55 pages • 1-hour read
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Content Warning: This section of the guide includes depictions of substance use, addiction, death, sexual abuse, emotional abuse, and graphic violence.
Elena gets dressed to join Nico at his club. He tells her she has to stay in his office with his two guards while he’s in the gambling room. She remarks on a painting on the wall. He admits he only likes it because Catarina did. Elena makes a comment about his mom, unaware that she died from a drug overdose. Offended, Nico storms out.
Elena feels guilty for being insensitive after Nico leaves. To calm down, she turns on the television and convinces one of Nico’s guards to play cards with her. Nico interrupts them, furious at the guard for overstepping his position. He then informs Elena that he punished Ryan, but didn’t kill him. While Nico writes emails, Elena researches vases for the wedding reception. She asks Nico’s opinion and he pulls her into his lap while they examine options together. Elena wants to kiss him.
On the way home, Elena admires Nico’s driving. Feeling aroused, she asks Nico to show her how fast the car goes. She feels exhilarated by the speed and wishes Nico reciprocated her feelings. Back at home, he instructs her to go to her room while he works on his cars.
Elena wakes up to Nico cooking breakfast. Elena worries aloud about attending Nico’s church; she fears his family will be upset that they’re living together before the wedding. He assures her they’re not going to church and she doesn’t have to worry about the Russos. She’s his now and he’ll keep her safe. He tells her to get ready so they can go to a car show.
Elena enjoys the show. She’s especially impressed by Nico’s knowledge of cars. He admits working on cars kept him “out of trouble” when he was a kid (245); Elena catches herself imagining his difficult childhood. Sitting near him for a drink, she realizes how much she cares about him.
On the drive back, Elena and Nico drive through another mafia family’s streets. Elena is scared but Nico insists he’ll protect her.
Elena and Nico stop at Nico’s office. Elena naps while Nico works. When she wakes up, Nico is nowhere around. She then runs into Sebastian Perez, Oscar’s brother. Sebastian reveals that Oscar really liked Elena but that she’s better off without him because Oscar was violent to women. Nico appears, and Sebastian confronts him for killing Oscar. Shocked, Elena demands that Nico explain. He admits he killed Oscar because he wanted Elena.
Elena texts Tony about the marriage contract with Oscar; she’s furious at him for supporting the arrangement given Oscar’s violence. Tony swears he didn’t know.
“Nico”
On the drive home, Nico stews over his encounter with Sebastian. He’s angry Sebastian talked to Elena. He reminds himself that Elena is his now and he can control her. They arrive home and he can’t keep his eyes off her.
“Elena”
Elena retreats to her room. While showering, she considers going to see Nico. She acts on her impulse and knocks on his door.
Nico lets Elena into his room. Without talking, they start undressing and touching each other. Before they have sex however, Nico demands that she remove the plastic ring. She feels guilty, but obliges. Then they engage in oral and unprotected penetrative sex. After they orgasm, Nico demands that Elena say he is the only person who can have sex with her.
Elena lies awake next to Nico thinking about their encounter. She reminds herself she can’t fall in love with him. She sneaks out of bed, puts her plastic ring back on, and leaves.
“Nico”
Nico wakes up feeling angry and hateful about Elena’s ring and the person who gifted it to her. While getting ready, he replays their night together. He runs into Luca, who reminds him Isabel is coming over. Nico doesn’t care if she and Elena meet.
Remembering her night with Nico, Elena feels aroused again. She takes a shower and wonders how Nico feels about what happened. When she gets out, she runs into Isabel. Isabel is shocked by her presence but Elena stands her ground, insulting Isabel.
Alone, Elena realizes that Isabel and Nico have had sex. She gets ready and runs into Luca and Isabel making out in the other room. Furious that Isabel is trying to hurt her, she texts Benito for a ride. She leaves a note for Nico and heads back to her parents.
