50 pages 1-hour read

The True True Story of Raja the Gullible (and His Mother)

Fiction | Novel | Adult | Published in 2025

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Essay Topics

1.

While family relationships remain at the heart of the text, the novel also explores other important bonds in the lives of individuals like Raja. How do communal bonds function in the text? How are Raja’s bonds with members of his wider community different or similar to his familial dynamics?

2.

Pick one of the historical events the novel depicts and research it. How does the author’s depiction of its impact on Raja and his family dovetail with the historical record?

3.

Analyze the novel’s shifting timelines. How does this narrative structure explore the impact of the past on the present?

4.

Discuss Madame Taweel’s character. How is she characterized? What is her wider role and significance in the text?

5.

Examine the novel’s portrayal of sexuality. How do different characters experience, or wrestle with, their sexual identity and sexual desire? How does sexuality shape the characters’ lives?

6.

Raja often struggles with his identity as a Lebanese man, feeling both attached to his country and yet aggrieved by its corruption. How does the novel interrogate the links between individual and national identity?

7.

How do Raja’s family relationships change—or fail to change—over time? What does the novel suggest about both the strengths and limitations of the family unit?

8.

How does the novel interrogate gender roles and gender dynamics in the portrait of its female characters? How do Zalfa, Madame Taweel, and/or Nahed conform to, or defy, expectations for Lebanese women?

9.

Analyze Raja’s narrative voice and self-presentation. What literary and narrative techniques does he use in telling his story? What does his narration reveal, directly or indirectly, about key aspects of his characterization?

10.

Compare and contrast this novel with another fictional work about Lebanon, such as Nathalie Abi-Ezzi’s A Girl Made of Dust (2009) or Iman Humaydan’s Other Lives (2010). How are these works different or similar in how they wrestle with Lebanon’s complicated history? What key themes and ideas do they share?

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