56 pages 1-hour read

The Surgeon

Fiction | Novel | Adult | Published in 2023

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Chapters 19-28Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of death, child abuse, child sexual abuse, death by suicide, cursing, and gender discrimination.

Chapter 19 Summary: “Proof”

On Monday morning, a few days after her tense meeting with Derreck, Paula paces her third-floor office, realizing that she has become too emotionally involved with him. She initially planned to use their affair to advance her career, viewing him as future mayor material, but grew attached. After their Friday confrontation, Derreck has been silent all weekend. Paula suspects that their last intimate encounter was their final one and feels deep pain at losing him. Paula acknowledges that Derreck never loved her and will never leave Anne while Annie is alive. Paula coldly concludes that people can be eliminated in multiple ways.


Her investigator, Adam Costilla, bursts in, asking about Simon Degnan’s testimony. Paula hands him a subpoena for the 11-year-old witness. Adam confronts her, accusing her of endangering the child and prioritizing ambition over justice. Paula defends herself, citing orders from their boss, Mitch Hobbs.


Paula shifts the topic to the Caleb Donaghy case. Adam reports no connection between Anne and Donaghy. He reveals that Anne is wealthy from family investments, and her mother funded Derreck’s political ads. When Paula requests phone records without a subpoena, Adam refuses. He also reveals that the hospital’s internal review of the Donaghy case is happening that afternoon, upsetting Paula’s plan to confront Anne beforehand. Paula insists that Anne murdered Donaghy and orders Adam to find proof.

Chapter 20 Summary: “Review”

That same Monday afternoon, Anne sits in the hospital boardroom for her peer-review case analysis, surrounded by superiors including M, the hospital CEO, and Aaron Timmer, the head of legal. She reviews Caleb Donaghy’s case file and is shocked by Dr. Bolger’s statement demanding that her license be revoked for gross negligence. The autopsy, performed by the Cook County medical examiner, exonerates her surgical technique but notes a higher potassium concentration in the heart chambers. Anne finds this strange because she thoroughly flushed the heart with saline, but she decides not to raise the issue.


Dr. Bolger makes sexist statements, claiming that Anne lacks the physical strength for prolonged resuscitation. Anne’s mentor, Dr. Seldon, defends her, pointing out her perfect intraoperative mortality rate before this case, which is far superior to the department’s 15% average. M asks why Anne spent only 23 minutes on Donaghy when she has averaged 43 minutes to successfully restart hearts in similar difficult cases. Anne explains that the heart showed no signs of life after reperfusion. The committee finds no fault with Anne. However, M announces that Dr. Bolger is being placed on administrative leave for inappropriate conduct.


Afterward, in her office, Anne looks at photos of Melanie, reaffirming that Donaghy deserved to die. Two questions trouble her: why his heart failed to restart, and why the SAO is investigating.

Chapter 21 Summary: “Formal”

Immediately after the peer review, Anne’s surgical team celebrates her exoneration in her office. Anne tells them she’ll continue investigating why Donaghy’s heart failed. She’s then summoned to M’s office, where she finds M, Aaron Timmer, and a man she recognizes as having lurked outside her office with balloons days earlier.


M introduces the man as Adam Costilla, an investigator with the SAO. When Costilla begins questioning Anne about Donaghy’s death, Timmer intervenes, demanding to know why the SAO is interested. Anne confronts Costilla about staking out her office. Costilla admits to the stakeout, calling it a legal procedure. Anne is terrified, realizing that her office or phone could be bugged and that her connection to Donaghy might be known. Timmer demands a formal statement from the SAO, name-dropping Mitch Hobbs as a law school classmate. Costilla leaves without responding.

Chapter 22 Summary: “Crime Scene”

On Wednesday morning, Paula still hasn’t heard from Derreck. Her assistant, Marie, tells her that Adam has summoned her to a crime scene. At the cordoned-off street, Adam leads Paula to a body: Simon Degnan, the 11-year-old witness, shot dead. Paula feels sick. Adam coldly blames her for the boy’s death, reminding her of her former principle of protecting children. He reveals that he knows about her affair with Derreck and warns that it will be discovered. Paula lies, claiming that the affair is how she learned that Anne killed Donaghy. Adam reveals that Simon was killed two hours after the subpoena was delivered that morning.


When Adam accuses her of being in love with Derreck, Paula threatens to have him reassigned but walks back her threat, recognizing the danger. She apologizes and redirects him to focus on catching Simon’s killer. Adam walks away, disillusioned. While driving, Paula sees a highway billboard featuring Anne, smiling and wearing a wedding band identical to Derreck’s. Filled with rage, Paula vows to destroy Anne’s life.

Chapter 23 Summary: “Album”

On Wednesday night, Anne comes home feeling drained and paranoid about surveillance. She decides that she must talk to Derreck somewhere outside the house. She stands outside her late sister’s closed bedroom door, recalling memories, and then retreats to her den and takes out a childhood photo album.


