau and Rosman families, looking forward to the eventual reunion of the bracelets, as well as other unions to follow. Meanwhile, the thwarted interview with Hubert leaves lingering suspense about his role in Liliane’s murder and how her half of the bracelet came into his possession. While Colette and Aviva’s work at the Holocaust Center represents the need to preserve history, honor victims, and educate, Daniel’s entrance to the story, as the real heir to the missing bracelet, confirms the efforts to resolve Liliane’s death as an action that can provide closure to ongoing grief, if not a reparation for what was taken.

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