59 pages 1-hour read

The Truth According to Us

Fiction | Novel | Adult | Published in 2015

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Symbols & Motifs

Heat

The increasingly unbearable heat in Macedonia is emblematic of the increasing interpersonal, sexual, and class tensions in the narrative. The rising heat marks the growing passion between Jottie and Sol and between Layla and Felix. It symbolizes Willa’s burgeoning womanhood and ill-defined sexuality and also charts the rising dissatisfaction of the workers at the factory and the looming threat of violence. The first signs of autumn emerge after Felix’s lies are exposed and as Jottie’s relationship with Sol cools and the situation at the factory calms down: “It was getting to be the end of summer. You could feel it happening. Not that it wasn’t hot; it was—sweltering, even, in the afternoons. But it wasn’t crushing anymore” (450).

Books and Reading

For Willa, books are a way of reaching outside of her own narrow world, experiencing and seeking to make sense of the mysterious world of adults, and seeking to understand the changes that she herself is undergoing.


In Chapter 20, she discovers Jane Eyre—another novel in which the heroine passes from girlhood to adulthood and uncovers a dark secret. Later on in the novel, Willa is particularly drawn to those books that are forbidden to her—Gone With the Wind, Crime and Punishment, The Beautiful and the Damned, and Private Worlds. All these novels in some way reflect her own situation and background. Gone With the Wind presents a strong but flawed heroine engaged in a doomed, passionate relationship against the backdrop of the American Civil War and its fallout. Crime and Punishment, which reflects on the stories people tell themselves to justify appalling actions and the suffering of a man struggling with his conscience, finds many parallels in Felix’s situation. The Beautiful and the Damned perhaps echoes Willa’s fears about her father’s relationship with Layla, a socialite from the big city. Private Worlds describes the struggles of a compassionate and innovative female psychiatrist struggling against the patriarchal establishment, suggesting some parallels with the struggle between Layla’s “alternative” history of Macedonia and the traditionalist, authoritative vision embodied by people like Parker Davies.

American Everlasting Hosiery Company

The name of the American Everlasting Hosiery Company provides a degree of irony throughout the novel. The epithet “American Everlasting” suggests a high, poetic, and nationalistic ideal that sits rather uncomfortably with the banal necessity of socks. This ironic juxtaposition is dramatized in the opening chapter when Willa recounts that during town pageants, “[s]ometimes the teachers g[i]ve up and kill[] two birds with one stone by making the seventh-graders march across the stage, waving socks, while the eighth-graders s[i]ng ‘The Star Spangled Banner’ behind them” (4). One of the challenges that the FWP undertook was that of defining what it means to be American—the “everlasting” core of American national identity. The factory in Macedonia burns to the ground at one stage and is a political battleground between the emerging trade union movement and the more conservative industrialist classes.

Apples

Apples are the topic of Layla’s second assignment for the FWP. As in the case of her first assumptions about Macedonia, Layla initially underestimates this task and assumes that it will be something banal and dull. As with Macedonia, Jottie plays a key role in opening Layla’s eyes to the hidden depths of her subject. When Layla remarks that the new assignment sounds “deadly,” Jottie counters that apples are “more interesting than you think” and sings a snatch of an old local song about the fruit: “Autumn’s jewel, fruit on the bough, a treasure far greater than gold” (451). The song transforms apples into something precious, sensuous, and exotic. The apple is also a biblical symbol, referring to the fruit of knowledge that catalyzed the fall. Following her inadvertent exposure of her father’s misdeeds, the perennially curious Willa feels as if she, too, has brought about a cataclysm by seeking knowledge. In undertaking this new, female-driven quest, supported by Jottie and Layla, Willa begins to heal and re-engage with the world.

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