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Content Warning: This section of the guide includes depictions of sexual violence, emotional abuse, sexual content, sexism, and graphic violence.
Elena participates in her dance performance. Afterwards, her dance friends are thrilled she’s attending the upcoming party at Tyler’s. Then Tyler bothers her again about going out. Elena looks up in horror to see Nicolas waiting for her where Benito was. He came to pick her up as Benito got called away. Noticing Tyler’s attention on Elena, Nicolas insists she can’t be with him. Elena remembers the events of six months ago, afraid she’ll always be limited by her family’s world. In Nicolas’s car, he brings up Tyler again, upset that they kissed on stage. He says if it was just platonic she should show him. Elena gives in, demonstrating the kiss. Nicolas says nothing and speeds away. On the drive, Elena doesn’t know what to say or do. She can’t deny her attraction.
Nico stops for gas. At the pump, he chastises himself for kissing Elena. She goes inside to use the bathroom and comes out looking upset. When she tells him the shop owner threatened her and touched her inappropriately, Nico is furious. She begs him not to hurt the man but Nico goes inside, threatens the man, and burns down the shop with him inside.
Back at home, Elena races into Salvatore’s office and insists Adriana can’t marry Nicolas because he is violent and angry. Nicolas barges in, insisting the gas station incident wasn’t his fault; the man touched Elena. Salvatore dismisses the issue.
Benito takes Elena to Tyler’s party although he has a bad gunshot injury from his recent job. On the way, they stop at Nicolas’s place in the Bronx. Elena is surprised by the homey brick house. While waiting for the men to finish, she watches the news. Then Nicolas enters and demands to know where she’s going; he doesn’t like that she’s wearing a white and pink bikini and a dress. While Benito is tending his wound, Nicolas cuts her bikini straps. She acts unfazed when Benito returns.
A few days later, Elena is still trying to make sense of her and Nicolas’s dynamic. She’s only had sex with one other person—the man whose death she feels responsible for—and feels confused by her feelings for Nicolas. She tells herself to forget their attraction because they can’t act on it anyway.
Elena attends a dinner with the Russo family at one of their restaurants in the Bronx. She stays by Adriana all night and they drink heavily to ease Adriana’s anxiety about the marriage.
Over dinner, Elena can’t help feeling jealous when she notices the attractive Gianna talking to Nicolas. She assumes the two have slept together, although Gianna is married. She feels even more upset when she overhears some Russo women in the bathroom talking about her. She realizes everyone sees her as the Sweet Abelli. Outside the bathroom, she runs into Nicolas. He pushes her against the wall and makes comments about her attire. She’s wearing black instead of her usual pink and white. Elena moves away to go out for a smoke but Nicolas refuses to let her smoke with the kitchen staff. She insists he can’t boss her around but agrees to borrow his lighter and let him accompany her for the cigarette.
Elena and Nicolas smoke outside together. They banter about their relationship and how it’ll change after Nicolas’s wedding. Nicolas gets annoyed and tells Elena to be quiet; if she doesn’t, he says he’ll be one of the men she’ll have to worry about assaulting her. Elena takes this as a joke and feels aroused. Then he instructs her to write the list of Adriana’s likes in his phone. While she’s writing the list, a naked photo of Tony’s girlfriend Jenny appears on Nicolas’s phone. Elena gets angry. Nicolas argues it doesn’t matter because Tony slept with his ex Isabel. Elena pushes his phone down her dress before he can take it back. She feels even more aroused as he fishes under dress to retrieve it.
After his encounter with Elena, Nico chastises himself for losing control. The last time he did something like this was when he had sex with Gianna while she was married to Antonio. At the same time, Nico can’t stop imagining sex with Elena. Back inside the restaurant, his cousins rib him about liking Elena. Suddenly angry with everyone, Nico sends Tony the naked photos of Jenny. Tony loses his temper and throws a glass at Nico’s head. A fight ensues.
Elena tends to Tony’s wounds that evening. Afterwards, she takes a shower and lies in bed trying to decompress. Thinking about Nicolas, she opens and closes the Zippo she took from him.
