58 pages 1-hour read

The Survivor Wants to Die at the End

Fiction | Novel | YA | Published in 2025

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Part 3Chapter Summaries & Analyses

Content Warning: This section of the guide features discussion of death by suicide, suicidal ideation and/or self-harm, mental illness, child abuse, emotional abuse, physical abuse, substance use, addiction, and cursing.

Part 3: “The Begin Days”

Part 3, Chapter 48 Summary: “Paz, 12:00 p.m.”

Paz wakes up the following day with a whole new attitude. His family notices the positive change, and he admits that he was out with Alano the previous evening. Paz is briefly concerned about a news story on TV covering the break-in at Present-Time Gifts, but none of the video footage shows the boys there.

Part 3, Chapter 49 Summary: “Alano, 2:46 p.m.”

That afternoon, Alano gets a lecture from his father about leaving the house alone. Joaquin fires Dane for not protecting Alano. Alano explains that he saved a boy’s life, but he doesn’t reveal Paz’s name to his parents. He then creates more controversy when he announces that he deactivated his Death-Cast account. Joaquin fears that if this news gets out, it will be used to the advantage of pro-naturalist politicians.


After Joaquin storms out, Alano’s mother, Naya, explains her concerns about her son’s mental health. The strain of Alano’s job, the herald disaster, and the physical attack might be taking a toll that will lead to a mental health crisis. She is also worried about the mental stability of Alano’s mystery boy and warns him that he may not be able to save him.

Part 3, Chapter 50 Summary: “Paz, 4:12 p.m.”

Paz and Alano exchange texts early in the morning, and Paz eagerly waits for Alano to contact him about their evening plans. He spends the day cleaning house and fixing up his mother’s garden. He tries to reach Present-Time Gifts to cancel his End Day order, but the shop is closed pending repairs. He spends the rest of the day looking up Alano’s profile online.

Part 3, Chapter 51 Summary: “Alano, 4:34 p.m.”

Alano is waiting to get permission to go out when he receives an unexpected visit from Rio. His best friend flew out to see him, but Joaquin won’t allow house guests while the family is vulnerable to attacks from Death Guarders.


Alano vents to Rio about Ariana’s insensitive behavior and then tells his friend about Paz. Rio watched the documentary that covered Paz’s story, and he doubts the boy’s mental stability. Rio bought two tickets to the Universal Studios tour and invites Alano to go with him the following day. After Rio leaves, Alano’s thoughts turn to his evening with Paz. He says, “All I know is that I’m finally getting excited about the future again, and I’m dreading my father getting in the way of that” (326).

Part 3, Chapter 52 Summary: “Paz, 5:02 p.m.”

Paz still hasn’t heard from Alano by early evening, and his good mood is dipping into depression. He begins to lose the hope he felt the night before.

Part 3, Chapter 53 Summary: “Joaquin Rosa, 5:53 p.m.”

The point of view shifts to Alano’s father. Joaquin is on the phone with the president, discussing the implications for Death-Cast if Carson Dunst wins the next election. Joaquin quit drinking months earlier but eyes his liquor cart longingly. He feels haunted by those whom Death-Cast has failed, especially the Death’s Dozen.


After the phone call ends, Alano arrives to tell his father he’s going to see Paz again that evening. He demands that Dane be reinstated as his bodyguard. His father agrees but says that Dane must accompany the boy on his date and follow in a separate vehicle.

Part 3, Chapter 54 Summary: “Paz, 5:58 p.m.”

At nearly six o’clock, Paz reaches for his knife, intending to cut himself again to relieve his emotional turmoil. At that moment, Alano calls him. He says he will drive by shortly to pick up Paz, but that his father stipulated that he needs to be home by midnight.

Part 3, Chapter 55 Summary: “Gloria Medina, 6:39 p.m.”

The point of view shifts to Paz’s mother. She thinks about her disastrous first marriage and her happiness with Rolando. She worries about paying the bills during maternity leave while Rolando looks for full-time work. She worries even more about Paz’s mental state. However, she notes that Paz is genuinely happy as he walks out to meet Alano. Though hopeful, she worries that Alano will break Paz’s heart.

Part 3, Chapter 56 Summary: “Paz, 6:44 p.m.”

Paz is thrilled to be back with Alano, though he is taken aback by Dane, who is very serious and constantly on the alert for danger. Alano says that he read up on borderline personality disorder so he would better know how to help Paz. Paz worries about the emotional consequences of falling in love with Alano.

Part 3, Chapter 57 Summary: “Alano, 6:52 p.m.”

Alano ponders the best way to be a friend to someone with Paz’s condition. He concludes, “The best way to be a friend to someone with borderline personality disorder is to simply be a good friend” (356).

