48 pages • 1-hour read
Jennifer A. NielsenA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section includes discussion of graphic violence, child abuse, and death.
The Olden Blade is a physical object that serves as a plot device in the story as the weapon Kestra must locate and deliver to Tenger to support the rebellion. The Olden Blade also ultimately functions as a symbol of power and authority, with the question over who can wield it becoming a question about the correct justification for rule.
The Olden Blade was created by Lord Endrick to hold his magic, and as such, it is the only weapon said to be able to kill him. Kestra initially dismisses the blade as a myth, representing the belief that Endrick’s power is too absolute to be challenged. As she learns of her personal connection to the Olden Blade, it takes on a further meaning as a symbol of her heritage and duty: Since her birth mother, Anaya, was the first Infidante and failed in her attempt to assassinate Endrick, that quest now passes to Kestra, as Anaya’s heir. Recognizing that the blade is real and finding it parallels Kestra’s new understanding of the world, her own lineage, and her place within the social structure of Antora. Giving a false blade to Tenger signifies Kestra’s cunning and her new resolve to engage in a rebellion of her own, following the course of action she believes is right. At the end of the novel, claiming the Olden Blade and proving herself the Infidante symbolizes Kestra’s acknowledgement, and acceptance, of her new identity and her new quest.
The silk-covered diary that Kestra has to find at Woodcourt initially serves, like the Olden Blade, as a plot device: The diary will reveal the location of the Olden Blade, or so it is believed. However, the diary also gains a personal meaning for Kestra when she realizes it is the diary of Lily Dallisor, the woman she has grown up believing is her mother, turning it into a symbol of Coming to Terms with Identity and Heritage. At first glance, the delicacy of the item recalls the lost beauty of her mother: “The binding was beautiful, covered in faded pink satin and sewn with maroon thread in the shape of roses” (160). As she reads it and gains a new understanding of herself, the diary comes to signify her new maturity and growing awareness of the world around her.
The diary, and Henry Dallisor’s fear that she might have read it, also offers a means for Kestra to understand the nature of the man she calls her father, as he wishes to punish her for removing the diary from its place. For Henry, the diary stands in for his lost wife; his possession of her diary is like his choice to leave her rooms unchanged and untouched. However, the diary and its secrets also represent the tenuous nature of Henry’s authority. He holds power only through his alliance to Endrick, and Kestra will pose a challenge to that. Ultimately, Lily’s diary represents the truth about Kestra’s birth that Henry is trying to hide and deny.
The dungeons beneath Woodcourt, the home of Henry Dallisor, symbolize the cruelty and injustice that Lord Endrick embodies and Henry Dallisor supports. The dungeons are evidence of Henry’s cruelty early on, when Simon reminds Kestra that her father sentenced a pair of young boys to be whipped and executed because they were accused of stealing a ring. Simon’s discovery of the so-called Pit of Eternal Consequence leads to his escape and saves his life, but the later recovery of the ring in a couch cushion serves to establish that Henry Dallisor’s type of justice is unnecessarily cruel and not always connected to a real crime. This raises the stakes for when Tenger, Rosalie, and the others accused of being Corack rebels are imprisoned in the dungeon with the threat of being executed.
Just as the dungeons provided an avenue of escape for Simon and the prisoners, they provide a symbolic escape for Kestra as she parts with her previous identity as Henry Dallisor’s daughter and comes to terms with her birth—which took place in those very dungeons. The prophecy that Anaya carved in the wall of her cell symbolizes not only the truth about the Olden Blade and its legacy, but also the quest which now falls into Kestra’s hands.



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