Celia pressures Elena to eat when she returns to the house. Anxious and irritable, Elena joins Adriana in her room instead. Elena asks her to be her maid of honor, and the two talk about falling in love. Elena shares the real story about what happened six months prior. She was so frustrated with Salvatore and her life that she’d spend all her time staring at the musical carousel on her dresser. Desperate to get away, she went out in search of a real carousel to feel better. This is when she met and became involved with her ex-lover, who worked as a security guard at the mall with the carousel.
Angry voices interrupt their conversation. Downstairs, they find the Russos drawing guns on their family.
Nico and his men came over to find Elena, convinced she was running away and breaking the contract. Salvatore demands that Elena go to her room but Nico demands that she get in his car. Elena isn’t sure what’s right but chooses to go with Nico. Back at home, Nico makes Elena go to her room without letting her explain what happened. She learns through Luca that Isabel trashed her note.
Later, Elena finds Nico in the garage. She explains what happened and apologizes for leaving him. He makes her promise to always carry her phone and never leave the house without telling him. She realizes how safe she feels with him.
The longer that Elena and Nico are together the more complicated Elena’s Quest for Autonomy and Self-Possession becomes. For Elena, being with Nico is unpredictable and exciting. Her internal monologues and stream of consciousness narration throughout Chapters 31-41 reiterate her passionate desire to be intimate with Nico. At the same time, Elena fears that if she doesn’t maintain some control in their heated dynamic, she’ll lose her authentic sense of self.
Elena and Nico’s complex power struggle becomes more pronounced after they have sex for the first time. Their first penetrative sexual encounter marks a turning point in their relationship and alters the stakes of their dynamic. In the fictional world of The Sweetest Oblivion, sex is synonymous with power, control, and ownership. Indeed, when Nico becomes jealous of the other men in Elena’s life, he uses sex as a way to remind her and himself that she belongs to him. This misogynistic dynamic appeals to Elena, but it also threatens her sense of autonomy. This becomes particularly apparent amidst the conflict over Elena’s ring. The plastic ring is symbolic of Elena’s past, and thus her attachment to another man. It makes Nico angry, and he forces her to remove it when they’re having sex; he doesn’t want to be reminded of this threat while he’s intimate with Elena. Elena puts the ring back on after their encounter because she has an allegiance to the person who gave it to her (a dynamic that has yet to be fully explained on the page). Her reflections on her relationship with Nico and her regard for the ring the morning after they have sex provide insight into this complex relational situation:
He had the upper hand in every aspect of this relationship. Maybe the only thing that would save face was that Nico didn’t know the man who’d given this ring to me hadn’t meant anything. I imagined believing one’s fiancée was in love with another man would cut any boss’s ego in half, especially Nico’s giant one. […] Maybe this was the only way I’d survive him. I slid the ring onto my finger and walked out of the room (273).
Therefore, Elena chooses to keep wearing the ring because she knows it threatens Nico. It is her one line of defense against his domineering and alluring personality. The ring is also a way for her to protect her own heart and to maintain some semblance of control. Keeping the secret surrounding the ring lets her keep a private facet of her identity and past to herself.
Elena’s decisions to return to her parents’ house and then to return to Nico’s house reiterate the Impact of Family on Personal Choices. These choices also illustrate Elena’s ongoing struggle to make sense of who she is and what she wants amidst her otherwise entrapping society. When she flees Nico’s house, she is protecting herself from Isabel. Isabel is an “interloper” in her space and threatens her jurisdiction within Nico’s private world. However, when she goes back home to her parents, her family treats her like a child and she loses her power once more. The image of her caught between Salvatore and Nico (both men making demands of her) depicts Elena on a threshold between childhood and adulthood. She knows that defying her father might have consequences, but doing so is a way for her to exercise her agency. She is tired of submitting to her family’s expectations of her as the obedient, unquestioning daughter. Choosing to go with Nick is her way of making a personal choice of her own volition.



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