Part 3, Chapter 58 Summary: “Paz, 7:22 p.m.”

The boys go to Santa Monica Pier, where they find a shop called Make-a-Moment. This virtual-reality business caters to people who want a thrilling experience without risk. Alano notices that the shop is hiring actors to role-play with the customers, and he talks Paz into auditioning for a job. The owner watches as the boys play out a first-date scenario. This requires very little acting on Paz’s part as he shares a very real conversation with Alano that allows them to get to know each other better. At the end, the owner immediately asks Paz to fill out an application.

Part 3, Chapter 59 Summary: “Alano, 8:32 p.m.”

After their role play, the boys walk to the end of the pier to watch the sun set. Each one talks about the good and bad memories they have of their fathers.

Part 3, Chapter 60 Summary: “Paz, 8:53 p.m.”

Paz and Alano decide to ride the Ferris wheel. At the apex, Paz is struck by Alano’s eye color: One is green and the other brown. Alano compares Paz’s light brown eyes to the color of a cymbidium orchid. The boys are about to kiss when the wheel starts moving downward. Paz wants to keep living because of Alano.

Part 3, Chapter 61 Summary: “Alano, 10:27 p.m.”

Paz, Alano, and Dane arrive back at Paz’s house to part for the evening when Paz notices that the bandage on Alano’s arm needs changing. He suggests going inside to dress the wound. Dane insists that he must inspect the house before they can proceed.

Part 3, Chapter 62 Summary: “Paz, 10:34 p.m.”

Paz’s family happily submits to the search. When Dane gets to Paz’s room, the boy remembers that he still has a knife concealed inside his journal. He distracts the bodyguard, who fails to notice the weapon and clears both boys to enter.


Paz dresses Alano’s arm wound. His shock at the harm someone caused to Alano’s body gives him a new perspective on his own habitual self-harm. Paz keeps the Begin Day bandage contract that they both signed the night before. He then moves on to rewrap the stitches in Alano’s abdomen.


Because Alano hints that Paz’s room could use some decorative touches, Paz suggests going to a local flea market the following morning. Even though Alano is supposed to meet Rio at 11, he agrees to visit the flea market first with Paz. That night, for the first time, Paz doesn’t lie awake waiting for Death-Cast to call.

Part 3, Chapter 63 Summary: “July 26, 2020: Alano, 10:36 a.m.”

The next morning, the boys enjoy finding gifts for each other at the flea market. Paz gives Alano a vase, and Alano finds a throw rug with a big yellow star on it. This will remind Paz that his own Walk of Fame star is yet to come. Alano asks Paz to go on the Universal Studios tour with him, and Paz agrees.

Part 3, Chapter 64 Summary: “Paz, 11:34 a.m.”

When they reach the Universal lot, Paz is worried about being recognized and also worried that Rio won’t want him tagging along. He’s dismayed when he sees that Rio is breathtakingly handsome. Even though the initial meeting goes well, Paz begins to obsess over Alano’s past relationship with Rio, wondering if they were more than just friends. Alano notes Paz withdrawing and tries to ground him.

Part 3, Chapter 65 Summary: “Alano, 12:19 p.m.”

Alano is happy to see Rio and Paz getting along. While Paz steps away for a few minutes, Rio says that he watched the documentary about Death’s Dozen, featuring Paz’s murder trial. He tells Alano that Paz might be dangerous.

Part 3, Chapter 66 Summary: “Paz, 1:01 p.m.”

Paz begins to feel triggered when the group approaches the Milagro Castle exhibit, based on the wizarding movie franchise in which Paz appeared. He must act as their tour guide, which forces him to relive his glory days as an actor right before everything in his life fell apart.

 

Paz notices how often Alano and Rio touch and becomes jealous.

Part 3, Chapter 67 Summary: “Alano, 4:14 p.m.”

The group stops at a restaurant. During their conversation, Alano reveals to Rio that he quit Death-Cast. For his part, Rio announces that he did the same a month earlier. Now, Alano feels betrayed at being kept out of the loop. They start talking about the pros and cons of Death-Cast. Rio credits Death-Cast for giving him a chance to say goodbye to his brother, but he also blames Death-Cast for his brother’s death.


Because Lucio was the first victim of the Death-Cast serial killer who posed as a Last Friend, Alano and Rio get into an argument about the ethics of Death-Cast. Rio even says he will vote for Carson Dunst in the next election.

Part 3, Chapter 68 Summary: “Paz, 4:33 p.m.”

