56 pages 1-hour read

The Surgeon

Fiction | Novel | Adult | Published in 2023

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Chapters 10-18Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of death, child abuse, child sexual abuse, gender discrimination, substance use, and sexual content.

Chapter 10 Summary: “Questions”

A few days after Caleb Donaghy’s death, Dr. Anne Wiley completes three difficult morning consultations and returns to her office to find the patient file she requested from her assistant, Madison. Anne prints a morgue photo of Donaghy’s face and adds it to the red folder containing his medical records. Madison confronts her, calling her fixation unhealthy, but Anne refuses to archive the file, saying she needs it for the formal review.


Madison announces that M, the hospital administrator, wants to see Anne immediately. In M’s office, Anne finds her in a heated discussion with Dr. Fitzpatrick, Anne’s department chief. M informs Anne that there will be a formal hearing for the Donaghy case and instructs her to direct any questions to hospital counsel. After the meeting, Anne worries that they’re planning to fire or report her, especially since Madison told her that Dr. Bolger, the anesthesiologist from Donaghy’s surgery, requested not to work with her again.


Back at her office, Anne finds Paula waiting for her. As ASA, Paula is there to question Anne about Donaghy’s death. Anne deflects by citing the hospital’s formal review process for patient deaths and uses her upcoming surgery as an excuse to end the conversation. Before leaving, Paula confirms that Anne met Donaghy twice and says her office will be in touch. Madison rushes in to ask what happened.

Chapter 11 Summary: “Lessons”

Anne’s hands tremble so badly that she feels unable to perform her scheduled coronary stent procedure. She runs to Dr. Seldon, her mentor, intending to ask him to take over. He agrees but lectures her on the need for surgeons to maintain steady hands and clear heads under pressure. Ashamed, Anne changes her mind and tells his assistant she’ll perform the surgery after all.


Walking back to her office, Anne sees a uniformed police officer and panics, thinking he’s there for her. He explains that he’s awaiting news about his wounded partner. Anne completes the stent procedure successfully.


Back in her office, M calls and berates Anne for her indecisiveness about the surgery, revealing that someone on Dr. Seldon’s team reported her. While eating lunch, Anne rewatches the video of Donaghy’s surgery multiple times. She concludes that another surgeon might have saved him, but acknowledges that she couldn’t allow the monster to live. She accepts that her actions make her a killer, yet she remains mystified as to why Donaghy’s heart failed to restart in the first place, even before she recognized him. Lee Chen arrives to warn her that Paula is still in the hospital, asking questions.

Chapter 12 Summary: “Room Service”

Paula is in a top-floor hotel room at the London House with her lover, a mayoral candidate she calls Mr. Mayor. They’re naked and drink Martini Asti champagne by the window. Paula pressures him to leave his wife, but he claims he can’t risk a scandal before the election. The narrative reveals that he’s Derreck Bourke, Anne’s husband. Paula suspects that Derreck will never leave Anne because of her family’s wealth.


Derreck mentions that Anne is having issues at the hospital after losing a patient. Enraged by thoughts of Anne’s privileged life, Paula withholds sex from Derreck to punish him for his continued loyalty to his wife. She orders room service and tells him about a moral dilemma involving an 11-year-old witness in one of her cases. Derreck advises that the law requires the witness to testify. Paula compares her dilemma to Anne’s struggles with her dead patient, subtly connecting the two situations.

Chapter 13 Summary: “Safe”

On Wednesday evening, Anne is home alone. She goes into her late father’s den and opens a hidden safe, using the date her family brought her sister, Melanie, home as the combination. Inside is a blue waterproof envelope containing Melanie’s autopsy report.


The narrative reveals that Anne’s family adopted Melanie when Melanie was nine years old. Anne was 14 when her parents brought Melanie home from a decrepit orphanage. The frightened, dirty Melanie clutched Anne’s hand desperately. At home, Anne noticed that Melanie’s legs were badly bruised. That night, while Melanie slept, Anne overheard her mother crying and her parents having a tense, whispered conversation.


In the present, Anne rereads the autopsy report she obtained during her residency. It details extensive evidence of long-term physical and sexual abuse, including old fractures, stab wounds, and vaginal lacerations. Anne links these injuries to Caleb Donaghy as Melanie’s tormentor. When her mother arrives home from playing bridge, Anne quickly hides the report and greets her with an emotional hug, reflecting that Melanie died five years after joining their family.