She looks through the photos, reminiscing about her parents adopting Melanie when Anne was 14. She finds her favorite photo of Melanie, taken at the orphanage on adoption day, and removes it to frame for her office. Anne recalls that Melanie was in therapy for post-traumatic stress and experienced night terrors during which she would plead for someone to stop hurting her. She looks at a later photo, the last one in the album, of Melanie dancing with their father at age 13. The rest of the album is empty: No family photos were taken after Melanie died.


Anne puts the album away, feeling at peace with her decision to let Donaghy die. She recalls seeing Donaghy years ago in a park with Melanie and remembers his distinct red birthmark, shaped like an R with three drops falling from the left side. Derreck arrives home, and Anne invites him to a Chinese restaurant.

Chapter 24 Summary: “Arrest”

Over three days, Adam relentlessly investigates Simon Degnan’s murder, tracing phone calls from the jail cell of the man who perpetrated the crime that Simon witnessed. He identifies a prime suspect as an old cellmate of that man. On Friday morning, Adam calls Paula for an arrest warrant. They find the suspect passed out drunk in a filthy apartment with nearly $10,000 in cash. Adam finds the recently fired murder weapon under the sink.


Paula asks Adam for 30 minutes to stage a media event. She texts Derreck the address and alerts media contacts with a burner phone. TV crews arrive. Paula and Adam take the suspect outside, and Paula gives a statement. When a reporter questions her about failing to protect the witness, Derreck arrives. Paula deflects by drawing attention to Derreck. The media attention shifts entirely to him. Adam expresses disgust at Paula for turning the arrest into a political stunt.


After Adam leaves, Derreck confronts Paula, angrily accusing her of staking out his wife and bugging his house. Paula invites him to a hotel, but he refuses. He starts to walk away. Enraged, Paula threatens that destroying him would be easy. She walks away confidently, feeling that she can still win.

Chapter 25 Summary: “Close Call”

The following week, Anne returns to a busy surgery schedule, but she feels constant dread. She and Derreck live in tense silence at home, afraid that their house is bugged. The operating room is Anne’s only haven.


While preparing for a triple bypass on Mrs. Orlowski, Anne has a new personal rule: to look at the patient’s face before making an incision. After the first incision, Anne realizes that the patient’s blood isn’t clotting. The patient’s blood pressure drops rapidly. Anne orders packed platelets and a whole-blood transfusion, which stabilizes the patient. Reviewing the labs, Anne realizes that she missed borderline clotting factors because she was distracted and relied on the computer to bold abnormal values.


Feeling immense guilt, Anne goes to M’s office and confesses that she almost killed her patient. M warns that Anne’s career will be over if she loses another patient while under investigation. In an unusual gesture, M invites Anne to sit on the sofa. Seeing Derreck’s political ad on TV, M asks if the investigation is politically motivated. Anne shares her suspicion that Dr. Bolger likely didn’t make the call to the SAO. M offers to check the hospital’s phone records. Anne begs to keep her surgical privileges, and M agrees but issues a final warning.

Chapter 26 Summary: “Subpoena”

After another tense weekend, Derreck takes Anne to a pizza place on Sunday night so that they can speak privately. He tells her investigations like this can take years, and rarely are they officially closed. He again asks permission to speak with SA Mitch Hobbs, but Anne refuses, fearing that it will look like interference.


On Monday morning, still obsessed with why Donaghy’s heart failed, Anne drafts an email to the medical examiner requesting further tests on the body. Realizing that this is reckless, she saves it in her drafts folder. When she looks up, she sees Paula in the hallway. Paula enters her office.


Anne tries to refuse to speak without her lawyer. Paula informs Anne that her office is subpoenaing all of Anne’s surgery videos. Paula misquotes a statistic from the peer review, claiming that Anne’s average resuscitation time before death is 43 minutes, though Anne corrects her that this was the average time to successfully restart a heart in difficult cases. Anne concludes that Dr. Bolger must be Paula’s source. Paula points out that Anne didn’t administer an epinephrine shot directly to Donaghy’s heart, as she had in other cases. Madison bursts in with a fabricated emergency to rescue Anne. Anne flees to an empty treatment room and breaks down.

Chapter 27 Summary: “Den”

Monday evening, Anne leaves the hospital feeling like she’s running from Paula. She cries in her car and briefly contemplates death by suicide before dismissing the thought. At home, she retreats to the den, imagining a conversation with her late father. She imagines that his advice would be to figure out the facts before jumping to conclusions.


Anne realizes that as long as her family’s connection to Donaghy remains secret, Paula can’t prove a motive for murder. She opens her laptop to search online for a connection between Donaghy and Melanie, but stops, terrified that her internet activity is being monitored. She worries that if the house was bugged before she confessed to Derreck, Paula already knows everything. She remembers telling Derreck that she knew Donaghy and rushed calling time of death. Anne senses that Paula’s motivation is personal and hateful. Her mother calls her for dinner as Derreck arrives. Anne recalls the drafted email on her office computer, resolving to delete it first thing in the morning.

