51 pages 1-hour read

The Story She Left Behind

Fiction | Novel | Adult | Published in 2025

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Background

Authorial Context: Patti Callahan Henry

Content Warning: This section of the guide includes discussion of death and mental illness.


Patti Callahan Henry is an American author. She grew up in Philadelphia, Pennsylvania, and has lived in various locations on the East Coast. She currently writes and resides in Mountain Brook, Alabama. Henry pursued her higher education at Auburn University and Georgia State University. She worked as a pediatric clinical nurse specialist but left the medical field to write fiction full-time.


Henry has published over 17 novels. Her titles include The Secret Book of Flora Lea (2023), Once Upon a Wardrobe (2021), Surviving Savannah (2021), The Favorite Daughter (2019), Becoming Mrs. Lewis (2018), The Bookshop at Water’s End (2017), The Idea of Love (2015), The Stories We Tell (2014), And Then I Found You (2013), Coming Up for Air (2011), The Perfect Love Song (2010), Driftwood Summer (2009), The Art of Keeping Secrets (2008), Between the Tides (2007), When Light Breaks (2006), Where the River Runs (2005), Losing the Moon (2004), and most recently The Story She Left Behind (2025). Henry’s novels are works of contemporary fiction, historical fiction, and/or women’s literature. “With a belief that the power of story changes us and moves us,” Henry’s novels explore “the untold stories of the past” and centralize women’s personal growth journeys (“About.” Patti Callahan Henry).


Henry also has experience writing nonfiction and hosting podcasts. She co-created “the popular weekly online Friends and Fiction live web show and podcast,” which she currently hosts (“About”). Her work has also appeared in Parade and other anthologies and collections.


Henry’s work is in conversation with that of other contemporary historical fiction and women’s literature novelists like Sue Monk Kidd, Kristin Hannah, and Maggie O’Farrell. The Story She Left Behind is particularly reminiscent of Kidd’s The Mermaid Chair (2005), Hannah’s The Nightingale (2015), and O’Farrell’s The Vanishing Act of Esme Lennox (2006). These novels also explore themes of maternity, mental health, and artistic creation.

Historical Context: Barbara Newhall Follett

The Story She Left Behind is loosely based on the life and story of American author Barbara Newhall Follett. Specifically, Henry has based her character Bronwyn Newcastle Fordham on “the literary mystery” of Fordham and the “secret language” she invented (333). Many of the details that define Bronwyn’s character and storyline align with Fordham’s history.


Like Bronwyn, Fordham “was a child-prodigy author” (333). She showed early signs of an interest in and talent for reading and writing. She began to pen poems and stories at the age of five and soon set out to write her full-length novel. She completed her book The House Without Windows when she was eight years old. The novel tells “the tale of Eepersip, ‘a child who ran away from loneliness, to find companions in the woods—animal friends’ and stretched to over forty thousand words” (Collins, Paul. “Vanishing Act.” Lapham’s Quarterly). Her father, literary editor, critic, and lecturer, Wilson Follett, helped her publish the novel while he was working at Knopf; Fordham was 12 at the time.


In the years following, Fordham experienced mental health conditions brought about by her social alienation, her parents’ divorce, and marital conflicts. At 25 years old, she disappeared from her home after an argument with her husband, Nickerson Rogers. Rogers did little to recover Fordham, much to Fordham’s mother’s frustration. Her body was never found, although in 2019, the writer Daniel Mills publicly theorized that Fordham’s body was misidentified as another missing woman in 1948. This theory has never been formally or forensically proven.


In The Story She Left Behind, Henry uses Fordham as inspiration for her explorations of artistic passion, mother-daughter relationships, and the entanglement of the past and present. As she writes in her author’s note at the end of the source text, Henry has taken “liberties with dates and facts for the sake of the story” (334). In particular, she gives Bronwyn the happy ending that Fordham never received.

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