51 pages • 1-hour read
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Content Warning: This section of the guide includes discussion of substance use, mental illness, and death.
The Summer Guests is set in the fictional Maine town of Purity, which is deeply inspired by the town of Camden, a summer seaside colony in southern Maine with a permanent population of only 5,200. As depicted in the novel, hundreds of wealthy people from New York and Boston travel to their summer “cottages” in the area every summer.
Author Tess Gerritsen uses the unique geography and culture of small-town Maine to add local color to the novel’s mystery and intrigue. For instance, Gerritsen sprinkles in the idiomatic language typical of Mainers, as when Chief Jo Thibodeau refers to the tourists as “people from away” (39). The names of some local characters are also typical of the region. For example, Thibodeau is a common family name among Acadians, the descendants of French colonists who settled in what is today Maine when it was a French colony from 1604 to 1713. Gerritsen also accurately captures the natural aspects of the setting, such as the presence of bird species like the barn swallow, the house finch, and the eastern towhee, and the brutality of the winter.
Most notably, the central premise of the Martini Club series—that of a group of retired CIA agents living in Maine—is based on Gerritsen’s own experiences while living in Camden for over 30 years. As she told interviewer Mindy Carlson, “It’s apparently the worst kept secret in Maine because as soon as I started asking around, I [discovered CIA agents] all over the place here” (Carlson, Mindy. “How Do You Spell Spy? N-E-I-G-H-B-O-R.” The Big Thrill). She used this discovery as the basis for her first Martini Club novel, The Spy Coast, and its sequel, The Summer Guests.
Over the course of the novel, Chief Jo Thibodeau and the Martini Club uncover evidence that the CIA tested psychedelic drugs on locals in Purity, Maine, as part of a top-secret program in the 1960s and early 1970s called Project MKUltra. This project was in fact real, and Maggie Bird’s account of this project broadly corresponds to what is publicly known about the program today. During the Cold War of the 1950s–1990s, the United States government was focused on combatting and outperforming the Soviet Union. Within this context, the CIA began to research the psychedelic drug LSD, hoping to discover if it could be used to interrogate or even “turn” Soviet spies—and if the Soviets could use it for the same purposes. The project soon spiraled outward to encompass any number of unusual investigations, including research into extra-sensory perception (ESP), remote viewing, and other parapsychological phenomena. The full extent of the project remains unknown, as CIA Director Richard Helms ordered many of the MKUltra documents destroyed in 1973.
Although there are no known Project MKUltra test sites in Maine, the experiments the novel describes are otherwise similar to real-life experiments that took place in Montreal, San Francisco, New York, and elsewhere. Doctors or researchers would recruit locals, often highly marginalized people such as sex workers, people without a permanent residence, or people with mental illnesses, by offering them payment or treatment for their participation in the study. These subjects would then be given LSD or other research chemicals, sometimes in extremely high doses. These experiments could lead to devasting outcomes for test subjects, as in the case of US Army Captain Frank Olson, who died in November 1953 after a mental health crisis thought to have been triggered by a high dose of LSD given without his knowledge or consent.



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