Elena goes for a run with her cousin Dominic the next morning. When they return, Nicolas is at the house. Salvatore calls her over so she can meet their other guest, Christian. Elena notices how attractive he is and wonders if she could direct her feelings for Nicolas onto him. Afterwards, however, Nicolas pulls her aside and warns her to stay away from Christian because he’s FBI. When Elena talks back, Nicolas threatens to cut off the hands of any man who touches her and send them to her in a box.
Frustrated with Nicolas and determined to get him back, Elena jumps in the pool in a pink bikini. She emerges from the water when Nicolas, Christian, and Salvatore are within view. Nico corners her and demands that she get dressed because no one will respect her. (She privately realizes she’s started thinking of Nicolas as Nico.) Then Elena tells Nico she doesn’t want him to respect her; he grabs her waist and again insists she go upstairs and change. When she resists, he picks her up and carries her inside.
Elena accompanies Adriana, Celia, and Gianna, and some of other relatives to the new penthouse Nicolas got for Adriana. As soon as she sees Nicolas, her “pulse patter[s] to an uneven beat” (146). They end up in the kitchen alone together. When Nicolas runs his eyes over Elena’s body, she feels aroused. He takes her face in his hands and moves his fingers over her mouth while telling her why he has an ace of spades tattoo—the first time he ever killed someone, he shoved “an ace of spades down his throat” (149).
The events and conflicts of Chapters 12-22 lean into the dark romance genre and its tropes. The Sweetest Oblivion is both a dark romance and mafia romance novel. Both categorizations prescribe physical and sexual violence, arranged marriages, dubious consent, and forbidden alliances as pivotal aspects of the plot line. These tropes become particularly prominent in Chapters 12-22 and serve to intensify the Passion and Desire in Forbidden Romances. These chapters are rife with depictions of Elena in sexually and emotionally compromising dynamics—particularly in the context of Nico. As is typical of the genre, Nico’s character is morally dubious, prone to violent outbursts, and overtly misogynistic in his behaviors and language. While Elena is at times frustrated by Nico’s behavior, her character’s resoundingly positive response to Nico implies that she is aroused by his immoral behavior. (Such behaviors include pinning Elena against walls, putting his hands under her clothes without getting consent, touching her face and body without consent, cutting her swimsuit straps, threatening to assault her, and threatening to assault anyone she’s intimate with.) The author uses these dynamics in order to augment the tension between the two characters using sensationalism and shock value. These aspects of Elena and Nico’s dynamic are also used to convey the sexual excitement that might arise from taboo relationships.
Elena’s internal monologues, dialogues with Nico, and modes of behaving and dressing provide insight into her character, and illuminate her reasons for liking Nico. Elena has hidden behind her Sweet Abelli persona for as long as she can remember. While this facade has helped her survive her violent world and complex family situation, it has also limited her sense of self. The more time she spends with Nico, the more she wants to discard the Sweet Abelli image and further her Quest for Autonomy and Self-Possession. When she is at the dance recital and Nico warns her about getting involved with Tyler (a character who’s outside the Cosa Nostra) Elena’s subsequent internal monologue underscores her sense of entrapment:
It didn’t take long to realize I didn’t belong, that I was already stained by the world I was raised in. That a man with a clean conscience and clean hands would never fit me just right. I’d destroyed a decent man’s life, and while he’d touched me in places I’d never been touched before, I’d wished he did it a little rougher. I’d wished he was tainted by the darkness, as the men I was used to were (76).
Elena’s sense of self has thus been defined by her Cosa Nostra world. She privately understands herself via the violence and volatility she’s constantly surrounded with. Part of her wants to claim her attraction to and immersion in this world; at the same time, she doesn’t know how to let go of the Sweet Abelli and claim her true self.
The repeated references to Elena’s pink and white attire further underscore the Impact of Family on Personal Choices. Elena wears these colors because they authenticate her Sweet Abelli facade. White color imagery is an archetype of innocence, while pink color imagery evokes notions of girlhood and youthfulness. Elena chooses to embrace this self-presentation because it validates how other people (starting with her family) perceive her. However, the true Elena is the one wearing black at the family gathering. When she dons this “edgier” color, she is rebelling against her family’s expectations and taking a step toward expressing a more true version of self. This is the same self who is aroused by Nico’s aggression, harassment, and degradation—dehumanizing behaviors that Elena has learned from her immersion in the mafia universe.



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