Paz becomes more irritated with Rio by the minute: “I’m not about to sit here saying nothing while Rio is hyping up radical pro-naturalism as if those people didn’t screw up my life” (461). The two boys trade barbed insults, with Rio insinuating that Paz is a killer. Alano tries to intervene, but Paz gets up to leave before he comes to blows with Rio.

Part 3, Chapter 69 Summary: “Alano, 4:39 p.m.”

Dane ushers the entire group outside. Alano tries to calm Paz down, fearful that he might spiral into suicidal ideation again. Paz leaves, and Rio wishes him good riddance, but Alano follows him through the park.

Part 3, Chapter 70 Summary: “Paz, 4:46 p.m.”

Alano catches up with Paz, begging him to stop and talk. Paz confesses that he has strong feelings for Alano, and Alano tells Paz that he hopes the two will have a future together. Paz wants to believe but remains suspicious of Alano’s past with Rio.


Alano admits that he was in love with Rio years earlier, but his feelings weren’t returned. However, they have been on intimate terms quite recently. Paz is now convinced that Alano isn’t over Rio and that the two will move in together, leaving Paz out in the cold. Unable to control his temper, Paz raises his fist and sees Alano flinch. He is horrified as he imagines himself turning into his father. He runs away, wondering how he will survive without Alano.

Part 3 Analysis

The novel’s third part is entitled “The Begin Days,” and it details the interval during which Paz isn’t trying to die by suicide. This period spans only about 36 hours, proving how tenuous Paz’s faith in the future still is. While Alano’s budding romance with Paz is only in its early stages, the relationship may not get a chance to bloom. Ironically, this is not because of Paz’s suicidality, but because external forces attempt to cast doubt on the bond between the boys. Consequently, this segment focuses primarily on the theme of Resisting Social Pressure. Although Alano and Paz seem willing to give love a chance, their friends and parents are skeptical. The people whom the boys trust most are instrumental in trying to erode their trust in each other.


The most obvious source of pressure is Alano’s father. Joaquin’s desire to protect his son overlaps with his desire to protect his company, as he worries that Alano’s actions will reflect badly on Death-Cast. When Joaquin learns that Alano has cancelled his Death-Cast account, his hidden, self-serving motives are revealed. Though Alano cancels the account to protect his own mental health, Joaquin reinstates it without consulting his son, more concerned with the optics of the son of the company’s founder cancelling his account than with Alano’s well-being. He explains to Alano, “The politics at play are not a game. If this gets out, you do not get privacy. You become the face of our enemies’ campaign for why our services must be so unnecessary and harmful that the heir himself has rejected his destiny” (308). The social pressures facing Joaquin, as the founder of a hegemonic corporation, are so great that they impede his ability to care for his son.


Naya’s criticism of her son focuses less on the company’s reputation than on her son’s savior complex when she warns him that saving Paz may be a futile endeavor. While Gloria doesn’t voice her objections aloud, her attitude tells Paz that she doesn’t approve of his choice of boyfriend either. She fears that a breakup with Alano might cause Paz to attempt suicide again. “‘Please don’t break my son’s heart,’ Gloria whispers, hoping Alano can somehow hear her. Gloria knows how dangerous love can be” (350). Gloria’s thoughts here reveal her awareness that despite the power of Love as a Reason to Live, it can also be a source of grief and even despair.


Alano must also face criticism from Rio after he meets Paz in person. Having watched the docuseries about Death’s Dozen, Rio believes the distorted media depiction of Paz as a killer. He is also threatened by the idea of being replaced in Alano’s affections, but he masks this insecurity as genuine concern for his friend’s safety: “‘I’m more scared of him being the death of you.’ He steps toward me, and I not only back up, I turn the other way, running after Paz to save him and our own future” (466). Alano chooses to embrace the risky love he feels with Paz because this love makes him feel more alive and more in control of his own destiny than he ever has before.


While most of this social pressure is directed at Alano rather than Paz, the latter fears losing Alano’s affection, triggering his own insecurities and suicidal tendencies. Regarding Rio’s rude behavior, Paz says, “Death-Cast didn’t call me, but if Rio doesn’t stop fucking with a suicidal killer, he might find out that living pro-naturally means dying pro-naturally too” (463). This idle threat illustrates the degree to which Paz has internalized the public’s view of him as a killer.


The segment ends with a rupture in the boys’ relationship, largely caused by the interference of everyone around them. However, Alano still asserts his desire to live for love when he says, “I would trade skydiving anywhere in the world in a heartbeat for a walk in the park with my soulmate. I want to grow up and grow old with someone who will hold my hand as I die on my End Day” (341-42). By confidently stating what he wants from his life, Alano stakes a position in The Tension Between Free Will and Determinism. He intends to claim the life he wants rather than letting the future be determined for him.

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