Chapter 14 Summary: “Problem”

A week after Donaghy’s death, Anne begins her morning rounds, feeling stressed and tired. She encounters Dr. Seldon, who praises her recent surgery but pulls her aside to warn that investigations by the state’s attorney’s office (SAO) into patient deaths are highly unusual. He tells her it feels like she’s being targeted by someone powerful and motivated.


In the hallway, M asks whether she’s ready for a full workload. Anne returns to her office to find Madison in a panic. Paula is inside, sitting at Anne’s desk with Donaghy’s red file visible. A tense confrontation ensues, during which Paula insults Anne as entitled and privileged. Anne again cites the formal review process, demands that Paula leave, and threatens to report her for harassing her team without hospital counsel present. Paula vows that Anne won’t get away with this and leaves.


Shaken, Anne calls M and tells her they may have a serious problem.

Chapter 15 Summary: “Testimony”

Paula leaves the hospital, fuming over her encounter with Anne and resentful of Anne’s privileged life and marriage to Derreck. She resolves to ruin Anne, believing that this will make Derreck leave Anne for her.


At her office, Paula instructs her investigator, Adam Costilla, to conduct a full background check on Dr. Anne Wiley. She then meets with her boss, Mitchell Hobbs, to discuss the Degnan case, which involves an 11-year-old witness to a shooting. Hobbs dismisses Paula’s concerns for the boy’s safety and insists that she subpoena him to guarantee a conviction, stating that all prosecutors on his floor maintain a perfect conviction rate.


Paula meets with Moses Degnan and his son, Simon. She informs Moses that Simon will be subpoenaed and will be offered witness protection. Enraged, Moses reveals that he has retained a lawyer and threatens to fight the subpoena with a competency hearing. He threatens Paula personally if any harm comes to his son.

Chapter 16 Summary: “Article”

On Thursday evening, Anne, Derreck, and Anne’s mother have a tense dinner. Anne reflects on Paula’s accusations and wonders how Paula learned about Donaghy’s death since he had no next of kin. She tells them about the state’s attorney’s investigation.


Derreck becomes enraged upon learning that the prosecutor is Paula. He suggests that the probe may be fallout from his mayoral run against sitting Mayor Boyd Lampert. Derreck wants to call Mitchell Hobbs, the Cook County SA, whom he knows, but Anne begs him not to, explaining that the hospital has already assigned counsel. He advises Anne to act as if Donaghy were just a random patient.


Derreck offers to drop out of the mayoral race, but Anne and her mother insist that he continue. Anne’s mother shows them an evening newspaper article reporting that the suspicious death of a cardiothoracic surgery patient is under investigation, citing sources in the SAO. Anne realizes that Paula leaked the story and feels destroyed.

Chapter 17 Summary: “Whip”

The morning after the article is published, Paula meets Derreck at a Starbucks at his urgent request. Derreck is furious about the investigation and article, physically grabbing her and demanding an explanation. Paula first threatens to expose their affair to Anne and then claims that she took the case to control political damage and that someone from the hospital filed the initial complaint against Anne.


Derreck says he no longer trusts Paula and attempts to end their affair and political arrangement. He scoffs at her threats, saying that exposing the affair would ruin her career, not his, since she’s harassing his wife.


Pushed to the edge, Paula threatens to frame Derreck for possession of 20 grams of cocaine, enough for serious charges. This stuns Derreck into silence. Paula leaves, confident that she has reasserted control over him through the threat of destroying his political career.

Chapter 18 Summary: “Monday”

After a tense weekend, Monday arrives, and Anne’s peer-review hearing is scheduled for two o’clock in the afternoon. Dressed professionally and having taken beta-blockers to control her stress response, Anne arrives at the hospital. M storms into her office, furious that Anne spoke with Paula without counsel present and revealed the committee review. M threatens to fire Anne if she further jeopardizes the hospital’s reputation.


Shaken, Anne finds resolve in thinking that she acted to avenge Melanie. She learns that M has reassigned one of her new patients to Dr. Fitzpatrick. Anne visits her remaining patient, Mrs. Orlowski, whose blood pressure is elevated due to stress. Derreck calls to wish Anne luck.


Anne goes to the boardroom, carrying files and supporting articles. The committee members include tenured surgeons and department leads, among them Dr. Seldon and Dr. Bolger, who is grinning. Anne is filled with dread when she sees Aaron Timmer, the hospital’s lead counsel, sitting next to M. She realizes that the hearing is far more serious than a standard internal review.