Chapter 28 Summary: “Run”

At 3:37 am, Anne lies awake. She decides to apply her father’s philosophy of making smart bets on probabilities. She concludes the safest bet is that Paula Fuselier has no concrete evidence against her. She resolves to stop acting paranoid and to behave normally to avoid creating suspicion. She remains determined to find out why Donaghy’s heart failed to restart.


Anne gets out of bed and goes for her usual morning run in Lincoln Park for the first time in nearly three weeks. Afterward, she drives to the hospital to shower and change. Her priority is to permanently delete the drafted email to the medical examiner. With time to spare before her rounds, she takes out the red Donaghy case file and begins creating a detailed timeline of Donaghy’s entire hospital stay, planning to investigate every detail (staff interactions, meals, medications) to find out what “crippled” his heart.

Chapters 19-28 Analysis

These chapters establish a structural parallel between Anne and Paula, using their alternating perspectives to explore how personal trauma compromises professional identity. Both of them, a surgeon and a prosecutor, operate in fields that demand objectivity and adherence to strict protocols. However, their professional actions become increasingly governed by unprocessed grief and a desire for retribution. Paula’s investigator, Adam Costilla, explicitly articulates this breakdown when he challenges her motives, stating, “I said justice, Paula, not law. That’s a difference you used to care about back in the day” (149). This distinction highlights the core of Paula’s transgression: Her unchecked ambition has led her to weaponize her legal authority for a personal vendetta. Similarly, Anne’s near-fatal error during a surgery demonstrates decay in her professional discipline. Her distraction, a direct result of the psychological stress from the investigation, proves that the operating room is no longer a sanctuary from her personal life but a space where her inner turmoil has tangible, life-threatening consequences. By juxtaposing these professional failings, the narrative suggests that past trauma inevitably infiltrates and shapes one’s present, regardless of professional safeguards.


The narrative structure, which oscillates between Anne’s internal experience of paranoia and Paula’s calculated aggression, generates significant suspense, especially since Paula’s motivation for going after Anne is yet unclear. However, her hatred of Anne becomes increasingly evident. While Anne sorts through a photo album, retreating into memories of Melanie to justify her decision to let Donaghy die, Paula gazes at a billboard of Anne and vows to destroy her, fueled by a rage whose true source remains obscured to her. This juxtaposition foreshadows the eventual revelation about their connection, deepening the novel’s thematic exploration of The Pervasive Influence of Past Trauma and Secrets by demonstrating how shared history can create conflict when its full context is concealed.


The novel continues to explore The Corrupting Influence of Unchecked Ambition as a theme, primarily through Paula’s character arc, which reveals the psychological cost of using personal relationships as leverage for professional gain. Her self-image as an emotionally detached professional unravels as she admits her genuine feelings for Derreck. This internal conflict between calculated ambition and unforeseen emotional attachment transforms her from a purely antagonistic force into a more complex figure. Her ambition isn’t just for power but also for a personal connection she feels has been denied to her, a vulnerability that makes her subsequent threats against Derreck and Anne more desperate than strategic. The narrative treats her ambition as a corrosive force that isolates her, alienating her trusted investigator and turning her political alliance with Derreck into a tool for emotional extortion. The murder of child witness Simon Degnan is a tragic indictment of her methods, a stark symbol of the human cost of prioritizing a personal agenda over the duties of her office.


Anne’s character development in this section is marked by a crucial transition from a fear-driven state to one of proactive investigation. Initially paralyzed by the threat that Paula represents, Anne is haunted by guilt and paranoia, which culminate in a near-fatal surgical error and a fleeting thought of death by suicide. The turning point occurs in her den, where an imagined conversation with her late father prompts a shift in mindset. This internal dialogue, drawing on her father’s philosophy of weighing probabilities, enables her to reframe her situation not as a foregone conclusion but as a problem to solve via logic and evidence. Her decision to meticulously timeline Donaghy’s hospital stay signifies her reclaiming agency. This resolve is evident in her final thought in this section: “Whatever crippled that son of a bitch’s heart, I’ll find it sooner or later” (215). She moves from being the subject of an investigation to becoming an investigator herself, applying the diagnostic rigor of her profession to her personal crisis.


Professional titles and settings underscore the precariousness of the characters’ identities. The novel depicts the hospital boardroom, the setting for Anne’s peer review, not as a place of collegial analysis but as a tribunal where professional reputations are made or broken. Dr. Bolger’s sexist attacks and M’s pointed questions reinforce the intensely political and personal nature of this supposedly objective review. M makes the threat of professional ruin explicit, warning Anne that another mistake will relegate her to a career in “some remote place in Alaska treating frostbite and perianal abscesses” (198). This vivid image contrasts sharply with Anne’s status as a top cardiothoracic surgeon, emphasizing how quickly professional standing can be decimated. Likewise, Paula’s title of ASA grants her the power to subpoena and investigate, yet her abuse of that power threatens her career. The professional settings of the hospital and the courthouse thus become arenas where personal vendettas play out under the guise of established procedure, thematically illustrating The Unclear Boundary Between Justice and Vengeance.

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