The Third Wife

Lisa Jewell

56 pages 1-hour read

Lisa Jewell

The Third Wife

Fiction | Novel | Adult | Published in 2014

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Symbols & Motifs

Content Warning: This section of the guide includes discussion of substance use, suicidal ideation, emotional abuse, death, and cursing.

The Board of Harmony

Jewell uses Adrian’s Board of Harmony, a color-coded chart that helps him keep track of his blended family’s schedule and needs, as a symbol for The Fragility of the “Perfect Family” Ideal. This meticulously organized whiteboard is Adrian’s attempt to manage the logistics of his sprawling family, but in doing so, he substitutes a performance of attention for genuine emotional connection. As Adrian’s arc progresses across the novel, his view of the board evolves from a necessary tool to a destructive crutch. In the novel’s opening chapters, he tells the mysterious Jane that the board “is all that stands between [him] and total existential chaos” (16). Later, as Adrian begins to grow and communicate more openly with his children, he sees that “remembering things is not the same as caring about them” (82). Adrian’s decision to take down the board immediately provides an opportunity for his children to be more open with him about their feelings, bringing them closer.


The board’s failure to capture the family’s true emotional state also highlights the destructive nature of suppressing conflict. While it lists Pearl’s birthday dinner, it cannot account for the hurt that creates a rift in Adrian’s relationship with his oldest son. Eventually, Adrian is able to see the board as a list of obligations met without addressing the underlying pain caused by his choices. It symbolizes a family structure so precarious that it must be managed with charts and reminders, proving that their ideal of a “one big happy family” is an illusion maintained by logistical control rather than authentic emotional bonds, and is therefore destined to collapse.

The “Dear Bitch” E-mails

The “Dear Bitch” e-mails provide a recurring motif for The Destructive Nature of Unspoken Resentments. These anonymous, venomous messages act as the engine of the novel’s central mystery, serving as the primary vehicle for the toxic anger that lurks beneath the Wolfe family’s polished facade. Their emails expose a hidden world of jealousy and rage that directly contradicts Adrian’s carefully constructed narrative of a happy, blended family. The e-mails begin with a blunt, hateful question that echoes in Maya’s mind moments before her death: “Dear Bitch. Why can’t you just disappear?” (4). This line, which surfaces at her most vulnerable moment, demonstrates the destructive power of this private, festering hatred, prompting the despair that leads to her fatal intoxication. The anonymity of the e-mails underscores the family’s complete inability to communicate their resentments honestly, choosing instead to let them fester into a poison that ultimately proves lethal.


The discovery of the e-mails shatters Adrian’s idealized memory of a perfect marriage, compelling him to dismantle the comforting illusions he’s built around his life with Maya. The messages, filled with cruel observations and twisted family secrets, serve as undeniable evidence that his perception was false, forcing him on a painful journey to uncover the authentic, complex reality of Maya’s unhappiness and his own role in it.

Billie the Cat

Billie the cat serves as an evolving symbol of Adrian’s grief and his fractured connection to Maya. As Maya’s last living possession, the cat initially represents the inescapable pain of her absence. Upon returning to his empty flat after her death, Adrian’s first instinct is rejection: “He could not have Maya’s cat without Maya” (10). This immediate decision to get rid of Billie symbolizes his desire to bypass the grieving process, to remove the living reminder of his loss rather than confront the complex emotions it evokes. He sees the cat not as a creature needing care but as a painful relic of a life that has been violently concluded. His inability to care for Billie mirrors his initial inability to process his grief, as both require acceptance of a new, unwelcome reality and a commitment to nurturing what remains in the wake of loss.


The symbol’s meaning shifts as Adrian’s understanding of grief deepens. The intervention of Jane/Abby, who tells him, “I think you need [Billie],” forces him to reconsider his relationship with the cat (27). Her wisdom suggests that moving on is not an active, cleansing process but an organic one that involves integrating the past into the present. Adrian’s eventual decision to keep Billie marks his acceptance of this truth. The cat transforms from a symbol of what he has lost into a symbol of continuity and his capacity to heal. By choosing to care for this “living, breathing piece of Maya” (20), Adrian embraces his grief rather than attempting to expel it, signifying a crucial step in reconstructing his life around a painful but authentic truth.

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