Chapters 10-18 Analysis

The novel juxtaposes Anne’s internal crisis with Paula’s external aggression to thematically explore The Corrupting Influence of Unchecked Ambition. Both characters are driven by ambition, but it manifests in different ways that reflect their distinct relationships to power and trauma. Paula’s ambition is transactional; she uses a child witness, her affair with Derreck, and the power of her office as leverage to destroy Anne, whom she views as an obstacle to her professional and personal desires. Her threat to frame Derreck for possession of cocaine—“‘Promising mayoral candidate found with twenty grams of cocaine’” (136)—demonstrates her abandonment of legal principles for personal gain. In contrast, Anne’s conflict is primarily internal. Her professional ambition, once defined by a perfect surgical record, is subverted by a singular, ethically ambiguous act. Her ambition shifts from preserving life to justifying her decision to end one, a transformation born not from a desire for power but from a compulsion to correct a past injustice. The structural alternation between their perspectives highlights two forms of corruption: one systemic and self-serving, the other isolated and rooted in grief.


In addition, these chapters explore The Unclear Boundary Between Justice and Vengeance by framing the actions of both Anne and Paula as extrajudicial responses to perceived wrongs. Anne’s justification for her actions solidifies after rereading Melanie’s autopsy report, which details extensive abuse. This document is evidence in a trial she conducts in her own mind, and Donaghy’s death becomes the sentence. She accepts this new identity, acknowledging that while she’s at peace with the act, she’s also “petrified of what that makes me. A killer” (88). Her vengeance is a direct, personal, and final response to the failure of the justice system to protect her sister. Paula’s pursuit of Anne is equally a quest for vengeance, though its target is misguided. The Degnan case provides a crucial foil; Hobbs’s callous dismissal of a young witness’s safety showcases the impersonal and often amoral nature of the legal system. Paula’s subsequent disregard for due process in her hounding of Anne is a rejection of this flawed system in favor of a personal vendetta, one that she believes will deliver justice for her unarticulated suffering. Both women, products of legal and medical systems designed to uphold societal order, ultimately operate outside them to satisfy a personal imperative for retribution.


The motif of silence and withheld communication drives the plot and thematically underscores The Pervasive Influence of Past Trauma and Secrets. Nearly every major character is defined by what they don’t say. Anne withholds her recognition of Donaghy, her parents’ tense conversation about Melanie is a whispered secret from the past, and Derreck hides his affair with Paula. This secrecy creates mounting tension. Derreck’s advice to Anne (to construct a deliberate falsehood through silence) epitomizes this theme: “He’s just a patient, Anne. A random guy who happened to need heart surgery, and who, sadly, died during the procedure” (129). This command isn’t merely a legal strategy but an attempt to erase the moral and personal significance of Anne’s actions. Silence becomes both a shield to protect secrets and a weapon to manipulate others. The characters’ inability or unwillingness to communicate openly ensures that their past traumas fester, ultimately leading to the collision of their hidden worlds.


The use of professional titles and nicknames explores the dynamics of power, class resentment, and the disconnect between public identity and private intent. In public interactions, formal titles like “Dr. Wiley” and “Ms. Fuselier” create a veneer of professional decorum that masks personal conflict. Paula’s internal monologue, however, strips characters of their professional identities, reducing them to objects of her rage and ambition. She thinks of Derreck primarily as “Mr. Mayor,” objectifying him as a means to an end. This objectification reveals Paula’s strategy of dehumanization, a psychological tool that enables her aggressive pursuit by framing her targets as archetypes rather than complex individuals. The contrast between formal address and internal derision highlights the characters’ fractured identities and the social roles they perform while waging a private war.


Internal monologue and flashbacks render Anne’s psychological transformation, showing how trauma reshapes identity and morality. Her review of Donaghy’s file and the surgery footage is a ritual of self-examination, an attempt to reconcile her identity as a meticulous surgeon with her actions as an avenger. The extended flashback in Chapter 13, which details the day her family adopted Melanie, provides the emotional bedrock for her motivations. The memory of Melanie’s bruises and fear, combined with the clinical details of the autopsy report, becomes the moral justification that overrides her professional oath. This psychological access allows the novel to portray her decision not as a moment of spontaneous failure but as the culmination of years of unresolved grief and guilt. Her character arc is thus defined by the integration of a past trauma into her present professional self, forging a new, more complex and morally ambiguous identity.

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